<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">For those of you who won't be joining us (or who can just drop by on the spur of the moment), here is the schedule for KC X this weekend in Hawaii;<div><br></div><div>KINEMA CLUB X</div><div>July 30 - August 1, 2010</div><div>East West Center, Honolulu</div><div><br></div><div><!--StartFragment--><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><b>Friday,
July 30</b></span><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><o:p></o:p></span></p><p class="MsoNormal" style="margin-left:139.5pt;text-indent:-139.5pt;mso-pagination:
none;tab-stops:81.0pt;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">2:00<span style="mso-tab-count:1"> </span>Open
for Business at the East West Center’s Imin Center, <i>please come to Pago Pago
Room to register.</i></span><span lang="EN-US" style="font-size:11.0pt;
font-family:Arial"><o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">2:30-4:30
pm<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Panel 1: Washington Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">PRECONSTITUTED PANEL: Re-imagined Communities: Undoing the Relationship
of Gender, Sexuality, and Nationalism through Postwar Japanese Films <o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Tsukada Yukihiro (Kansai Gakuin University)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Scandal Japan: Sexual Politics in Kōji Wakamatsu’s Early Works<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Nakagaki Kotaro (Daito Bunka University)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Locality and Gender/Body/Identity Switching: Ōbayashi Nobuhiko’s Two
Versions of Exchange Students and Transitions of Shōjo Images<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Suzuki CJ (</span><span lang="EN-US" style="font-size:11.0pt;font-family:
Helvetica">Baruch College - The City University of New York (CUNY)</span><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.24gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Helvetica">New Media and Neo-nationalism in Postmodern Japan<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:10.66gd;text-indent:8.45pt;mso-pagination:
none;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Panel 2: Pago Pago Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Kukhee Choo (University of Tokyo)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;text-indent:.2pt;mso-pagination:
none;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">Virtual <i>Daikoku</i></span><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">: The New Japan Imagined
in <i>Coil—A Circle of Children</i></span><span lang="EN-US" style="font-size:
11.0pt;font-family:Arial"><o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Marie Thorsten (Doshisha University)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.35gd;text-indent:-.3pt;mso-pagination:
none;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">Cartoon Reality?: The Animated
Documentary and the Art of Darkness<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Melek Ortabasi (Simon Fraser University )<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">(Re)animating Folklore: Raccoon Dogs, Foxes and other Supernatural
Japanese Citizens in Takahata Isao’s <i>Heisei tanuki gassen ponpoko</i></span><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">5:30
pm<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Reception/dinner at Manoa Valley Inn, 2001 Vancouver Drive (808) 947-6019.<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p>
<span lang="EN-US" style="font-size:11.0pt;font-family:Arial;mso-ansi-language:
EN-US;mso-fareast-language:EN-US"><br clear="ALL" style="page-break-before:always">
</span><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">8:00
pm<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Migration to official bar <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><b>Saturday,
July 31<o:p></o:p></b></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">9:00
am<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Breakfast<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">9:30-11:00
am<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><span style="mso-tab-count:1"> </span>Panel
3: Washington Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:81.55pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">A. M. Nornes (University of Michigan)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:73.1pt;text-indent:66.4pt;mso-pagination:
none;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">The Restless Calligraph<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Miryam Sas (UC Berkeley)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.35gd;text-indent:-.3pt;mso-pagination:
none;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">Intermedia Moments in Japanese
Experimental Animation<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><span style="mso-tab-count:1"> </span>Panel
4: Pago Pago Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Seio Nakajima (University of Hawai‘i at Mānoa)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Mapping the Transnational Genesis of the Post-War Japanese
Cinematic Field: Case Studies of the Productions of <i>Madame White
Snake </i></span><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">(1956) and <i>Legend of the White Snake </i></span><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">(1958)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Paul Berry (Kansai Gaidai University)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial"><i>Black Lizard</i></span><span lang="EN-US" style="font-size:11.0pt;
font-family:Arial"> Playground: Gender Performance in the <i>Kurotokage </i></span><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">films by Fukasaku,
Maruyama, and Mishima (1968) and the 2007 Takarazuka Version<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">11:00
am<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Lunch<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">12:45-2:15
pm <o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Panel 5: Washington Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Sharon Hayashi (York University)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Film, Social Movements and Freeter Culture <o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Jonathan M. Hall (Pomona College)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Direct Video Action: The Distance and Brevity of Neoliberalism<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Panel 6: Pago Pago Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Kirsten Cather (University of Texas at Austin)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Stilling the Moving Bodies of a Nikkatsu Roman Porn: Kumashiro Tatsumi’s
1973 <i>Yojōhan fusuma no urabari</i></span><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Julian Ross (University of Leeds)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Interdisciplinary Activities of Shinjuku Bunka and Sasori-za: Theatrical
Impact on the Early ATG Films<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">2:30-4:00
pm<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><span style="mso-tab-count:1"> </span>Panel
7: Washington Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Aaron Gerow (Yale University)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">The “Beginnings” of Theory: Nakagawa Shigeaki on Film<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Naoki Yamamoto (Yale University)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.39gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Struggles over Cinematic Subjectivity: Nikkatsu Tamagawa and the
Development of Realist Film Practice in Wartime Japan<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><span style="mso-tab-count:1"> </span><o:p></o:p></span></p>
<span lang="EN-US" style="font-size:11.0pt;font-family:Arial;mso-ansi-language:
EN-US;mso-fareast-language:EN-US"><br clear="ALL" style="page-break-before:always">
</span><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">Panel
8: Pago Pago Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.83gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Michael Raine (University of Chicago)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:11.24gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Ozu vs. the Benshi: 'sound-ban' as silent cinema in 1930s Japan<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:6.81gd;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Roger Macy (independent scholar)<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:10.66gd;text-indent:8.45pt;mso-pagination:
none;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">The 1929 Moscow Japanese Cinema
Exhibition in Context<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">5:00-Sunset:<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Beach Party: See instructions<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">Sunset
and beyond:<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Migration to official bar<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><b>Sunday,
August 1<o:p></o:p></b></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">9:00
am<o:p></o:p></span></p><p class="MsoNormal" style="text-indent:36.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:
Arial">Breakfast<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">9:45
am: Sarimanok Room<o:p></o:p></span></p><p class="MsoNormal" style="margin-left:135.0pt;text-indent:-99.0pt;mso-pagination:
none;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">Film and Discussion: The State of
East-Asian Co-Productions: with Stephanie DeBoer, Michael Raine, and Alex
Zahlten</span><span class="Apple-style-span" style="font-family: Arial; font-size: 15px; "> </span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial">12:30-2:00
pm<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"><span style="mso-tab-count:1"> </span>Sayonara
Lunch<o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="font-size:11.0pt;font-family:Arial"> <o:p></o:p></span></p>
<span lang="EN-US" style="font-size:12.0pt;font-family:Arial;mso-ansi-language:
EN-US;mso-fareast-language:EN-US"><b><br clear="ALL" style="mso-special-character:
line-break;page-break-before:always">
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