<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><div>I originally come from Spain,where Shin-chan was extremely popular,and checking the online press this morning,I saw that most papers carry this news item.</div>You make an extremely interesting point here,Aaron,regarding the foreign image of anime.<br><br>--- On <b>Mon, 21/9/09, Aaron Gerow <i><aaron.gerow@yale.edu></i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Aaron Gerow <aaron.gerow@yale.edu><br>Subject: Usui Yoshito<br>To: KineJapan@lists.acs.ohio-state.edu<br>Date: Monday, 21 September, 2009, 9:02 AM<br><br><div class="plainMail">Just a note that the body of Usui Yoshito, the artist of the popular manga Crayon Shin-chan, was found at the bottom of a cliff in Gunma Prefecture. Usui had gone hiking last week but had not returned; after a search, they found the
body two days ago and identified it yesterday. Whether it was an accident or suicide is not clear. Some have speculated that it might be suicide given how the tone of the manga has changed over the last year or two (it has at times taken on terrorism, the death of characters, and suicide in serious ways).<br><br>I mention this not only because Crayon Shin-chan was often a good manga, but also because the movie versions, especially the ones directed by Hara Keiichi, were often masterful. While the TV episodes have showed a bit abroad, the movies have been largely ignored. (I wonder if this does not have something to do with the image of "anime" that foreigners have created of Japanese animation, one which the Shin-chan films don't quite fit.) Otona teikoku no gyakushu is one of the more interesting ruminations on 1970s Japan and Sengoku daikkassen was so good they just released a live action version of it (now in theaters under the title Ballad). There's
even a book out there on Hara Keiichi's work: Animēshon kantoku Hara Keiichi (Tokyo: Shobunsha, 2005).<br><br>I hope these DVDs come out abroad some day.<br><br>Aaron Gerow<br>Associate Professor<br>Film Studies Program/East Asian Languages and Literatures<br>Yale University<br>53 Wall Street, Room 316<br>PO Box 208363<br>New Haven, CT 06520-8363<br>USA<br>Phone: 1-203-432-7082<br>Fax: 1-203-432-6764<br>e-mail: <a ymailto="mailto:aaron.gerow@yale.edu" href="/mc/compose?to=aaron.gerow@yale.edu">aaron.gerow@yale.edu</a><br>site: www.aarongerow.com<br><br><br><br></div></blockquote></td></tr></table><br>
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