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<DIV><FONT face=Arial>If I may ask:</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>I am one of probably many SCMS members and a
Kinejapaner who has never visited Japan.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>I would welcome recommendations from people about hotels
near the conference and also the best way to find information on some kind of
sightseeing guides. I plan to stay several extra days before or after the
conference.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>thanks.</FONT></DIV>
<DIV><FONT face=Arial>Matthew</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=amnornes@umich.edu href="mailto:amnornes@umich.edu">Mark Nornes</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A
title=KineJapan@lists.acs.ohio-state.edu
href="mailto:KineJapan@lists.acs.ohio-state.edu">KineJapan</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, February 02, 2009 8:12
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> SCMS Line-up</DIV>
<DIV><BR></DIV>I don't recall anyone noting this, so I will. SCMS announced
their line-up for the Tokyo conference. I take this visit to Tokyo has an
honest-to-goodness attempt to "provincialize SCMS". Judging from the panels I
see here, they seem to have done just that. I don't recall any conference
anywhere with so many fascinating panels on Asia. I'm very much looking
forward to this.
<DIV><BR></DIV>
<DIV>One other thing that surprised me was the number of panels on film
festivals, something dear to my heart. </DIV>
<DIV><BR></DIV>
<DIV>In any case, many tough decisions will have to be made this spring.</DIV>
<DIV>
<DIV><BR></DIV>
<DIV>Markus</DIV>
<DIV><BR></DIV>
<DIV><B>Full conference schedule: </B></DIV>
<DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><A
href="http://www.cmstudies.org/conferences/TokyoConferenceProgramDraft.htm">http://www.cmstudies.org/conferences/TokyoConferenceProgramDraft.htm</A></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><B><BR></B></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><B>And here's just the
Asian-related panels: </B></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Preliminary Conference Program
DRAFT</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">2009 SCMS Conference</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">SCMS at 50/Tokyo: Mobilizing
the Future/Screening the Past</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Thursday, May 21, 2009
8:00-9:45 am (Session A)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">A1: An Archaelogy of Asian
Screen Representation and the Display of Oriental (De)cadence: Assessing the
Future of Global Hollywood</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Lindy Leong (University
of California, Los Angeles/Purchase College-SUNY)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Benjamin Min Han (New York
University), "The Kim Sisters and American Television"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jinhee Choi (University of
Kent), "Inter-Lingual ‘Translation’ and Epistemic Risk: Reflections on
Multinational Casts and Dubbing in Asian Co-Productions"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lindy Leong (UCLA/Purchase
College-SUNY), "Bangkok Dangerous and the SE Asian (Dis)connection:
Inscrutability and Resistance in the Cinema of Apichatpong Weerasethakul and
the Thai New Wave"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent: Hyung-Sook Lee
(Ewha Woman's University, Korea)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">A2: Workshop: Asian Cinemas and
the Neoliberal Turn: The Politics and Aesthetics of Gender and Sexuality</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301B</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Jyotsna Kapur (Southern
Illinois University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Sunny Yoon (Hanyang
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Workshop Participants:</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Gina Marchetti (University of
Hong Kong)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Amy Villarejo (Cornell
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Rie Karatsu (University of
Nagasaki)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">A3: War, History, and Trauma In
Japanese Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Oliver Dew (Birkbeck
College, University of London)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mark Pendleton (University of
Melbourne / TUFS), "Trauma Cinema and Remembering Terror: Shiota Akihiko's
Canary and post-Aum Japanese Film"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Patrick Crogan (University of
the West of England), "Shohei Imamura's Black Rain: Reconsidering Tradition,
Ideology and Survival"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mayumo Inoue (The University of
the Ryukyus), "Hiroshima beyond the Aesthetics of Failure: History,
Materialism, and the City in Suwa Nobuhiro's H Story"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Oliver Dew (Birkbeck College,
University of London), "Melodrama Wars: The Politics of the Wound and
Contested Memories of the War in Recent Japanese Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">A4: Transcultural Dialogues
with Japanese Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: João Luiz Vieira
(Universidade Federal Fluminense)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Andre Kunigami (Fluminense
Federal University, UFF), "Japanese Contemporary Cinema and Its Vanishing
‘Real’: Towards a New Mode of the Image"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">João Luiz Vieira (Universidade
Federal Fluminense), "Japanese/Brazilian Pop Images: Mazzaropi, Laughter,
Resistance and the Powers of Genre”</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Denilson Silva (Federal
University, Rio de Janeiro), "Ozu and the Search for a Contemporary Aesthetics
of Everyday Life"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">A5: Contemporary Asian
Diasporas: Redefinitions of Place and Subjectivity</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Ian Conrich (Birkbeck
College, University of London)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Suzie Young (York University),
"Cutting-edge Memory: YouTube and the Hong Kong Diaspora"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Helen Grace (Chinese University
of Hong Kong), "Intertextuality and Migration: Diaspora and Revival in Recent
Asian Australian Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Felicity Colman (Manchester
Metropolitan University), "’If You Were Me’: Listening to Diasporic Affect in
'Noise' (2007)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ian Conrich (Birkbeck College,
University of London), "Beyond Biculturalism: Cross-Cultural Relationships in
Asian-New Zealand Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">A11: A Cinematic Bestiary: The
Animal in Film and Philosophy</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 503AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Andrey Gordienko
(University of California, Los Angeles)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">André Dias (Universidade Nova
de Lisboa), "Autopsy ‘in vivo’: Biopolitical Features Regarding Wiseman’s
Primate"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Agustin Zarzosa (Edinboro
University), "Pencil’s Senseless Death, Valentine’s Unspeakable Crime, and the
Incongruous Animal Melodrama"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Andrey Gordienko (University of
California, Los Angeles), "To Live and Die like an Animal: The Sovereign Hero
in Kihachi Okamoto’s The Sword of Doom"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">A13: Phenomenological
Encounters on and beyond the Screen</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 505AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Greg Tuck (University of
the West of England)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Codruta Morari (Sorbonne
Nouvelle/Harvard University), "Sensuousness of the Cinematic Body :
Phenomenology of Style and ‘Feminine Truth’ in Rivette’s La Belle Noiseuse and
Sautet’s Un Cœur en hiver"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lucy Bolton (Queen Mary,
University of London), "Luce Irigaray and Morvern Callar – ‘Where the Look
Itself Remains Tactile’"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kate Ince (University of
Birmingham), "Existential Phenomenology, Feminism and the Film
Experience"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Greg Tuck (University of the
West of England), "Dead Bodies, Live Flesh: the Embodiment of Love and Loss in
Tsukamoto Shinya's Vital (2004)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Thursday, May 21, 2009
10:00-11:45 am (Session B)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">B1: Contemporary Asian Film
Industries: Festivals, Markets and Other Cosmopolitan Spaces</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Aynne Kokas (University
of California, Los Angeles)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Kyung Kim (University
of California, Irvine)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chia-Chi Wu (National Taiwan
Normal University), "Hong Kong Cinema before Kungfu Panda"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Brian Hu (University of
California, Los Angeles), "Rebranding the Cinemas of Hong Kong and Taiwan: The
Cosmopolitan Labor and Technology of Global Film Markets"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Bruce Williams (William
Paterson University), "Constructive Reflections: The Pivotal Role of Film
Criticism in North Korea Nation Building"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Aynne Kokas (University of
California, Los Angeles), "Sino-U.S. Film Co-production Practice and the Rise
of the Chinese Film Market"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">B3: Alternative Cinema in
Japan</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Mika Ko (University of
Sheffield, England)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ayami Ushida (Nihon
University), "The Mysterious Scene between the Cinematic Image and the
Original Novel"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Justin Jesty (University of
Chicago), "Dokuritsu Puro - Independent Production in Japan’s Early
Postwar"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Scott Nygren (University of
Florida), "Yoshida’s Political Purgatory"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mika Ko (University of
Sheffield, England), "‘Abnormal’ Body, Sexuality and Ethnicity: Matsui
Yoshihiko’s Cinema of Taboo"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">B5: The Evolution and Impact of
China Central Television</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Ying Zhu (College of
Staten Island-CUNY)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ruoyun Bai (University of
Illinois, Urbana-Champaign), "CCTV Dramas and the Re-making of Heroes in the
2000s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yik-Chan Chin (Oxford
University), "Can the China Central Television Still Maintain the
Monopoly?"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Zhifeng Hu (University of
China), "State, Market, and Public Interest: The Role of CCTV in China’s
Political Reform in the New Century"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sixian Huang (Beijing Film
Academy), "The Rise of "Star-search" Reality Shows and Its Cultural
Ramification"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">B7: New Media Networks: Global,
Biological, Technological Networks</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 404</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Anne Friedberg
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Wendy Chun (Brown University),
"Embodied Networks: Cyworld and the South Korean Race/Nation"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Beth Coleman (Massachusetts
Institute of Technology), "Real-Time Networks"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Brian Goldfarb (University of
California, San Diego), "Networks for Redefining Disorder: Internet-based
Public Health Intervention Projects"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Scott McFarlane (Concordia
University), "The Melting Pots of Biotechnology"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent: Philip Rosen (Brown
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">B8: Gender and Silent
Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 405</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Laura Horak (University
of California, Berkeley)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michele Torre (Southern
Illinois University Carbondale), "A Reel Woman: Zoia Barantsevich Makes Her
Mark in the Movies"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael T. Williams (University
of Southampton), "The Undying Past: Stars, Symmetry and History in Flesh and
the Devil (Clarence Brown, 1926)."</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Bryan Hartzheim (UCLA), "An
Asian Doll in French Clothes: Assimilation in the Films and Reception of
Tsuruko Aoki"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Laura Horak (University of
California, Berkeley), "Cross-gender Casting in Silent Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">B9: Film and Digital Form</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 501AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Seung-hoon Jeong (Yale
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Matthew Tinkcom (Georgetown
University), "Primer and Digital Time: On the DVD, Value and
Recursivity"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Eser Selen (New York
University), "Re/booting Binaries: What is Old in the New Media?"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Maria Cruz (Universidade Nova
de Lisboa), "Screening and Accessing: Space and Time in Contemporary Visual
Culture"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Seung-hoon Jeong (Yale
University), "A Spectatorial Turn of Digital Indexicality"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Thursday, May 21, 2009
1:15-3:00 pm (Session C)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">C1: Perspective Matters:
Transnational Perspectives on Identity Performance in East Asian Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Michael Baskett
(University of Kansas)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Darrell Davis (Lingnan
University, Hong Kong), "'Lust, Caution': Class Acts, Transgressive
Consumption"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael Baskett (University of
Kansas), "Between the National and Transnational: Performing Identity in 1960s
Pan-Asian Spy Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Emilie Yueh-yu Yeh (Hong Kong
Baptist University), "Incriminating Spaces: Borderless Asia in the Films of
Miike Takashi"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Poshek Fu
(University of Illinois, Urbana-Champaign)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">C2: Workshop: Japanese Cinema
in the World</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301B</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Daisuke Miyao
(University of Oregon)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Workshop Participants:</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hideaki Fujiki (Nagoya
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mitsuhiro Yoshimoto (New York
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Alastair Phillips (University
of Warwick)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Scott Nygren (University of
Florida)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Akira Lippit (University of
Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">C3: Miike Takashi</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Dylan Ellefson
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Dylan Ellefson (University of
Southern California), "Televisual Nostalgia: Representations of Home and the
Recent Past in Miike Takashi`s Osaka Coming of Age Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Steven Rawle (York St. John
University), "Visitor M: The Selling of Miike Takashi as an International
Auteur"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Alain Chouinard (Concordia
University), "The Hetero-masculine Body and the Transgression of its
Homogeneous Boundaries in Takashi Miike’s Yakuza Films, Ichi the Killer and
Gozu"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">C4: Imagining the Urban II:
Urban Geographies of Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Pamela Wojcik
(University of Notre Dame)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sabine Haenni (Cornell
University), "Genre/City: Toward a Theory of the Cinema's Urban
Imagination"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Paola Bonifazio (New York
University), "Documentary Films and the ‘Housing Revolution’: in Cold War
Italy"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Diane Lewis (University of
Chicago), ""Kyoto, Hollywood of Japan": Imaginary Geographies of the Japanese
Film Industry after the Great Kanto Earthquake of 1923"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Brendan Kredell (Northwestern
University), "“Le langage du cinéma est universel”: The Cinema of
Gentrification in the Contemporary North American Motion Picture
Industry"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">C5: Pacific Visions: Tracing
the Movement of Memory between North America and Asia</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Kirsten McAllister
(Simon Fraser University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kirsten McAllister (Simon
Fraser University), "Temporal Movements: From Historical Displacements to
Transnational Flow"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Roy Miki (Simon Fraser
University), "Rewiring the Critical Affects: Reading ‘Asian Canadian’ in the
Transnational Sites of Kerri Sakamoto’s One Hundred Million Hearts"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Monika Gagnon (Concordia
University), "Posthumous Cinema: Unfinished Films and Theresa Hak Kyung Cha’s
White Dust from Mongolia"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Cindy Mochizuki (Emily Carr
University), "Re-performing Interviews from Slocan to Shizuoka &
on..."</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">C8: Race, Ethnicity, and Film
History</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 405</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Peter Limbrick
(University of California-Santa Cruz)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yuanyuan Wang (University of
Hong Kong), "Nonsignification, Elusiveness and the Power of Fiction:
Apichatpong Weerasethakul and the Cinematic Historicity"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael Meneghetti (Brock
University), "’Emotions in the Emulsion’: Acts, Intercessors, and History in
Italianamerican and American Boy"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Raphael Lambert (University of
Tsukuba), "The Middle Passage: Film Posters and the Meaning They Create"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Peter Limbrick (University of
California-Santa Cruz), "The Seekers: Film History and Postcolonial Encounters
in Aotearoa/New Zealand."</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">C11: Transformations of the
Flesh</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 503AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Sophia Harvey (Vassar
College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Mike Dillon
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Raphael Raphael (University of
Oregon), "Planet Kong: Transnational Use of the Chronotope of King Kong (1933)
in Japan and Southeast Asia"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mike Dillon (University of
Southern California), "Impossible Representations: The ‘Thinking Bomb’ of The
Terrorist (Santosh Sivan,1999)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sophia Harvey (Vassar College),
"Who’s the Dummy? Mapping Subjectivity, Materiality, and Corporeality in Pin
(Sandor Stern, 1988) and Magic (Richard Attenborough, 1978)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: E. Ann Kaplan
(Stony Brook University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Thursday, May 21, 2009
3:15-5:00 pm (Session D)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D1: Cinema as Heterotopia in
East Asia: Past, Present, and Future</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Derek Lam (University of
Hong Kong)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Shota Ogawa (University of
Rochester), "Curtain Call: Contesting Nostalgia at the End of Cinema, at the
Edge of Honshu"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yiping Lin (University of Hong
Kong), "Summer Palace Mon Amour: Memories of Youth and Postsocialist
Aesthetics"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mathias Windelberg (Academy of
Fine Arts), "The Wired City: Tracks, Games, Ball-bearings & Cherry
Blossoms"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Derek Lam (University of Hong
Kong), "Dreams and Nightmares: Simulation and Heterotopias in East-Asian
Sci-Fi"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D3: Revisiting Europe’s Past:
Japanese Anime Travelogues in Europe and the Future of Japanese
Animation</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Enrique Garcia
(Middlebury College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jinying Li (New York
University), "A European Past vs. a Futurist Tokyo: Mapping the Global
Trajectory of Japanese Anime through Narrative Settings"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nikolina Dobreva (University of
Massachusetts, Amherst), "Monarchy or Republic?: 18th Century European Elites
and Nationalism in the Japanese Anime Le Chevalier D’eon"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Matthew Penney (Concordia
University), "Wartime Germany and "Multidirectional Memory" in Space
Battleship Yamato"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Enrique Garcia (Middlebury
College), "Naoki Urasawa’s Monster: An Ideological Travelogue Through
Post-cold War Europe"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D4: Visualizations of Japan in
an International Context</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Miryam Sas (University
of California, Berkeley)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sarah Teasley (Northwestern
University), "Exhibition Technology: Display Design and the Postwar
Conceptualization of Japan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Miryam Sas (University of
California, Berkeley), "New Languages of Photography and Experimental Film in
1960s Japan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Steven Ridgely (University of
Wisconsin-Madison), "Terayama Shūji and Post-new Wave Experimental
Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Deborah Shamoon (University of
Notre Dame), "Casshern's Fictional Landscapes"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D5: European Art Cinema and
Asia</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Jie Li (Harvard
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Anne Rutherford (University of
Western Sydney), "Eisenstein and Takemitsu: Polyphonic Montage, Mimetic
Correspondences and Cinematic Perception"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Homay King (Bryn Mawr College),
"Yamamoto’s Jacket: Wim Wenders’ Notebook on Cities and Clothes"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Tracy Biga MacLean (Claremont
Colleges) and Jon Wagner (California Institute of the Arts), "Greenaway in
Japan: Pages and Screens in The Pillow Book"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jie Li (Harvard University),
"The Maoist Mise-en-Scène: Antonioni, Ivens, and the Chinese Cultural
Revolution"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D6: The Economics, Politics,
and Art of Film Festivals</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 403</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Lisa Dombrowski
(Wesleyan University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: James Udden
(Gettysburg College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ramona Curry (University of
Illinois, Urbana-Champaign), "Working Locally, Watching Globally: Origins and
Impact of the San Francisco International Film Festival"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Cindy Wong (College of Staten
Island, City University of New York), "Beyond Electric Shadows: The Hong Kong
International Film Festival and the Globalization of Chinese Language
Cinemas"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">James Udden (Gettysburg
College), "Political Pariahs, Festival Faves: Taiwan, Iran and the Cinematic
Art of Cultural Diplomacy"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lisa Dombrowski (Wesleyan
University), "Bringing Festival Cinema Back Home: IFC’s First Take and Fest
Direct"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D8: Camp and Public
Screens</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 405</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Chunchi Wang (National
Dong Hwa University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hollis Griffin (Northwestern
University), "Public Screens, Commercial Spaces, and Media Culture's Gay
Consumer-Citizen"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nan McVittie (University of
Michigan-Ann Arbor), "Sending Camp to Kids: Youth Audiences and the Queer
Politics of Paul Reubens and John Waters"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chunchi Wang (National Dong Hwa
University), "Camp in Context: Rethinking Camp Through Contemporary Taiwanese
Gay Film"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D9: Origins of Animation</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 501AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Casey Riffel (University
of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Annie Manion
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Casey Riffel (University of
Southern California), "Origin Stories: Animation and Animalization in the Work
of Winsor McCay"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Annie Manion (University of
Southern California), "Discourses of Japaneseness: Animation, Modernity, and
National Identity"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lora Mjolsness (University of
California, Irvine), "The Brumberg Sisters: The Early Years of Soviet
Animation"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Lucy Fischer
(University of Pittsburgh)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D11: Horror in Cross-cultural
Context</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 503AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Meheli Sen (DePaul
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hyo Kim (New York University),
"Aesthetics of Moral Values in Asian Horror Films: An Analysis of Three
Extreme"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Li Zeng (Northwestern
University), "The Chinese Horror and The Return of the Historical Trauma:The
Lonely Ghost in the Dark Mansion (1989)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Usha Iyer (University of
Pittsburgh), "The Tantric in the Hindi Horror Film: Monster or Mystic?"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Meheli Sen (DePaul University),
"Futile Family Romance: Hindi Horror in the Bollywood Network"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">D14: Transnational Perspective
on Cinema and Media in Africa</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 506</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Augusto De Oliveira
(University of Bristol)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael Laramee (University of
Miami), "Oral Histories and Digital Futures: Why Nigerian and Ghanaian Film
and Video Should Be In Focus"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">J van Staden, "Ghost Money:
Film, Globalization and the Capitalist Uncanny"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Aboubakar Sanogo (University of
Southern California), "African and Asian Cinemas: Transversal
Perspectives"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Augusto De Oliveira (University
of Bristol), "Mobilizing the Future: Screening the Past in Mozambican
Postcolonial Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Friday, May 22, 2009 8:00-9:45
am (Session E)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">E1: Global Desires: East Asian
Film/Cultural Policies and Industries</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Yoshi Tezuka (Komazawa
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yoshi Tezuka (Komazawa
University), "Globalization and the Japanese Film Culture and Industry"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kukhee Choo (University of
Tokyo), "Playing the Global Game: Tokyo, the Anime Industry, and Nation State
in Tekkon Kinkreet (2006)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yongmei Wu (Beijing Foreign
Studies University), "Current Conditions and Challenges of China’s Animation
and Comic Industry"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Yoshitaka Mouri
(Tokyo University of the Arts)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">E2: Teaching Japanese Cinema
and Media Outside Japan: A Pedagogical Workshop</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301B</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Ted Hovet (Western
Kentucky University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Workshop Participants:</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Christine Becker (University of
Notre Dame)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">David Desser (University of
Illinois)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Susan Napier (Tufts
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Stephen Prince (Virginia Tech
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">This Workshop Session is
dedicated to the memory of friend and colleague Keiko McDonald</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">E3: Unpacking a New Archive:
“Korean” Films of Japan’s Total War Period (1937-1945)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Akira Lippit (University
of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kyung Kim (University of
California-Irvine), "Viral Colony: Young-il’s Sick Body in Spring of Korean
Peninsula (Pando ûi pom, 1941)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Young Jae Yi (The University of
Tokyo), "Being a Volunteer Soldier, a Prescription of Melancholia ---An
Imperial Soldier’s Colonial Body in Volunteer (An Suk-Young, 1940)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kyeong-Hee Choi (University of
Chicago) and HyunHee Park (University of Chicago), "The Old in the ‘New’:
Thinking Propaganda through Gender in Wartime Chosŏn (Korean) Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Naoki Sakai
(Cornell University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">E4: Tokyo Stories: Cosmopolitan
Imaginaries of the City in Contemporary Screen Media</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Jiwon Ahn (Keene State
College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Gabriella Lukacs (University of
Pittsburgh), "Tokyo as Allegory in 1990s Japanese Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jiwon Ahn (Keene State
College), "From the ‘Colonial Sticks’: Tokyo in the Postcolonial Cinemas of
Taiwanese and Korean Auteurs"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Martin Roberts (The New
School), "Anime City: Tokyo as Subcultural Utopia"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Mitsuhiro
Yoshimoto (New York University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">E5: Intra-Asian
Cross-Currents</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Adam Knee (Nanyang
Technological University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Adam Knee (Nanyang
Technological University), "Bollywood Does Bangkok: Perils of the Intra-Asian
Gaze"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Stephen Teo (Nanyang
Technological University), "The Chinese Blockbuster: A Question of Genre,
Nation, and Trans-Nation"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">See-Kam Tan (University of
Macau), "Qiqing Romance Films from the Shaw Archive"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">E6: Reception and
Consumption</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 403</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Bakirathi Mani
(Swarthmore College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Paul Roquet (University of
California, Berkeley), "Regional Production and Rural Fantasy in Oguri Kohei's
Nemuru Otoko (1996)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Seio Nakajima (University of
Hawaii at Manoa), "Film as Social Practice in Contemporary China"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jaibeom Kim (Stanford
University and SKKU) and Young Eun Park (Seoul National University), "Cultural
Discount in Inter-Asian Movies"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Bakirathi Mani (Swarthmore
College), "The Dancing Maharaja: Tamil Cinema and Japanese Fan Culture"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">E7: First Persons Plural: Image
Correspondence, Networks, and Traffic Before and After Digital Publics</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 404</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: James Tobias (University
of California, Riverside)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Angelica Fenner
(University of Toronto)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">James Tobias (University of
California, Riverside), "Intimate Extimacy: Articulating the First Person
Plural in Tokyo"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Angelica Fenner (University of
Toronto), "The Traffic in Images: Relays of the Self in the Visual Essays of
Hito Steyerl"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Feng-Mei Heberer (University of
Southern California), "Sense and Self in Two Chinese Documentaries"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Experimental Film
& Media Scholarly Interest Group</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Friday, May 22, 2009
10:00-11:45 am (Session F)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F1: Transnational Asian
Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Christina Klein (Boston
College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jane Park (University of
Sydney), "Remaking the Korean Blockbuster: A Case Study of My Sassy
Girl"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Darcy Paquet (Kyung Hee
University), "Fluid Borders: The Transnational Cinema of Zhang Lu"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sean Metzger (Duke University),
"Cui Zi’en, Queer Cinema and Transnational Distribution"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Christina Klein (Boston
College), "Transnational Anime: Michael Arias’ Tekkon Kinkkreet"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F3: Decentering Theory: The
Case of Japanese Film Theory</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Aaron Gerow (Yale
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Aaron Gerow (Yale University),
"Theory Questioning Theory: Gonda, Nagae and Matsuda and the Strategies of
Japanese Film Theory"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Naoki Yamamoto (Meiji Gakuin
University), "Overcome by Reality: A Critical Approach to Realist Film
Theories in Prewar Japan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Patrick Noonan (University of
California, Berkeley), "The Alterity of Cinema: Subjectivity, Self-negation,
and Self-realization in Yoshida Kijû’s Film Theory"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ryan Cook (Yale University),
"Strange Bedfellows: Ôshima Nagisa, Hasumi Shigehiko and Japanese Film Theory
circa 1980"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F4: Benshi across Time and
Media: Utsushi-e (Magic Lantern), Cinema, and the Japanese Performance
Tradition of Visual Media Narration</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: William Gardner
(Swarthmore College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michiko Usui (Waseda
University), "Utsushi-e (Japanese Magic Lantern) as a Medium for
Narration"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kyoko Omori (Hamilton College),
"The Benshi as a Modernist: Tokugawa Musei and Psychological Films of the
Early Twentieth Century"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">William Gardner (Swarthmore
College), "Sawato Midori and the Contemporary Performing Art of Katsudo Benshi
(Silent Film Narrators)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Richard Abel
(University of Michigan)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F5: Interrogating Queer Spaces
in East Asian Media</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Patricia White
(Swarthmore College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Akiko Mizoguchi (University of
Rochester), "Reading and Living Yaoi: Male-Male Fantasy Narratives as Women’s
Sexual Subculture in Japan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yau Ching (Lingnan University),
"Trans as Survival: Transgender Possibilities and Politics of CJ7"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Patricia White (Swarthmore
College), "Asian Lesbian Directors and Trans/national Spaces"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Soyoung Kim
(Korean National University of Art)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F6: Exhibition, Distribution,
Marketing</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 403</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Soojeong Ahn (Korea
National University of Arts)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Vinnie Yu
(Goldsmiths,University of London, UK), "The Social Practices of Contemporary
Taiwanese Audiences’ ‘Cinemagoing’ in the Digital Era"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Colleen Laird (University of
Oregon), "The F1-sou and ‘Girl’s Style’ Cinema: Selling Independent Female
Filmmakers in Japan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chris Robinson (University of
Kansas), "The ‘Exotic,’ the Universal, and the Art-House Gross: East-West
Relations and Marketing Japanese Film to Foreign Audiences, 1951-1957"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Soojeong Ahn (Korea National
University of Arts), "Why Pusan?: The Political Economy of the Pusan
International Film Festival in South Korea"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F8: Sex and the Global
City</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 405</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Homay King (Bryn Mawr
College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sylvia Chong (University of
Virginia), "East Asian Ménages à Trois: Heterosexual and Homosocial
Triangulations of the Global Model Minority in Sayonara and Go For
Broke"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Guo-Juin Hong (Duke
University), "’I Don’t Want to Have Sex Alone’: Failed Intimacy and the Global
City in Tsai Ming-Liang’s Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Rei Magosaki (Chapman
University), "The Other Sex and the City: Considering the Margins of the
Global City"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: David Eng
(University of Pennsylvania)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F9: Psyche and Automaton:
Reconsidering the Aesthetics of the Animated Image</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 501AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Muneaki Hatakeyama
(Waseda University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Muneaki Hatakeyama (Waseda
University), "Eisenstein’s Animal: A Reconsideration of the Eisensteinian
Notion of “Movement”"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Tetsuya Miura (University of
Tokyo), "Robert Bresson and the Mise-en-scène of Automaton"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Takeshi Kadobayashi (University
of Tokyo), "Trajectory of the Cyborgian Smile: Man-machine Romances in
Japanese Visual Culture"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Yoshiaki Sato
(University of Tokyo)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">F12: Revisions of Light: The
Cinematography of International Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 504</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Patrick Keating (Trinity
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Daisuke Miyao (University of
Oregon), "Re-imagining Japanese Aesthetics: Lights and Shadows in Miyagawa
Kazuo’s Cinematography"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Frances Guerin (Ruhr
University, Bochum), "Stereoscopic Visions in Color of Amateur Film from Nazi
Germany"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Patrick Keating (Trinity
University), "Neorealism, Narrative, and the Cinematography of Aldo
Graziati"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael Aronson (University of
Oregon), "No One Ever Hated Billy Bitzer: A Cinematographer And His
Work"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Friday, May 22, 2009 1:15-3:00
pm (Session G)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">G1: Genre and the
Transnational: Audiovisual Futures in the Asia-Pacific</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Michelle Cho (University
of California, Irvine)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Ramon Lobato
(University of Melbourne)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ramon Lobato (University of
Melbourne), "Circulatory Aesthetics: on Distribution and Genre"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michelle Cho (University of
California, Irvine), "The Negative Hermeneutics of Genre in the Films of Kim
Ji-Woon"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kim Icreverzi (University of
California, Irvine), "The Sensation of Affect: Genre and Tactics of
Spectatorship"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sunhee Han (Yonsei University),
"Digital Cinema as a Generic Form and the Role of Film Festivals"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">G2: Workshop: State or the Art:
International Co-production in East Asia</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301B</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Alexander Zahlten
(Johannes Gutenberg University, Mainz)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Workshop Participants:</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Stephanie DeBoer (Indiana
University, Bloomington)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Julian Stringer (University of
Nottingham)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yong-Soon Hwang</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">G3: Spaces of Modernity: Ozu,
Uchida, Yoshimura</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Alex Jacoby (University
of Warwick)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Woojeong Joo (Nagoya
University), "Digesting Modernity: Eating and Drinking Out Spaces in Ozu’s
Films of the Early 1930s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Alex Jacoby (University of
Warwick), "Yoshimura's Kyoto: Space and Femininity in the Postwar City"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Alastair Phillips (University
of Warwick), "Fractured Landscapes: Space, Location and History in Uchida’s A
Fugitive from the Past (1965)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Mitsuyo
Wada-Marciano (Carleton University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">G4: Modern Femininity and
Consumer Culture in Cinema of Imperial Japan During the 1930s</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Sachiko Mizuno
(University of California, Los Angeles)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ryoko Misono (University of
Tokyo), "Fallen Women on the Edge of Empire: Shimizu Hiroshi’s films on
Yokohama and the Image of Imperial Japan in the 1930s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Miyoko Shimura (Waseda
University ), "Japanese Women’s Films and Cosmetic Advertisement in the
1930s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hana Washitani (Meiji-gakuin
University), "The Economy of Geisha in the 1930s Japanese Cinema: Circulation
of Women, Textiles, and Antiques in Sisters of Gion (1936)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sachiko Mizuno (University of
California-Los Angeles), "Reconfiguring Modern Femininity for Empire: Moving
Images of Professional Woman and Tokyo in Women in Tokyo (1939)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">G5: East Meets Far East: Media
Issues between Korea and the Philippines</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Joel David (Inha
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jongsuk Ham (University of the
Philippines Film Institute), "Unstable Boundaries between Visual Pleasure and
Identification in MMORPGs: A Comparison of Korean and Philippine Players’
Experiences"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Taeyun Yu (University of the
Philippines Film Institute), "Eastern Gunslingers: Andrew Cunanan and Cho
Seung-Hui in the Western Media Imaginary"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Joel David (Inha University),
"Problems and Prospects in the National Cinemas of Korea and the
Philippines"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chanhee Yom (Institute for East
Asian Studies), "Cold War National Formations in the Cinemas of Korea and the
Philippines"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Friday, May 22, 2009 3:15-5:00
pm (Session H)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">H1: Asian-Pacific Cinemas:
Distribution and Reception</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Ruby Cheung (University
of St Andrews)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yun Mi Hwang (University of St.
Andrews), "Contested History and Reception of East Asian Martial Arts
Epics"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ruby Cheung (University of St
Andrews), "From The Warlords to Red Cliff: The Politics of Film
Promotion in the Asia-Pacific and the Diasporic Chinese Online Fandom"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Daniel Martin (Queen's
University Belfast), "Hype, Censorship and Critical Controversy: Kim Ki-duk in
the UK"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mary Ainslie (Manchester
Metropolitan University), "Post-war Thai Cinema: A ‘Traditional’ Art Form of
Colonialism"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">H3: Contemporary Japanese
Cinema – Distinctive Narrative Strategies</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Robert Davis (California
State University, Fullerton)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kendall Heitzman (Yale
University), "The Anxiety of Influence in Kurosawa Kiyoshi’s Loft"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Candice Wilson (University of
Pittsburgh), "Empty Spaces, Repetition, and Remembrance: Kore-eda’s Still
Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jerry Turner (University of
North Carolina, Pembroke), "Narrative Techniques and the Search for a
Postmodern Identity in the Films of Sono Sion"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Andrijana Cvetkovik (Nihon
University, College of Art ), "The ‘Flowing’ Narrative in Contemporary
Japanese Film"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">H4: Cinema and the
Postmetropolis</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Christoph Lindner
(University of Amsterdam)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lawrence Bird (McGill
University), "Post Metropolis: Re-animations of Global Power in the Animated
City"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Christoph Lindner (University
of Amsterdam), "The Postmetropolis and Mental Life: Wong Kar-Wai’s Hong
Kong"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ran Ma (University of Hong
Kong), "Floating Tracks into the Ruins: West of the Tracks and the Poetics of
Wasteland in Postsocialist China"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Anna Notaro (University of
Dundee), "Screening the Post-metropolis: Issues of Post-humanism, Ecocide and
Love in Wonderful Days (Moon-saeng Kim, Korea 2003) and Natural City
(Byung-chun Min, Korea 2003)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">H5: Queer Asia</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Rachel Lewis (Cornell
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Rachel Lewis (Cornell
University), "Towards a Transnational Lesbian Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yin-chin Chen (University of
Oregon), "Taiwanese Queer Cinematic Aesthetic and Its Exploration on
Nationality in Spider Lillies"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jeffery Tan (University of
Cambridge), "Exploiting Lesbianism: The Shaw Studio’s Intimate Confessions of
a Chinese Courtesan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yongwoo Lee (McGill
University), "Invisibly Visible, Unlocatably Everywhere;Queer Appropriation of
70’s Hostess Movie Genre and Melodramatized Queerscape in Lee Songheeil’s No
Regret"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">H13: The Cinema and its Masses:
Politics and Aesthetics</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 505AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Yuriko Furuhata (McGill
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Philip Rosen (Brown
University), "From ‘The Masses’ To ‘The Media’: Marxist Film Theory And
Contemporary Critique"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yuriko Furuhata (McGill
University), "Theorizing Plasticity and the Masses: Hanada Kiyoteru and Sergei
Eisenstein"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Gertrud Koch (Freie
Universitaet, Berlin), "Screening the Mass: Inclusion and/or Exclusion"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Volker Pantenburg (Freie
Universität, Berlin), "Monitoring the Masses: Video, Surveillance and the
Public Sphere"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Saturday, May 23, 2009
8:00-9:45 am (Session I)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">I1: International Film
Festivals and the Framing of (Transnational) East Asian Cinemas and
Auteurs</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Shujen Wang (Emerson
College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Julian Stringer (University of
Nottingham), "Global Auteurs and the International Film Festival
Economy"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nikki J. Y. Lee (Yonsei
University), "Film Festivals Present ‘Japanese Auteur Directors’: Miike
Takashi and the International Film Festival Rotterdam"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Shujen Wang (Emerson College),
"National Cinema, International Film Festivals/Sales, and the Location of Tsai
Ming-Liang’s Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chris Fujiwara, "Japanese Films
in International Festivals"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">I2: Workshop: Korean Cinema in
a Transnational/Pedagogical Frame</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301B</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Hye Seung Chung
(University of Hawaii at Manoa)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Workshop Participants:</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Earl Jackson (Korea
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Soyoung Kim (Korean National
University of Art)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">David Scott Diffrient (Colorado
State University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hye Seung Chung (University of
Hawaii at Manoa)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hyangjin Lee (Rikko University,
The University of Sheffield )</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">I3: The Importance of Sogo
IshiiI</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Randolph Jordan
(Concordia University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Peter Rist (Concordia
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Alexander Zahlten (Johannes
Gutenberg University-Mainz), "Free-floating Intensity, Attraction, and
Failure: Sogo Ishii at the Shifting Center of the Film Industry of
Japan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Tom Mes (Midnighteye.com), "Key
Factor: Music in the Life and Work of Sogo Ishii"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Randolph Jordan (Concordia
University), "Rustling Trees and Humming Power Poles: Soundscapes of the
Divide between Tradition and Modernity in the Cinema of Sogo Ishii"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Peter Rist (Concordia
University), "Sogo Ishii’s Shuffle and the Evolution of the Chase Motif in
World Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">I4: Genre Cinema in Japan</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Adam Lowenstein
(University of Pittsburgh)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mark Best (University of
Pittsburgh), "Eating Gamera: Giant Monsters, Childhood, and Camp in
Rearticulations of Daikaiju Gamera"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Theresa L. Geller (Grinnell
College), "“Borderless” Postmodernism: Nikkatsu Action Cinema and the Rise of
Transnational Noir"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Røssaak Røssaak Adam Lowenstein
(University of Pittsburgh), "Ring Around Japanese History: Surrealism and
J-Horror"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">I5: Political Caution in Lust,
Caution</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Evans Chan (Northwestern
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Gina Marchetti (University of
Hong Kong), "Lust, Caution: China, Japan, and the KMT (Guo Min Dang/The
Nationalist Party) on Screen--Present and Past"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Evans Chan (Northwestern
University), "Desiring Fascism? – On Ang Lee’s Lust, Caution"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Adrian Xiang (University of
Chicago), "Understanding the Nationalist Backlash against Lust, Caution in
China"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Vivian Lee (City
University of Hong Kong)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">I14: Television Distribution
and 'Global' Media Culture</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 506</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Seiko Yasumoto (The
University of Sydney )</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Patty Ahn (University of
Southern California), "MTV Asia and Regional Geographies: Mapping Music and
Taste through Global Television"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Janet McCabe (Manchester
Metropolitan University ) and Kim Akass (Manchester Metropolitan University),
"Not So Ugly: Local Production, Global Franchise and the Ugly Betty
Phenomenon"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jennifer Gillan (Bentley
College), "The Mobile and the Global: Circulation Practices and Problems for
U.S. Network TV Products"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Seiko Yasumoto (The University
of Sydney ), "Impact of Soft Power on Cultural Mobility: Japan to East
Asia"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Saturday, May 23, 2009
10:00-11:45 am (Session J)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">J1: Zoom in Cinematic China of
the 1990s: The Local-global Uncanny on Multiple Displays</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Ping Fu (Towson
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ping Fu (Towson University),
"Encircling the City: Chinese Farmers on Screen"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kaiman Chang (University of
Texas, Austin), "Taipei Families Inside Out: Sexual Mobility in Three
Taiwanese Films of the 1990s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Wai Luk Lo (Hong Kong Baptist
University), "Hong Kong Cinema in the 1990s: Themes and Aesthetics of Cultural
Positioning in a Changing Time"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Dennis Broe (Long Island
University), "Jia Zhangke's Still Life and the Dialectics of Chinese
Globalization"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">J3: Old and New in Contemporary
Japanese Anime and Games: Animation in the Age of Digital Production and
Consumption</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Satomi Saito (Bowling
Green State University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Stefan Riekeles (Independent
Scholar), "The Gap: Exploiting Cinema in Anime"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Eija Niskanen (University of
Art and Design, Helsinki), "Riding Through Air and Water – The Relationship
Between Character, Background, Fantasy and Realism in Hayao Miyazaki’s
Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Satomi Saito (Bowling Green
State University), "Crying Out Love in the Center of the World: The Language
of Bishojo Game"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kumiko Sato (Earlham College),
"Regionalism in the Era of Neo-nationalism: Background Art and Women in
Japanese Games and Anime from the Late-1990s to Present"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">J6: Lust in Lust, Caution</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 403</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Giorgio Biancorosso (The
University of Hong Kong)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Maureen Sabine (University of
Hong Kong), "The Dark Underworld of the Family Romance in Ang Lee's Lust,
Caution"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kien Lim (National Chiao Tung
University), "Becoming Noir"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Giorgio Biancorosso (The
University of Hong Kong), "Sex as a Performing Act in Lust, Caution"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Katrien Jacobs (City University
of Hong Kong), "The Hong Kong response to Boudoir Realism: From Erotic
Masterpieces to D.I.Y. Porn"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">J12: Conflicted Visions:
Japanese Icons of the Past and Present</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 504</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Lindsay Nelson
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lindsay Nelson (University of
Southern California), "Little Monsters: Modernity, Media, and the Figure of
the Child in Contemporary Japanese Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ken Provencher (University of
Southern California), "Japan’s Reluctant Visitor: Sayonara and Postwar
Transnational Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yuka Kanno (University of
California, Irvine), "Implicational Spectatorship: Hara Setsuko and Queer
Visual Formation"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Chika Kinoshita
(University of Western Ontario)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Saturday, May 23, 2009
1:15-3:00 pm (Session K)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">K1: Rethinking Aesthetic
Heritage in East Asian Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Shuk Ting Yau (Chinese
University of Hong Kong, Shatin)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Vivian Lee (City University of
Hong Kong), "Towards a Poetics of East Asian Film"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Siu Wah Yu (The Chinese
University of Hong Kong), "Forging a Cultural Heritage: ‘Innovative’ Use of
Chinese Music in Recent Movies"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Siu-leung Li (Lingnan
University (Hong Kong)), "John Woo's Undoing of Chinese Opera in Princess
Cheung Ping and Red Cliff"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Shuk Ting Yau (Chinese
University of Hong Kong, Shatin), "A ‘Horrible’ Legacy: Noh and
J-Horror"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Stephanie DeBoer
(Indiana University-Bloomington)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">K2: Workshop: Film
Historiography and Chinese Cinemas</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301B</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Guo-Juin Hong (Duke
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Weihong Bao (Columbia
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Workshop Participants:</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Zhen Zhang (New York
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Song Lim (University of
Exeter)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jason McGrath (University of
Minnesota, Twin Cities)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Feii Lu (National Chengchi
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ru-Shou Chen (National Chengchi
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Asian/Pacific American
Caucus</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">K3: Revisiting Kurosawa: Cinema
as a Platform for ‘Cultural Dialogue’</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Yuna de Lannoy (Oxford
Brookes University/ University of Antwerp)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Olga Solovieva (Georgia
Institute of Technology), "Colliding Languages in Kurosawa’s Dersu
Uzala"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nariman Skakov (University
College, University of Oxford), "Kurosawa’s Hakuchi and Bakhtin’s Concept of
‘Outsideness"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yuna de Lannoy (Oxford Brookes
University/ University of Antwerp), "Soviet ‘Pollen’ in Japanese Cinema:
Legacies of Eisenstein’s Ivan the Terrible in Three Films by Akira
Kurosawa"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Dolores Martinez (School of
Oriental and African Studies, London), "Hollywood Genealogies: Kurosawa,
Eisenstein and the Global Flow"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Olga Solovieva
(Georgia Institute of Technology)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">K5: Film Theory and Art
History: Intersections, Part 2</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Luca Caminati (Colgate
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nora Alter (University of
Florida), "Between Documentary and Art: Placing Non-fiction"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Dudley Andrew (Yale
University), "Bazin, Malraux, Cinema, and Painting"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sharon Hayashi (York
University), "Moments of Convergence: Film Theory in Japan"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Luca Caminati (Colgate
University), "Pasolini's Primitivism and the Arte Povera Movement"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">K8: Sex and Politics</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 405</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Carol Siegel (Washington
State University, Vancouver)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Maureen Turim (University of
Florida), "Desire as Political Allegory: Japanese Film in the Sixties and
Chinese Film in the Eighties"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hoang Tan Nguyen (Byrn Mawr
College), "Bottom Dwelling: Sexual Shame and Racial Politics"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Patrick Boyle (University of
California, Irvine), "Corporeal Acts, Fleshly Desire, and Ideological
Restraints: Performance and Colonial Discourse in Ang Lee’s Lust,
Caution"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Carol Siegel (Washington State
University, Vancouver), "Make Relationships Not War: The Place of Sexuality in
Anti-war Films in 1968 and Now"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">K13: Korean Cinema
History</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 505AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Hyongshin Kim
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Eunsun Cho (University of
Southern California), "Tears and Time of Woman in Korean Modern Melodrama of
the 1950s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nam Lee (Chapman University ),
"Towards a Minjung Aesthetics: Lee Jang-ho and the 1980s Korean New Wave
Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hyongshin Kim (University of
Southern California), "Korean Cinema during the Colonial Period:"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Young Eun Chae (University of
North Carolina-Chapel Hill), "Capturing Japanese Colonialism in Recent South
Korean Blockbuster Films: Postcolonial Trauma in 2009 Lost Memories (2002, Lee
Si-Myung) and Hanbando (2006, Kang Woosuk)"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Saturday, May 23, 2009
3:15-5:00 pm (Session L)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">L1: Japanese Cinema at the
Crossroads: Masumura Yasuzô and the Showa 30s</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Ayako Saito (Meiji
Gakuin University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Ayako Saito (Meiji Gakuin
University), "The Melodramatic Body as a Discursive Critique of Patriarchy in
Masumura Yasuzô’s Films of the 1960s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mark Roberts (University of
California, Berkeley), "High-growth Satire: Masumura Yasuzô in the Showa
30s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael Raine (University of
Chicago), "Masumura Yasuzô and the Significance of ‘Film Study’”</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Naoki Yamamoto
(Meiji Gakuin University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">L3: Contemporary Youth Film In
Asia</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Jenny Lau (San Francisco
State University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jenny Lau (San Francisco State
University), "Re-assessing Memories— Films of Innocence from China"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Xuelin Zhou (The University of
Auckland), "“No Man Driving”: Youth Culture in Contemporary Chinese
Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">David Desser (University of
Illinois), "“Of Waterboys and Swing Girls: The Post-postmodern Japanese Youth
Film”"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Frances Gateward (Ursinus
College), "Talkin’ ‘Bout My Generation: The Youth Films of Noh
Dong-seok"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">L5: Representations of Gender
in Philippine Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: David Corpuz (Don Bosco
Technical College)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Roehl Jamon (University of the
Philippines Film Institute), "The Women of Fernando Poe, Jr.: Portrayals of
Women in FPJ Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jose III Gutierrez (San Beda
College Alabang), "Images of the Mother in Lino Brocka Films: 1970-1991"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">David Corpuz (Don Bosco
Technical College), "The Gay Film According to Cris Pablo"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Paulo Formalejo (University of
the Philippines Film Institute), "Philippine Cinema Imaging of the Filipino
Lesbian"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">L9: Elastic Pasts: Relocations
in Contemporary Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 501AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Esther Yau (University
of Hong Kong)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Bishnupriya Ghosh (University
of California, Santa Barbara), "Audio Remains: Spectral Idiom in Phillip
Scheffner’s The Halfmoon Files"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Esther Yau (University of Hong
Kong), "Cruel Stories of Youth: Trauma and Memoryscape in Peacock and Shanghai
Dreams"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Rolando Tolentino (University
of the Philippines Film Institute), "Lingering Simultaneity of Time: The
Cinema of Memory of Lav Diaz"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Bhaskar Sarkar (University of
California, Santa Barbara), "Plasticity and the Popular: Bombay Cinema’s
Ecstatic Secularism"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">L10: Transnational Media in a
Historical Perspective</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 502</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Tommy Gustafsson (Lund
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nick Deocampo (Center For New
Cinema, Philippines), "Hegemonic Cultural Wars on the Native Film Screen: The
Colonial Phase of Philippine Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nadi Tofighian (Stockholm
University), "Distributing Scandinavia: Scandinavian Films and Commodities in
Asia in the 1910s and 1920s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Pietari Kääpä (University of
Nottingham-Ningbo), "Reindeer Sushi in Global Helsinki: The Reciprocal
Transnational Circulation of Finnish and Japanese Cinematic Cultures"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Tommy Gustafsson (Lund
University), "Swedish Television News Coverage and the Historical Media Memory
of the Rwandan Genocide"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sunday, May 24, 2009 8:00-9:45
am (Session M)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">M1: History/Memory/Nation in
South Asian Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Veena Hariharan
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lalitha Gopalan (University of
Texas, Austin), "Cinephilia and History in Contemporary Bombay Films"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nandini Bhattacharya (Texas
A&M University), "Saadat Hasan Manto, Ritwik Ghatak and the Shifting
Shapes of National Memory"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Veena Hariharan (University of
Southern California), "Screening Out the Past: Documentary Representations of
Violence in South Asia"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">M3: Traces and Echoes: Japan in
Postcolonial/Postwar Korean Film</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Steven Chung (Princeton
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Steven Chung (Princeton
University), "Enlightenment-scapes in Colonial and Postcolonial Korean
Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chong Chung (Chung-Ang
University), "Hybrid Styles in South Korean Popular Films after the Korean
War: Han Hyong-mo’s Genre Films in the 1950s"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jinsoo An (Hongik University),
"Entangled Gestures: Historiography, Representation and Politics of Justice in
the South Korean film Yeraishang"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sueyoung Park-Primiano (New
York University), "Resistance to Remember, Reluctance to Forget: The Haunting
of the Colonial Past in Yu Hyon-mok’s Pharmacist’s Kim’s Daughters and Naruse
Mikio’s Floating Clouds"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Moonim Baek
(Yonsei University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">M5: Perspectives on Authorship
and Production</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Kenneth Chan (University
of Northern Colorado)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Eva Redvall (University of
Copenhagen), "The Collaborating Auteur: The Introduction of New Collaborative
Screenwriting Practices in Danish Feature Filmmaking after Dogma 95."</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Shu Ching Chan (University of
Texas, Austin), "Housekeepers of Hong Kong Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Tadao Sato (Japan Academy of
Moving Images), "Shohei Imamura’s Studio: The Japan Academy of Moving
Images"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kenneth Chan (University of
Northern Colorado), "The Shaw-Tarantino Connection: Globalizing the Camp
Pleasures of Hong Kong Trash Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sunday, May 24, 2009
10:00-11:45 am (Session N)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">N1: Silence to Sound in Asian
Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301A</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Rosie Thomas (University
of Westminster)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kyoung Lae Kang (University of
Rochester), "Translated or (De)translated Narration: Considering the Korean
Silent Film Era and the Cultural Transformation of Byunsa Lecturer"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Bennet Schaber (SUNY Oswego),
"Soseki's Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael Frangos (University of
California, Santa Barbara), "The Vamp and the Floating Weeds: Modernism,
Decadence, Japanese Silent Film"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Rosie Thomas (University of
Westminster), "Distant Voices, Magic Knives: Lal-e-Yaman and the Transition to
Sound in Bombay Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">N3: Classical Japanese
Cinema</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Catherine Russell
(Concordia University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mark Nornes (University of
Michigan), "’Classical Japanese Cinema’ and the Question of Sameness"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hideaki Fujiki (Nagoya
University), "Classical Japanese Cinema and the Question of Global
Hegemony"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Mitsuyo Wada-Marciano (Carleton
University), "The Power of the B Movie in Classical Japanese Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Catherine Russell (Concordia
University), "Classic Modernity: Melodramatic Features of Japanese
Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">N4: Softcore</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 401</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Anne McKnight
(University of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Anne McKnight (University of
Southern California), "Home Alone: The Pink Film and the Gendering of Everyday
Life, 1971-1979"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Michael Arnold (University of
Michigan), "On Location: Tsuda Ichiro, Pink Photography, and the Possibilities
of Representation"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Minhwa Ahn (Cornell University
), "Affect of Marginalized Female Subjects: Melodramatic Contemporaneity among
Korean, Japanese, and American Cinemas during and after the US Occupation
Period"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Austin Miller (University of
Southern California), "Wild Screen Reviews: Reconceiving the Sexploitation
Film in Adults-Only Publications, 1963-1969"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">N5: Lost (and Found) in
Translation: Remaking Asian Media</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 402</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Jun Okada (State
University of New York-Geneseo)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Yiman Wang (University of
California, Santa Cruz), "Made in China, Remade in US -- From Chinese Cinema
to ‘Chinese Elements,’ or What’s Happened to Border Politics?"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Hyung-Sook Lee (Ewha Woman\'s
University (Korea)), "Hollywood Goes to Korea: Film Remaking and
Reconfiguration of Global Cultural Order"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jun Okada (State University of
New York-Geneseo), "The Ring: Statelessness and J-horror"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Peter Feng (University of
Delaware), "Exports and Formats: US/Japan Television Collaboration"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">N13: The Future of
Rancière</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 505AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Jonathan Hall
(University of California-Irvine)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Targol Mesbah (California
Institute of Integral Studies), "Suicidal Dispersions"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jonathan Hall (University of
California-Irvine), "Image as Argument: Kawai Masayuki's Visual
Philosophy"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">John Culbert (Independent
Scholar), "The Well and the Web"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sunday, May 24, 2009 12:00 noon
- 1:45 pm (Session O)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">O2: Workshop: Media Literacy,
Education, and Activism in East Asia and the U.S.: A Comparative
Conversation</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 301B</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: James Castonguay (Sacred
Heart University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Co-chair: Rob Williams (Action
Coalition for Media Education)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Workshop Participants:</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Carole Gerster (University of
California-Santa Cruz)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Seongsoo Baeg (Kanda University
)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kiyoko Toriumi (University of
Tokyo)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Shin Mizukoshi (University of
Tokyo)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Tessa Jolls (Center for Media
Literacy)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Sponsor: Media Literacy and
Outreach Interest Group</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">O3: The Cinema of Kitano
Takeshi</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 302</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Elena del Rio
(University of Alberta)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Rea Amit (Tokyo Geijtsu
Daigaku), "Japanese Aesthetics, Violence, and the Cinema of Kitano
Takeshi"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Elena del Rio (University of
Alberta), "Form and Performance of Death in the Cinema of Kitano
Takeshi"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Nathaniel Heneghan (University
of Southern California), "Takusan no Takeshi: Coceptualizing Celebrity and
Identity in Kitano's Takeshis”</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Respondent:: Darrell Davis
(Lingnan University, Hong Kong)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">O9: Cyborgs, Mutants, and Other
Border Crossers</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 501AB</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Livia Monnet (University
of Montreal)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Cary Jones (Northwestern
University), "Galateas Gone Wild: Technology, Memory and the Feminine in 1980s
Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Katherine Farrimond (Newcastle
University), "‘This Isn’t You’: Mutant Femmes Fatales and Parasitic Power in
Contemporary Cinema"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Plue Su (Hong Kong Baptist
University), "Whose Resurrection? – Or ‘A Radical Question’ of ‘Who Cyborgs
Will Be’: Issues of Transgression and Recuperation in Jeunet’s Alien
Resurrection"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Livia Monnet (University of
Montreal), "Anatomy of Permutational Desire: Perversion, Modernity, and the
Animated Image in Oshii Mamoru's Ghost in the Shell 2: Innocence"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">O10: Globalization and
Transnationalism</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 502</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Jecheol Park (University
of Southern California)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lu Pan (University of Hong
Kong), "Cosmopolitan Nostalgia:Memory and Imagination in Contemporary Hong
Kong Film"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jecheol Park (University of
Southern California), "Anticipating a Transnational Community to Come: the New
Aesthetic in Hou Hsaio hsien’s Flight of the Red Balloon"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Jeong Chang (University of
Oregon), "Mobile Phones and Mobile Relationships: Telecommunications and the
Network of Care in Take Care of My Cat"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Lisa Lowe (University of
California, Santa Cruz), "Metaphors of Globalization"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Index - Top</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">O14: International TV Formats
and their Interrogation</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Room: 506</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Chair: Brenda Weber (Indiana
University)</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica"><BR></DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Amber Watts (University of
Wisconsin, Madison), "I Survived a Most Extreme Japanese Game Show Challenge:
Cultural Comedy and the International Reality Format Trade"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Brenda Weber (Indiana
University), "Mind over Manners: Gendering a Global Empire in an Anglophone
Television Mediascape"</DIV>
<DIV style="MARGIN: 0px; FONT: 12px Helvetica">Kotaro Nakagaki (Tokiwa
University), "The Possibility of Post Documentary Style: A Comparative
Analysis of American and Japanese Reality TV"</DIV>
<DIV
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