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Thank you for clarifying this Aaron.<div>How frustrating! I guess I can contact them directly, but I am interested, what are these "individual catalogs" of which you speak?</div><div>Are these the magazine-size catalogues of around 40 pages which have 'FC' written on their front cover? For example, I have no. 46, about Japanese animation 1924-58.</div><div>Thanks,</div><div><br></div><div>Jasper<br><br><br>Jasper Sharp: Writer & Film Curator Homepage<br>http://jaspersharp.com/<br><br>Midnight Eye: The Latest and Best in Japanese Cinema<br>http://www.midnighteye.com<br><br>Zipangu Fest: Japanarchy in the UK<br>http://zipangufest.com/<br><br><br><br><br><hr id="stopSpelling">Date: Fri, 20 May 2011 08:33:33 -0400<br>From: aaron.gerow@yale.edu<br>To: KineJapan@lists.acs.ohio-state.edu<br>Subject: Re: NFC and color film stocks in Japan<br><br>
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<meta name="Generator" content="Microsoft SafeHTML"><div><blockquote><span class="ecxApple-style-span" style="border-collapse:separate;font-family:Helvetica;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;font-size:medium"><div class="ecxhmmessage" style="font-size:10pt;font-family:Tahoma"><div><div style="margin-bottom:0cm;margin-right:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px">The main question I have is, I currently don't have my catalogue of the NFC's holdings at hand, but does this provide information about the various stocks used for each production? Just wondered if it was worth me taking a trip across the country to dig it out of my brother's attic!</div></div></div></span></blockquote><br></div>Neither my copy of the 1986 catalog nor the online NFC catalog gives film stock, though some of the individual catalogs (such as for the Uchida Tomu tokushu) do. <br><br><div>
<span class="ecxApple-style-span" style="border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;orphans:2;text-align:auto;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;font-size:medium"><span class="ecxApple-style-span" style="border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;font-size:medium"><div style="word-wrap:break-word"><div>Aaron Gerow<br>Associate Professor<br>Film Studies Program/East Asian Languages and Literatures<br>Director of Undergraduate Studies, Film Studies Program<br>Yale University<br>53 Wall Street, Room 316<br>PO Box 208363<br>New Haven, CT 06520-8363<br>USA<br>Phone: 1-203-432-7082<br>Fax: 1-203-432-6764<br>e-mail: <a href="mailto:aaron.gerow@yale.edu">aaron.gerow@yale.edu</a></div><div>website: <a href="http://www.aarongerow.com" target="_blank">www.aarongerow.com</a></div><div><br></div></div></span><br class="ecxApple-interchange-newline"></span><br class="ecxApple-interchange-newline">
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