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<DIV><FONT size=3 face=Arial>A few words about Ushihara's 'The Ghost Cat and the 
Mysterious Shamisen', <A name=director1930><SPAN 
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'MS Mincho'; mso-ansi-language: EN-GB; mso-fareast-language: JA; mso-bidi-language: AR-SA">Kaibyò 
nazo no shamisen</SPAN></A>, 1938 that is on this week at the ICA in 
London.&nbsp; Not knowing anything about it until I saw it today, I had no idea 
how strongly theatrical the film is.&nbsp; It's a play-within-a-play where the 
boundaries get blurred.&nbsp; We start outside an Edo-period theatre and move 
quickly in to the performance.&nbsp; It looked to me like proper kabuki - stage, 
hanamachi, full orchestra, costumes, dance, etc. - except that this has starring 
actresses (with actors).&nbsp; I interpret that - and I'm happy to be corrected 
- as the same kind of liberties with period as contemporary Hollywood would have 
made to get their stars into costume.</FONT></DIV>
<DIV><FONT size=3 face=Arial>But I don't think that seeming anachronism stops it 
being a very important record of some extended theatrical performance, as well 
as being a film with considerable merit - and no sentimental Ushihara 
here.</FONT></DIV>
<DIV><FONT size=3 face=Arial>It was projected from DigiBeta from a NFC print 
that showed the kind of degradation with which we are familiar for the period - 
over-copied, with intermediate contrast lost.&nbsp; Just occasionally on fades 
to black, you could pick up the finer detail that must have been there.&nbsp; I 
wonder whether a digital restoration could find that again without pulling the 
light and dark into grey mist?&nbsp; At any rate, you could see far more than 
from the BFI print of another theatrical film of the same time 'Late 
Chrysanthemum'.&nbsp; And 'Ghost Cat' was also far better translated than that 
dreadful print.</FONT></DIV>
<DIV><FONT size=3 face=Arial>It's showing again on Thursday (by which time I had 
planned to be in Vienna ...)</FONT></DIV>
<DIV><FONT size=3 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=3 face=Arial>I thought I'd mention the theatrical character of 
the film as it doesn't seem to be picked up by anyone in the English literature, 
or on this list when we've looked at treatments of theatre in Japanese 
film.</FONT></DIV>
<DIV><FONT size=3 face=Arial>Roger</FONT></DIV>
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  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=jasper_sharp@hotmail.com 
  href="mailto:jasper_sharp@hotmail.com">Jasper Sharp</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=kinejapan@lists.acs.ohio-state.edu 
  href="mailto:kinejapan@lists.acs.ohio-state.edu">kinejapan</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, October 16, 2011 4:38 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> London's Zipangu Fest reveals 
  full programme: nuclear reactions, retro, animation and horror</DIV>
  <DIV><BR></DIV>
  <DIV dir=ltr>Dear Kinejapanners,&nbsp;
  <DIV>I hope you'll forgive the self-promotion, but the lineup for this year's 
  Zipangu Fest, to be held in London from 18-24 November, has just been 
  announced.&nbsp;</DIV>
  <DIV>I look forward to seeing some of you there, if you can make it!</DIV>
  <DIV><BR></DIV>
  <DIV>best</DIV>
  <DIV><BR></DIV>
  <DIV>Jasper Sharp<BR>
  <DIV><BR></DIV>
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                          <DIV><BR><SPAN style="FONT-SIZE: 18px"><B>ZIPANGU FEST 
                          REVEALS FULL PROGRAMME: NUCLEAR&nbsp;<BR>REACTIONS, 
                          RETRO, ANIMATION AND HORROR</B></SPAN><BR><BR><SPAN 
                          style="FONT-SIZE: 14px"><B>Japanese film festival to 
                          screen timely environmental films and a rarely seen 
                          1930s ghost story</B></SPAN><BR>&nbsp;<BR><B>Zipangu 
                          Fest</B>&nbsp;is pleased to announce the full line up 
                          of its 2011 programme.&nbsp;<BR><BR>In the aftermath 
                          of this year's tragedy in north-east! ern Japan, the 
                          issues surrounding nuclear energy have resurfaced 
                          and&nbsp;<B>Zipangu Fest</B>&nbsp;will show two 
                          documentaries on the subject.&nbsp;<B>Hitomi 
                          Kamanaka</B>'s&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/ashes-to-honey" 
                          target=_blank><B>Ashes to 
                          Honey</B></A>&nbsp;and&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/rokkasho-rhapsody" 
                          target=_blank><B>Rokkasho Rhapsody</B></A>&nbsp;will 
                          be screened as part of the festival's&nbsp;<B>Nuclear 
                          Reactions</B>&nbsp;programme, along with&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/events/2011/hiroshima-nagasaki-download-the-student-wrestler" 
                          target=_blank><B>Hiroshima Nagasaki 
                          Download</B></A>&nbsp;- a documentary road trip in 
                          which two college friends interview atomic ! bomb 
                          survivors living in North America.<BR><BR>On the same 
                          theme,&nbsp; ;<B>Zipangu Fest</B>&nbsp;is proud to 
                          present a rare screening of the 1959 docudrama&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/lucky-dragon-no5" 
                          target=_blank><B>Lucky Dragon No. 5</B></A>. Directed 
                          by one of post-war Japan's most important independent 
                          film makers,&nbsp;<B>Kaneto Shindò</B>, the film tells 
                          the story of the Bikini Atoll hydrogen bomb 
                          catastrophe that exposed a Japanese fishing boat crew 
                          to radioactive fallout. While this incident gave rise 
                          to Japan's famous movie monster Godzilla, fewer people 
                          know about Shindò's treatment of it.<BR><BR>Another 
                          rare screening in the form of a 1930s ghost 
                          story,&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/the-ghost-cat-and-the-mysterious-shamisen" 
                          target=_blank><B>The Ghost Cat and the Mysterious 
                          Shamisen</B></A>, will form part of the&nbsp;<B>Zipa! 
                          ngu Retro</B>&nbsp;section. Subtitled especially 
                          for&nbsp;<B>Zipangu Fest&nbsp;</B>and never seen 
                          before in the UK, this 1938 gem is one of Japan's few 
                          surviving pre-war horror films.<BR><BR>J-Horror meets 
                          J-pop in&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/shirome" 
                          target=_blank><B>Shirome</B></A>, a mockumentary that 
                          involves director&nbsp;<B>Koji 
                          Shiraishi</B>&nbsp;luring pre-pubescent idol band 
                          Momoiro Clover into a supposedly haunted abandoned 
                          school - the result lies somewhere between the Blair 
                          Witch Project and the 
                          X-Factor.&nbsp;<B>Shirome</B>&nbsp;is part of the 
                          previously announced&nbsp;<B>Sounds of 
                          Zipangu</B>&nbsp;section, which will open the festival 
                          with the stunning new film&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/kanzeon" 
                          target=_blank><B>KanZeOn</B></A>. A fictional 
                          companion! piece to&nbsp;<B>KanZeOn</B>,&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/abraxas" 
                          target=_blank><B>Abraxas</B></A><B>,&nbsp;</B>tells 
                          the story of a punk musician turned Buddhist monk and 
                          it was a surprise hit at the 2011 Sundance 
                          Festival.<BR><BR><B>Zipangu Fest's&nbsp;</B><A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/beyond-anime-the-outer-limits" 
                          target=_blank><B>Beyond Anime: The Outer 
                          Limits</B></A>&nbsp;programme will present some of the 
                          most interesting Japanese indie animations from recent 
                          years, and in case you missed our previous 
                          announcement - experimental films by&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/films/2011/enter-the-cosmos-takashi-makino-special" 
                          target=_blank><B>Takashi Makino</B></A>&nbsp;and 
                          others will be showcased at the ICA and at a&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest! .com/events/2011/nippon-re-read-radical-fragments-and-abstractions-from-japan-i-ii-cat-soup-feat-bo-ningen" 
                          target=_blank>benefit night</A>&nbsp;at Dalston's Café 
                          Oto.<BR><BR>Festival director and head programmer, 
                          Jasper Sharp, comments:&nbsp; "This year's festival 
                          presents a really interesting mix of old and new. I 
                          think it is a far more robust line-up than anything 
                          I've been involved in before, with all of the films 
                          linked by a tone or a theme that I think will really 
                          have audiences coming away thinking about Japanese 
                          cinema in a different way."<BR><BR>The 
                          second&nbsp;<B>Zipangu Fest</B>&nbsp;- celebrating the 
                          best of cutting edge and avant garde Japanese cinema - 
                          will be held at London's Institute of Contemporary 
                          Arts and Café Oto from November 18th to 24th, before 
                          moving to venues around the UK. The festival will 
                          showcase a selection of Japan's finest features, 
                          documentaries, shorts, a! nimation and experimental 
                          films.<BR><BR>For full details and descripti ons go 
                          to:&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="http://zipangufest.com/" 
                          target=_blank>http://zipangufest.com</A>.<BR><BR>For 
                          further press information please contact:<BR>Sarah 
                          Macdonald:&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; TEXT-DECORATION: underline" 
                          href="mailto:sarah@zipangufest.com" 
                          target=_blank>sarah@zipangufest.com</A><BR>(0208 689 
                          3824)<BR><BR></DIV><FONT face=Arial><FONT 
                          color=#505050><FONT size=2><SPAN><B>To receive timely 
                          Zipangu</B></SPAN></FONT><B><SPAN 
                          style="FONT-SIZE: 10.5pt"><FONT size=2>&nbsp;Fest 
                          news, please subscribe to our press 
                          list:&nbsp;</FONT>&nbsp;</SPAN></B><SPAN 
                          style="FONT-SIZE: 10.5pt"><A 
                          href="http://zipangufest.com/press/2011" 
                          target=_blank>http://zipangufest.com/press/<WBR>2011</A>&nbsp;</SPAN></FONT></FONT><BR>
                          <DIV><BR>
                          <DIV 
                          style="TEXT-ALIGN: center; LINE-HEIGHT: 21px; FONT-FAMILY: Arial; COLOR: rgb(80,80,80); FONT-SIZE: 14px">-End! 
                          s-</DIV>&nbsp;<BR><BR><B>Notes to 
                          Editors</B><BR><BR><B>About Zipangu Fest</B><BR>The 
                          first UK-wide festival devoted to Japanese film, 
                          Zipangu Fest aims to demonstrate the many identities 
                          of Japan by introducing works new and old by some of 
                          the country's most exciting and revered talents. Last 
                          year's inaugural festival took place at various venues 
                          around London's East End before travelling to regional 
                          events in Bristol, Leeds, Coventry,Nottingham and 
                          Newcastle in the UK, and further afield to Tallinn in 
                          Estonia<B>.</B><BR><BR><B>About Jasper 
                          Sharp</B><BR>Jasper Sharp is a writer and curator 
                          based in the UK. He co-edits the web site Midnight 
                          Eye, the premier English language resource on Japanese 
                          cinema, which he founded with Tom Mes in 2001. He is a 
                          regular visitor to Japan, having lived in Tokyo 
                          between 2001 and 2005, where he co-authored 
                          the&nbsp;<I>Midnight Eye Guide to Japanese 
                          Film</I>&nbsp;(Stonebridge Press, 2004). His 
                          critically acclaimed study of the Japanese pink f! ilm 
                          industry&nbsp;<I>Behind the Pink Curtain</I>, was 
                          published by FAB Press in 2008, while his latest 
                          work,&nbsp;<I>The Historical Dictionary of Japanese 
                          Cinema</I>&nbsp;will be published by Scarecrow Press 
                          later in 2011. His writing has appeared in numerous 
                          anthologies and magazines across the world. He has 
                          curated a number of high-profile seasons and 
                          retrospectives at the British Film Institute, the 
                          Deutsches Filmmuseum in Frankfurt, as well as Austin 
                          Fantastic Fest, Montreal's Fantasia Film Festival, 
                          Wroclaw's New Horizons Festival, and the Thessaloniki 
                          International Film Festival. He is the co-founder, 
                          with Chris MaGee, of the Shinsedai New Generation 
                          Japanese Cinema Festival in 
                          Toronto.<BR>&nbsp;<BR><B>Links</B><BR>Institute of 
                          Contemporary Arts:&nbsp;<A 
                          href="http://www.ica.org.uk/30695/Seasons/Zipangu-Fest-2011.html" 
                          target=_blank>http://www.ica.org.uk/30695/<WBR>Seasons/Zipangu-Fest-2011.html</A><BR>Zipangu 
                          Fest&nbsp;<A 
                          style="COLOR: rgb(51,102,153); FONT-WEIGHT: normal; text-decorati: underline" 
                          href="http://zipangufest.com/" 
                          target=_blank>http://zipangufest.com/</A><BR>Café 
                          Oto:&nbsp;<A 
                          href="http://cafeoto.co.uk/nippon-reread.shtm" 
                          target=_blank>http://cafeoto.co.uk/nippon-<WBR>reread.shtm</A><BR><BR><BR><B>Friend 
                          on Facebook:</B>&nbsp;<A 
                          href="http://www.facebook.com/zipangufest" 
                          target=_blank>http://www.facebook.com/<WBR>zipangufest</A><BR><B>Follow 
                          on Twitter:</B>&nbsp;<A 
                          href="http://twitter.com/#%21/zipangufest/" 
                          target=_blank>http://twitter.com/#!/<WBR>zipangufest/</A><BR><BR><BR></DIV></DIV></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
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  style="COLOR: rgb(0,0,204)" href="http://www.zipangufest.com" 
  target=_blank><IMG 
  src="https://lh3.googleusercontent.com/-zsfpSX9omWk/TfjEaTiR5fI/AAAAAAAAB8A/Ck_dycre4Ek/zipangu-fest-banner2011.png"></A></SPAN><BR><BR>Zipangu 
  Fest: Japanarchy in the UK<BR><A href="http://zipangufest.com/" 
  target=_blank>http://zipangufest.com/</A><BR><BR></SPAN></FONT>
  <DIV><SPAN>Jasper Sharp,&nbsp;</SPAN><SPAN>writer &amp; film 
  curator</SPAN></DIV><FONT size=2 face=Tahoma><SPAN style="FONT-SIZE: 10pt"><A 
  href="h! ttp://jaspersharp.com/" 
  target=_blank>http://jaspersharp.com/</A><BR><BR>Midnight Eye: The Latest and 
  Best in Japanese Cinema<BR><A href="http://www.midnighteye.com" 
  target=_blank>http://www.midnighteye.com</A><BR><BR><BR></SPAN></FONT></SPAN><BR>Jasper 
  Sharp: Writer &amp; Film Curator 
  Homepage<BR>http://jaspersharp.com/<BR><BR>Midnight Eye: The Latest and Best 
  in Japanese Cinema<BR>http://www.midnighteye.com<BR><BR>Zipangu Fest: 
  Japanarchy in the 
UK<BR>http://zipangufest.com/<BR></DIV></DIV></DIV></BLOCKQUOTE></CENTER></BODY></HTML>