<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><!--StartFragment-->
<div class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The editors have told me they are particularly interested in some Japan-related submissions. (AG)</span></div><div class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b><br></b></span></div><div class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b><br></b></span></div><div class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b>Call
For Papers: This is the Sea: Cinema at the Shoreline<o:p></o:p></b></span></div>
<div class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Edited
by Brady Hammond, Victoria University of Wellington, and Sean Redmond, Deakin
University, Melbourne<o:p></o:p></span></div>
<div class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">We
would like to propose a collection that looks at those films in which the
relationship between the sea, shoreline and beach are of particular narrative,
aesthetic, and ideological significance. <i>This is the Sea: Cinema at the
Shoreline</i></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">
will explore the ways in which the meeting places between land and sea offer up
sites where complex issues around identity, belonging, otherness, nomadism,
death, and renewal are played out. For the editors of this collection, the
shoreline holds particular significance for understanding the way in which the
relations between sea and land can create liminal, often transgressive,
possibilities for representational and phenomenological encounters between
people who ‘find themselves’ at the water’s edge. <o:p></o:p></span></div>
<div class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">In
recent years, the question of space and place in cinema has provided fertile
ground for analysis and discussion. For example, exciting work has emerged on;
the rural in cinema (Fowler, Helfield, 2006); landscape and heritage (Higson,
2003); the geographies and trajectories of the city (Abbas, 1997, Clarke, 1997,
Mennel, 2008); and on the complex, multi-relational visual-mobile spaces of
cine architecture (Bruno, 2002). However, little sustained work has taken place
on this specific (‘non’) location, on this dry and wet landscape where key
transformations and happenings take place.<span style="mso-spacerun:
yes"> </span><span style="mso-spacerun: yes"> </span>The editors
intend for <i>This is the Sea: Cinema at the Shoreline </i></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">to be an
exciting addition to the literature on cinema landscapes, offering valuable new
insights into the way this location or site of transformation can be read and
experienced.<span style="mso-spacerun: yes"> </span><o:p></o:p></span></div><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b>Indicative
Themes<o:p></o:p></b></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Disaffected
youth at the shoreline<b><o:p></o:p></b></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Suicide
at the beach, at the water’s edge<b><o:p></o:p></b></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Death
(physical, existential, symbolic)<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Birth
(physical, existential, symbolic)<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Love
and romance at the beach<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
journey down stream <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
watery arrival of the monster/creature/alien<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
‘blockbuster’ shoreline, beach<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
conquest/landing/occupation<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
harbour<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Ecology
at the water’s edge<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Deterritorialisation<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
beach as escape, hideout, prison, body<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Class,
race, gender, sexuality and the beach<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
shoreline, beach, harbour as heterotopia of compensation and/or illusion<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Purification,
renewal, and re-birth at the beach<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
beach, shoreline as national myth<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
sea as limit<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
beach as a site of nostalgia, play, innocence lost or regained<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Transgression,
hedonism, at the water’s edge<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
beach as a space, a location, a time of subtraction, of negative space<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Contemplation
– the cerebral shoreline<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Colour
sensation – the aesthetics of the beach, harbour.<br style="mso-special-character:
line-break">
<br style="mso-special-character:line-break">
<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b>Indicative
Films<o:p></o:p></b></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
Seventh Seal<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Jaws<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Planet
of the Apes<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
400 Blows<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Road
to Perdition<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
Warriors<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Hana-bi,
A Scene at the Sea, Sonatine, Kikijuro,<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">From
Here to Eternity<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Ponyo<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">A
Ma Soeur!<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Bhaji
on the Beach<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Les
Vacances de M. Hulot<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Coming
Home<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">8
1/2<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Cast
Away<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Saving
Private Ryan<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Blue
Hawaii<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">300<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Y
Tu Mamá También<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman";
mso-ansi-language:EN-US">Maborosi</span><span lang="EN-GB" style="font-size:12.0pt;
font-family:"Times New Roman""><o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Dark
City<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Blue
Lagoon<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
Piano<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Rain<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">On
the Waterfront<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Brighton
Rock<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Point
Break<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
Big Wednesday<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Godzilla/Gojiro<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
Woman of the Dunes<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">The
Beach<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Rumble
Fish<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman";
mso-ansi-language:EN-US">The Secret of Roan Inish</span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Floating
Weeds<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Jason
and the Argonauts<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Whale
Rider<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Pirates
of the Caribbean: The Curse of the Black Pearl<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Forgetting
Sarah Marshall<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b>Submission
guidelines and timeline<o:p></o:p></b></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b> <o:p></o:p></b></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Enquiries
and 500 word abstracts (attached as a word document) should be sent to Brady
Hammond at </span><span lang="EN-GB"><a href="mailto:Brady.Hammond@vuw.ac.nz"><span style="font-size:12.0pt;font-family:"Times New Roman"">Brady.Hammond@vuw.ac.nz</span></a></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> and Sean
Redmond at </span><span lang="EN-GB"><a href="mailto:Sean.redmond@deakin.edu.au"><span style="font-size:12.0pt;font-family:"Times New Roman"">Sean.redmond@deakin.edu.au</span></a></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> by the 1<sup>st</sup>
April 2011. <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Accepted
abstract/contributors will be notified by the 1<sup>st</sup> May 2011<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Articles
of between 6,500-7,000 words due by 1<sup>st</sup> November 2011<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Final
Drafts by 1<sup>st</sup> February 2012<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Brady
Hammond is a completing PhD candidate in the Film Programme at Victoria
University of Wellington, looking at violence and negative peace in the pre and
post 9/11 blockbuster film.<o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman"">Sean
Redmond is Associate Professor of Media and Communication at Deakin University,
Melbourne, and editor of the journal <i>Celebrity Studies</i></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> and author
of <i>Flowering Blood: the Cinema of Takeshi Kitano</i></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> (Forthcoming, Columbia
University Press) <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""> <o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><b><span style="mso-spacerun: yes"> </span></b></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman""><o:p></o:p></span></p><p class="MsoNormal" style="margin-bottom:0mm;margin-bottom:.0001pt;line-height:
normal"><span lang="EN-GB"> <o:p></o:p></span></p>
<!--EndFragment-->
</body></html>