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<TITLE>Re: German and Japanese actors/Question from a Researcher in Berlin</TITLE>
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Friederike,<BR>
There is Dorris Dorrie’s recent film “ Hanami/Kirschbluten”. See also her previous films on Japan, such as Erleuchtung garantiert/Enlightenment guaranteed. livia<BR>
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Le 11-01-18 09:40, « Katherine Mezur » <<a href="kmezur@sbcglobal.net">kmezur@sbcglobal.net</a>> a écrit :<BR>
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</SPAN></FONT><BLOCKQUOTE><FONT FACE="Times New Roman"><SPAN STYLE='font-size:12pt'>Dear All, A Fellow researcher has the following question. I have not figured out how to add her to the list. But perhaps you can reply to her by her email, included here. k<BR>
</SPAN></FONT><FONT FACE="Arial"><SPAN STYLE='font-size:11pt'>Dear all,<BR>
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</SPAN></FONT><FONT FACE="Arial"><SPAN STYLE='font-size:11pt'>Katherine Mezur has recommended your discussion to me -<BR>
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</SPAN></FONT><FONT FACE="Arial"><SPAN STYLE='font-size:11pt'>Have you heard about or even seen the Japanese-German co-production "Der rote Punkt/The red spot" by young director Marie Miyayama or do you know any other examples of German and Japanese actors playing together on the screen?<BR>
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</SPAN></FONT><FONT FACE="Arial"><SPAN STYLE='font-size:11pt'>Best regarde and thanks in advance-<BR>
</SPAN><SPAN STYLE='font-size:12pt'>Friederike<BR>
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______________________________<BR>
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Friederike Felbeck<BR>
-Fellow-<BR>
Freie Universität Berlin<BR>
International Research Center<BR>
"Interweaving Performance Cultures"<BR>
Grunewaldstrasse 34<BR>
D-12165 Berlin<BR>
fon +49-30-83851927<BR>
fax +49-30-83850449<BR>
mobile +49-172-9457831<BR>
<a href="friederike.felbeck@fu-berlin.de">friederike.felbeck@fu-berlin.de</a> <<a href="mailto:friederike.felbeck@fu-berlin.de">mailto:friederike.felbeck@fu-berlin.de</a>> <BR>
www.interweaving-performance-cultures.com <<a href="http://www.interweaving-performance-cultures.com">http://www.interweaving-performance-cultures.com</a>> <BR>
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</SPAN><SPAN STYLE='font-size:11pt'>Home:<BR>
c/o Internationales Begegnungszentrum<BR>
der Wissenschaft e.V. (IBZ)<BR>
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Katherine Mezur<BR>
Research Fellow<BR>
International Research Center<BR>
"Interweaving Performance Cultures"<BR>
Freie University Berlin<BR>
Grunewaldstr. 34<BR>
12165 Berlin(-Steglitz), Germany<BR>
Tel.: +49 30 838 50448<BR>
Fax: +49 30 838 50449<BR>
<a href="kmezur@sbcglobal.net">kmezur@sbcglobal.net</a><BR>
<BR>
Home:<BR>
1100 Miller Ave.<BR>
Berkeley, CA 94708<BR>
Tel. and Fax: 510-845-0554<BR>
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<BR>
</SPAN></FONT><FONT FACE="Tahoma, Verdana, Helvetica, Arial"><SPAN STYLE='font-size:11pt'><HR ALIGN=CENTER SIZE="1" WIDTH="100%"><B>From:</B></SPAN><SPAN STYLE='font-size:12pt'> faith <<a href="faithbach@yahoo.co.jp">faithbach@yahoo.co.jp</a>><BR>
<B>To:</B> <a href="KineJapan@lists.acs.ohio-state.edu">KineJapan@lists.acs.ohio-state.edu</a><BR>
<B>Sent:</B> Tue, January 18, 2011 2:08:37 PM<BR>
<B>Subject:</B> Re: The Vagaries of Film Viewing (Started re: Potemkin)<BR>
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Roger, Prof. McCaskey needs no excuse at all to show the Odessa steps sequence to a roomful of teenagers who have no idea what it is. They will thank him and bless his name long after he is gone. I had a roomful of Americans recently who did not know what <I>Casablanca</I> is. I don't mean they hadn't seen it, I mean they did not know what it <I>is. </I>You can call it "generational revenge" or you can call it education. Regards, FB <BR>
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