<div>A long-delayed follow-up observation about very old directors. The Russian-born director and producer Eugene Frenke, who worked in Europe and Hollywood from 1931 to 1971, would appear to be turning 101 on January 1, 2008. I say "would appear to be" because, although the IMDB and Wikipedia list Frenke as alive (or not dead, anyway), I'd like to know his current whereabouts before asserting his status confidently. He co-directed his first feature in 1935, not quite the Twenties but a very long time ago. His first production credit, on the German film
<em>The Brothers Karamazov</em>, came in 1931, the same year as Manoel de Oliveira's first meaningful credit (Oliveira was an onscreen extra in a 1928 silent film).</div>
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<div>Best,</div>
<div>Mark Harris <br><br> </div>
<div><span class="gmail_quote">On 10/6/07, <b class="gmail_sendername">Alexander Jacoby</b> <<a href="mailto:a_p_jacoby@yahoo.co.uk">a_p_jacoby@yahoo.co.uk</a>> wrote:</span>
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<div style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif">And of course there is Kaurismaki's Juha. OK then - the challenge will have to be "last director alive to have worked in the twenties", with the thirties as a further interesting query. Unless people think this is getting off topic for what is after all a Japanese cinema mailing list!
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<div style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif">----- Original Message ----<br>From: thomas.lamarre <<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:thomas.lamarre@mcgill.ca" target="_blank">
thomas.lamarre@mcgill.ca</a>><br>To: <a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:KineJapan@lists.acs.ohio-state.edu" target="_blank">KineJapan@lists.acs.ohio-state.edu</a><br>Sent: Saturday, 6 October, 2007 6:54:48 PM
<br>Subject: Re: Inuzuka Minoru<br><br>
<div>Just to add to this train of thought: there are other reasons to make silent<br>films, if we look at Guy Maddin's recent silent 'Brand upon the Brain,'<br>which was performed in Toronto with Isabella Rosselinni as the live narrator
<br>but which has been released more widely as a 'silent' (with the caveat the<br>silent films often have sound and music).<br><br>Tom<br><br><br>On 10/6/07 12:56 PM, "Aaron Gerow" <<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:aaron.gerow@yale.edu" target="_blank">
aaron.gerow@yale.edu</a>> wrote:<br><br>> I actually conveyed the question to a film studies list. We'll see what<br>> others come up with.<br>> <br>>> I was thinking of Oliveira, which is why I didn't say the thought that
<br>>> initially occured to me of "last director to have made silent films" -<br>>> since Oliveira's short documentary Douro - Faina Fluvial (1931) is<br>>> silent. Having said that, I could have said "Was Inuzuka the last
<br>>> director to have made silent features"?<br>> <br>> The problem with saying "silent features" is that there were some<br>> countries, like Korea, that were making silent features into the 1940s
<br>> due to various historical circumstances. Japan, of course, was<br>> releasing silent features up until about 1937. Perhaps restricting the<br>> question to the 1920s helps avoids these differences in circumstance.
<br>> <br>> <br>> Aaron Gerow<br>> KineJapan owner<br>> <br>> Assistant Professor<br>> Film Studies Program/East Asian Languages and Literatures<br>> Yale University<br>> <br>> For list commands, send "information kinejapan" to
<br>> <a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:listserver@lists.acs.ohio-state.edu" target="_blank">listserver@lists.acs.ohio-state.edu</a><br>> Kinema Club: <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://pears.lib.ohio-state.edu/Markus/Welcome.html" target="_blank">
http://pears.lib.ohio-state.edu/Markus/Welcome.html</a></div></div>
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</div></blockquote></div><br><br clear="all"><br>-- <br>Mark R. Harris<br>2122 W. Russet Court #8<br>Appleton WI 54914<br>(920) 470-9855<br><a href="mailto:brokerharris@gmail.com">brokerharris@gmail.com</a>