<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">This month will see the release of "Shodo Girls" (Calligraphy Girls):<div>http://www.nipponcinema.com/trailers/shodo-girls-trailer/</div><div><br></div><div>Maria Jose<br><br>--- On <b>Mon, 3/5/10, =%ISO-8859-1?Q?Jose_Monta=F1o?= <i><mostro.films@gmail.com></i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: =%ISO-8859-1?Q?Jose_Monta=F1o?= <mostro.films@gmail.com><br>Subject: Re: Calligraphy<br>To: KineJapan@lists.acs.ohio-state.edu<br>Date: Monday, 3 May, 2010, 3:23 PM<br><br><div id="yiv372782985">Caligraphy is a central item on Peter Greenaway's cinema. Not Japanese, but he shooted on Japanese topics in The Pillow Book.<br><br>Best Regards,<br>JM<br><br><br><br><div class="gmail_quote">On 1 May 2010 15:44, Michael Kerpan <span dir="ltr"><<a rel="nofollow"
ymailto="mailto:mekerpan@verizon.net" target="_blank" href="/mc/compose?to=mekerpan@verizon.net">mekerpan@verizon.net</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;"><table border="0" cellpadding="0" cellspacing="0"><tbody><tr><td style="font:inherit;" valign="top">
ZHANG Yibai's Yoru no shanhai (Longest Night in Shanghai) has a scene in which the hero (a Japanese man) and heroine (a young Chinese woman driving the lost hero about the city) realize they can communicate through writing.<br>
<br>MEK<br><br>--- On <b>Sat, 5/1/10, Jasper Sharp <i><<a rel="nofollow" ymailto="mailto:jasper_sharp@hotmail.com" target="_blank" href="/mc/compose?to=jasper_sharp@hotmail.com">jasper_sharp@hotmail.com</a>></i></b> wrote:<br><blockquote style="border-left:2px solid rgb(16, 16, 255);margin-left:5px;padding-left:5px;">
<br>From: Jasper Sharp <<a rel="nofollow" ymailto="mailto:jasper_sharp@hotmail.com" target="_blank" href="/mc/compose?to=jasper_sharp@hotmail.com">jasper_sharp@hotmail.com</a>><br>Subject: RE: Calligraphy<br>To: "kinejapan" <<a rel="nofollow" ymailto="mailto:kinejapan@lists.acs.ohio-state.edu" target="_blank" href="/mc/compose?to=kinejapan@lists.acs.ohio-state.edu">kinejapan@lists.acs.ohio-state.edu</a>><br>
Date: Saturday, May 1, 2010, 9:39 AM<div><div></div><div class="h5"><br><br><div>
In Kaizo Hayashi's The Breath (1997), set in Taiwan, the detective character played by Juro Kara communicates with the locals almost entirely through writing Chinese characters, their common visual language. I may be wrong, but I think Mitsuo Yanagimachi's About, Tokyo (1992) features a similar scene.<br>
<br>Jasper<br><br>Midnight Eye: The Latest and Best in Japanese Cinema<br><a rel="nofollow" target="_blank" href="http://www.midnighteye.com">www.midnighteye.com</a><br><br>More details about me on <a rel="nofollow" target="_blank" href="http://jaspersharp.com/">http://jaspersharp.com/</a><br>
<br><br><br><br>> Date: Sat, 1 May 2010 05:31:32 +0200<br>> From: <a rel="nofollow" ymailto="mailto:Alex.Zahlten@gmx.de" target="_blank" href="/mc/compose?to=Alex.Zahlten@gmx.de">Alex.Zahlten@gmx.de</a><br>> To: <a rel="nofollow" ymailto="mailto:KineJapan@lists.acs.ohio-state.edu" target="_blank" href="/mc/compose?to=KineJapan@lists.acs.ohio-state.edu">KineJapan@lists.acs.ohio-state.edu</a><br>
> Subject: RE: Calligraphy<br>> <br>> Dear all,<br>> <br>> thank you for this great collection of suggestions- it does seem that the connection of writing and moving images is intriguing to a lot of people. I think we can all look forward to Markus' paper at Kinema Club!<br>
> <br>> alex<br>> -- <br>> <a rel="nofollow" ymailto="mailto:alex@nipponconnection.de" target="_blank" href="/mc/compose?to=alex@nipponconnection.de">alex@nipponconnection.de</a><br>>
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</div></div></div></blockquote></td></tr></tbody></table></blockquote></div><br><br clear="all"><br>-- <br>保瀬モンタニョ<br>
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