<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>S-P-E-L-L-I-N-G I-T O-U-T: Typography in Film</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Michael Baker (McGill University)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Matthew Soar (Concordia University), "Type Set: For a Cultural Economy of Lettering and Typography in Cinema"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Michael Baker (McGill University), "Wes Anderson’s Alphabet & the Clothes Characters Wear: Reading Directorial Style in Opening Credits"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Daniel Fineman (Occidental College), "The Text of Undoing: Typography in Welles’ </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Mr. Arkadin</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Sarah Teasley (University of Massachusetts, Dartmouth), "Reading the Cinematic City: The Typography of Environmental Graphics in Prewar Japanese Film"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Respondent: Rembert Hueser (University of Minnesota)</SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Japanese Cinema and Culture</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Daisuke Miyao (University of Oregon)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Brian Ruh (Indiana University), "America’s Anime, Japan’s Anime: Identifying Japanese Animation in Global Circulation"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Daisuke Miyao (University of Oregon), "Japanese Men with Movie Cameras: 'Lights, Camera, Nation!'"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Akira Lippit (University of Southern California), "At the Center of the Outside: Japanese Cinema Nowhere"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Alastair Phillips (University of Reading), "Unsettled Visions. Space, Time and Modernity in Imamura Shohei's </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Vengeance is Mine</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> (1979)"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>The National in the Transnational: Ventriloquism in Korean Cinema</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: JungBong Choi (New York University)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Hye Jean Chung (University of California, Santa Barbara), "Historicization of Personal Testimony: The Reclamation of Voice in </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>The Murmuring</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Sangjoon Lee (New York University), "Rewriting ‘Korean National Cinema’ in the Age of Transnational Imaginary: The First Period of Shaw Brothers/Shin Film Co-productions during the 1960s"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Sueyoung Park-Primiano (New York University), "The Roundabout: National Identities in Transnational Korean Culture"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> HyunHee Park (University of Chicago), "Between Korea and Japan: On Yoichi Sai’s Cinematic Instability"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Japanese Cinema: Gender and Genres</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Nicholas Schlegel (Wayne State University)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Nicholas Schlegel (Wayne State University), "Identity Crisis: Imperialist Vampires in Japan?"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Myoungsook Park (University of Iowa), "On Minority Representations in Contemporary Japanese Cinema: Representations of Resident Koreans in </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Go </I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">(Yukisada Isao, 2001)"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Deborah Shamoon (University of Notre Dame), "Domesticating Japanese Girlhood: The Film Career of Misora Hibari, 1946-1955"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Leslie Marsh (University of Michigan), "Buraziru: The Japanese Immigrant and Dekassegui Experience in Tizuka Yamasaki’s </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Gaijin: Os Caminhos da Liberdade</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> (1980) and </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Gaijin: Ame-me Como Sou</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> (2005)"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Rethinking Genre II</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Joseph Schaub (College of Notre Dame)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Joseph Schaub (College of Notre Dame), "When Cute Becomes Scary: Images of the Young Female in Contemporary Japanese Horror Cinema"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Rebecca Gordon (Oberlin College), "“It’s a New System. I Wanted Us All to Discover It”: Crafting a Post-Feminist Horror Mythology in </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>The Descent</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Donald LaCoss (University of Wisconsin, LaCrosse), "A Fistful of Fanon: Postcolonial Politics & the Spaghetti Western"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Jeff P. Smith (University of Wisconsin, Madison), "Film and the Musical Analogy: Rethinking an Old Theoretical Concept"</SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Historical Trajectories in Cross-Border East Asian Cinemas</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Hyung-Sook Lee (University of Southern California)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Co-chair: Stephanie DeBoer (SSRC/Meiji Gakuin University, Tokyo)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Dong Hoon Kim (University of Southern California), "Benshi across the Borders:Benshi and Byonsa in Korea under Japanese Colonial Rule"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Charles Leary (New York University), "The Didactics of Cathay Cinema and Hong Kong Modernity"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Hyung-Sook Lee (University of Southern California), "Transnational Filmmaking and Oscillating Names: The Case of Chung Chang-Wha"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Stephanie DeBoer (SSRC/Meiji Gakuin University, Tokyo), "</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Asian Beat</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">: Omnibus Asia at the Limits of the Link"</SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR class="khtml-block-placeholder"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Pornography Studies I</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><B><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></B></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">Karen Hall (Ithaca College)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> David Andrews (Independent Scholar), "Does Porn Need Sex, or is S-e-x Enough? Toward an Analytic Definition of Pornography"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Katrien Jacobs (City University of Hong Kong) and Chantal Zakari (School of the Museum of Fine Arts, Boston), "Soft Arousal Latex Party: Web Affairs and Pornification in </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>The Twilight Zone</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Young Eun Chae (University of North Carolina, Chapel Hill), "Visualizing Female Pleasure on the World Wide Web: Internet Pornography in South Korea, Japan, and the United States"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Karen Hall (Ithaca College), "Covering the Iraq Netwar: War Pornography and the Occupation in Public Space"</SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Formal Conventions and Textual Relations</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Christine Becker (University of Notre Dame)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Dan Russek (University of Victoria), "Politics of the Image: Modern Media in the Literary Works of Julio Cortázar and Tomás Eloy Martínez"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Greg Wright (Michigan State University), "Provocative Developments: Photographic Logic and Quantum Uncertainty in the Multiple Forms of </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>The Big Sleep</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Hideaki Fujiki (Nagoya University), "Effacing Nationality: Hollywood's Adaptation of Contemporary Japanese Films"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Christine Becker (University of Notre Dame), "</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>The Office</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">: An American Success Story"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Cinema and Translation: Technologies, Styles and the Politics of Language Transfer</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Natasa Durovicova (University of Iowa)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Sheila Skaff (University of Texas, El Paso), "Intertitles and Language Conflict in Bydgoszcz, El Paso and Juarez, 1908-1920"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Charles O'Brien (Carleton University), "Dubbing Technique and Its Stylistic Consequences: The Translation into French of Alfred Hitchcock’s </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Waltzes from Vienna</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> (1934)"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Joshua First (University of Michigan), "Making Socialist Cinema Multi/National: The Politics of Film Translation in the Soviet Union, 1960-1980"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Mark Nornes (University of Michigan), "</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Dangerous Liaisons</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">: Traders, Traitors and the Film Festival Network"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Performance, Projection, and the Asian Diaspora</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Room: </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Peter X Feng (University of Delaware)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Peter X Feng (University of Delaware), "King vs. Chairman, or the Comedy of Extreme Sports: Translating Japanese Television for U.S. Audiences"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Ju Yon Kim (Stanford), "Playing the Part, Burying the Body: Racial Performance and Performativity in </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Better Luck Tomorrow</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Steven Lee (Stanford), "Viktor Tsoi at Sundance: Soviet Counterculture and the Korean Diaspora"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Constructions of Racial Identity</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Adam Knee (Ohio University)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Hilaria Loyo (Universidad de Zaragoza), "Blinding Blondes Go West: Whiteness, Star, Genre and Nation in the Early Fifties"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Christine Guzaitis (University of California, San Diego), "Seeing Double: Interracial Desire and Gender Deviance in U.S. Filmic Representations of Post-World War II Japan"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Adam Knee (Ohio University), "</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>White Chicks</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> in a </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>New York Minute</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">: Performing/Transforming White Femininity in Contemporary Hollywood"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Nancy Inouye (Univ. of Massachusetts Amherst), "Hollywood’s ‘Yellowface’: The Spectacle of Orientalism in Film Scoring and Performance"</SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B>Project Sternberg</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Janet Bergstrom (University of California, Los Angeles)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Janet Bergstrom (University of California, Los Angeles), "Josef von Sternberg: Salvation Hunter"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Jason Skonieczny (University of Southern California, Los Angeles), "American Lyrical Abstraction: Sternberg in Light of Deleuze"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Andrew Woods (UCLA), "Sternberg at RKO"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Sachiko Mizuno (University of California, Los Angeles), "</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>The Saga of Anathan</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> and Sternberg in Japan"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Respondent: Lea Jacobs (University of Wisconsin, Madison)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT></P><P style="margin: 0.0px 0.0px 16.0px 0.0px"><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B> “Extreme” East Asian Cinema and Cult Film Canons</B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><B><BR></B></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chair: Hye Seung Chung (Hamilton College)</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Chi-Yun Shin (Sheffield Hallam University), "All in the Name: Tartan Asia Extreme Films"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Hye Seung Chung (Hamilton College), "Hooking the Audience: The Repulsive Attraction of Kim Ki-duk’s Yopgi Cinema"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> James Fiumara (University of Pennsylvania), "Narration, Aesthetics, and Torture in Takashi Miike’s </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Audition</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;">"</SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><BR></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> Ruby Cheung (University of St Andrews), "(De)Territorializing Horror: Domestic Specificities and Transnationalism in Fruit Chan’s </SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"><I>Dumplings</I></SPAN></FONT><FONT class="Apple-style-span" color="#333333" face="Arial" size="4"><SPAN class="Apple-style-span" style="font-size: 14px;"> (2004)"</SPAN></FONT></P></BODY></HTML>