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<DIV>Hi,</DIV>
<DIV>See my essays:</DIV>
<DIV> </DIV>
<DIV>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -14.2pt 0pt -14.15pt; DIRECTION: ltr; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-no-proof: no"><SPAN style="mso-spacerun: yes">
</SPAN></SPAN><SPAN style="mso-spacerun: yes"> </SPAN>“<SPAN
style="mso-bidi-font-size: 22.0pt">Kurosawa’s <I>Dreams</I>:<I> </I>A Cinematic
Reflection of a Traditional Japanese Context.” <?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -14.2pt 0pt -14.15pt; DIRECTION: ltr; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-bidi-font-size: 22.0pt"><SPAN
style="mso-spacerun: yes"> </SPAN><U>Cinema
Journal</U>.<SPAN style="mso-spacerun: yes"> </SPAN>Vol. 40, No. 4, Summer
2001, pp. 81-103.<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -14.2pt 0pt -14.15pt; DIRECTION: ltr; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-no-proof: no"><o:p> </o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm 0cm 0pt -14.2pt; DIRECTION: ltr; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-no-proof: no"><SPAN
style="mso-spacerun: yes"> </SPAN>“The Bloodied Sacred
Pine Tree: A Dialectical Depiction of Death in</SPAN><SPAN dir=rtl></SPAN><SPAN
dir=rtl style="FONT-FAMILY: David; mso-no-proof: no"><SPAN dir=rtl></SPAN><FONT
face="Times New Roman"> </FONT></SPAN><SPAN style="mso-no-proof: no">Kurosawa’s
<I>The Throne <o:p></o:p></I></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm 0cm 0pt -14.2pt; DIRECTION: ltr; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
dir=rtl></SPAN><I><SPAN lang=HE dir=rtl
style="FONT-FAMILY: David; mso-no-proof: no"><SPAN dir=rtl></SPAN><SPAN
style="mso-spacerun: yes"><FONT face="Times New Roman">
</FONT></SPAN></SPAN></I><I><SPAN style="mso-no-proof: no">of
Blood</SPAN></I><SPAN dir=rtl></SPAN><I><SPAN dir=rtl
style="FONT-FAMILY: David; mso-no-proof: no"><SPAN dir=rtl></SPAN><FONT
face="Times New Roman"> </FONT></SPAN></I><SPAN
style="mso-no-proof: no">and</SPAN><SPAN dir=rtl></SPAN><SPAN dir=rtl
style="FONT-FAMILY: David; mso-no-proof: no"><SPAN dir=rtl></SPAN><FONT
face="Times New Roman"> </FONT></SPAN><I><SPAN
style="mso-no-proof: no">Ran</SPAN></I><SPAN style="mso-no-proof: no">.”<SPAN
style="mso-spacerun: yes"> </SPAN><U>Journal of Film and Video</U>. Vol.
52, No. 2, Summer 2000, pp. 13-27.<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm 0cm 0pt -14.2pt; DIRECTION: ltr; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-no-proof: no"><o:p> </o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm 0cm 0pt; DIRECTION: ltr; TEXT-INDENT: 0.05pt; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-no-proof: no">“Blood Visibility/Invisibility in Kurosawa’s<I>
Ran.</I>” <U>Literature/Film Quarterly</U>. Vol. 28, No. 2, Summer 2000,
pp.149-154.<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm 0cm 0pt; DIRECTION: ltr; TEXT-INDENT: 0.05pt; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-no-proof: no"><o:p> </o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -0.05pt 0pt -14.15pt; DIRECTION: ltr; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-fareast-language: EN-US"><SPAN
style="mso-spacerun: yes"> </SPAN>“Lady Kaede in Kurosawa’s
<I>Ran</I>: Verbal and Visual Characterization through Animal<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -0.05pt 0pt -14.15pt; DIRECTION: ltr; TEXT-INDENT: 14.15pt; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-fareast-language: EN-US">Traditions.” <?xml:namespace prefix = st1 ns
= "urn:schemas-microsoft-com:office:smarttags" /><st1:country-region
w:st="on"><st1:place w:st="on"><U>Japan</U></st1:place></st1:country-region><U>
Forum</U>.<I> </I>Vol. 13, No. 2, Autumn 2001, pp. 145-158.</SPAN></P>
<P class=MsoNormal
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style="mso-fareast-language: EN-US"></SPAN> </P><SPAN
style="mso-fareast-language: EN-US">
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -0.05pt 0pt -14.15pt; TEXT-INDENT: 14.15pt; TEXT-ALIGN: justify"><SPAN
lang=EN-GB
style="mso-bidi-font-family: Miriam; mso-fareast-language: HE; mso-ansi-language: EN-GB">"Shindō
Kaneto’s Films <I>Kuroneko</I> and <I>Onibaba</I>: Traditional and
Innovative <SPAN style="mso-spacerun: yes"> </SPAN></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -0.05pt 0pt -14.15pt; TEXT-INDENT: 14.15pt; TEXT-ALIGN: justify"><SPAN
lang=EN-GB
style="mso-bidi-font-family: Miriam; mso-fareast-language: HE; mso-ansi-language: EN-GB">Manifestations
of Demonic Embodiments,"<SPAN style="mso-spacerun: yes"> </SPAN><st1:place
w:st="on"><st1:country-region
w:st="on"><U>Japan</U></st1:country-region></st1:place><U> Forum</U> <I><SPAN
style="mso-spacerun: yes"> </SPAN></I>Vol. 17, No. 2, July 2005,
pp. </SPAN><SPAN lang=EN-GB
style="mso-bidi-font-family: Miriam; mso-fareast-language: HE; mso-ansi-language: EN-GB">231-256.</SPAN><SPAN
style="mso-fareast-language: EN-US"><o:p></o:p></SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -0.05pt 0pt -14.15pt; DIRECTION: ltr; TEXT-INDENT: 14.15pt; unicode-bidi: embed; TEXT-ALIGN: justify"></SPAN> </P>
<P class=MsoNormal
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style="mso-fareast-language: EN-US">Best regards,</SPAN></P>
<P class=MsoNormal
style="TEXT-JUSTIFY: inter-ideograph; MARGIN: 0cm -0.05pt 0pt -14.15pt; DIRECTION: ltr; TEXT-INDENT: 14.15pt; unicode-bidi: embed; TEXT-ALIGN: justify"><SPAN
style="mso-fareast-language: EN-US">Zvika
Serper</SPAN> <BR>
Tel Aviv
University<BR> <BR> -----
Original Message ----- </P></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=frmnarvaez@gmail.com
href="mailto:frmnarvaez@gmail.com">=%ISO-8859-1?Q?Frances_Raquel_Narv=E1ez?=</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A
title=KineJapan@lists.acs.ohio-state.edu
href="mailto:KineJapan@lists.acs.ohio-state.edu">KineJapan@lists.acs.ohio-state.edu</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, October 28, 2010 3:18
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Japanese traditional
theatre</DIV>
<DIV><BR></DIV>Hello KineJapaners,
<DIV><BR></DIV>
<DIV>I was wondering if you might be able to suggest Japanese films that have
a traditional Japanese theatre (kabuki, bunraku, noh) influence to them. I've
already got Dolls (by Kitano) and Double Suicide (by Shinoda) on my list, any
other suggestions would be most appreciated.</DIV>
<DIV><BR></DIV>
<DIV>All the best,</DIV>
<DIV>Frances N.</DIV></BLOCKQUOTE></BODY></HTML>