Not a film, but in the Hokkaido episode of No Reservations, Anthony Bourdain spends time visiting with the Ainu and also on how Americans influenced the food in the region after the war. <div><br><div class="gmail_quote">On Sat, Feb 4, 2012 at 5:18 PM, Me <span dir="ltr">&lt;<a href="mailto:matteo.boscarol@gmail.com">matteo.boscarol@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div bgcolor="#FFFFFF"><div>Let&#39;s not forget Ôshima&#39;s &quot;Death by Hanging&quot; <span style="font-weight:normal">(<span lang="ja">絞死刑)</span></span><br>
<br><div>Matteo Boscarol</div><div>&quot;nada, nada, nada, nada, nada, nada, y aún en el monte nada&quot;</div><div><span><a href="http://www.sonatine2010.blogspot.com" target="_blank">http://www.sonatine2010.blogspot.com</a></span></div>
<div><a href="http://www.cineclandestino.it" target="_blank">http://www.cineclandestino.it</a></div><div><a href="http://www.ilmanifesto.it" target="_blank">http://www.ilmanifesto.it</a></div></div><div><div class="h5"><div>
<br>On 2012/02/05, at 6:29, Aaron Gerow &lt;<a href="mailto:aaron.gerow@yale.edu" target="_blank">aaron.gerow@yale.edu</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>I have a list of films involving Okinawa at the end of my article &quot;From the National Gaze to Multiple Gazes: Representations of Okinawa in Recent Japanese Cinema&quot; in Islands of Discontent:<div>
<br></div><div><a href="https://rowman.com/ISBN/9780742518650" target="_blank">https://rowman.com/ISBN/9780742518650</a></div><br><br><div>
<span style="text-indent:0px;letter-spacing:normal;font-variant:normal;text-align:-webkit-auto;font-style:normal;font-weight:normal;line-height:normal;border-collapse:separate;text-transform:none;font-size:medium;white-space:normal;font-family:Helvetica;word-spacing:0px"><span style="text-indent:0px;letter-spacing:normal;font-variant:normal;font-style:normal;font-weight:normal;line-height:normal;border-collapse:separate;text-transform:none;font-size:medium;white-space:normal;font-family:Helvetica;word-spacing:0px"><div style="word-wrap:break-word">
<span style="text-indent:0px;letter-spacing:normal;font-variant:normal;font-style:normal;font-weight:normal;line-height:normal;border-collapse:separate;text-transform:none;font-size:medium;white-space:normal;font-family:Helvetica;word-spacing:0px"><div style="word-wrap:break-word">
<span style="text-indent:0px;letter-spacing:normal;font-variant:normal;font-style:normal;font-weight:normal;line-height:normal;border-collapse:separate;text-transform:none;font-size:medium;white-space:normal;font-family:Helvetica;word-spacing:0px"><div style="word-wrap:break-word">
<div>Aaron Gerow<br>Professor<br>Film Studies Program/East Asian Languages and Literatures<br>Director of Undergraduate Studies, Film Studies Program<br>Yale University<br>320 York Street, Room 311<br>PO Box 208236<br>New Haven, CT 06520-8236<br>
USA<br>Phone: <a href="tel:1-203-432-7082" value="+12034327082" target="_blank">1-203-432-7082</a><br>Fax: <a href="tel:1-203-432-6729" value="+12034326729" target="_blank">1-203-432-6729</a><br>e-mail: <a href="mailto:aaron.gerow@yale.edu" target="_blank">aaron.gerow@yale.edu</a></div>
<div>website: <a href="http://www.aarongerow.com" target="_blank">www.aarongerow.com</a></div><div><br></div></div></span><br></div></span><br></div></span><br></span><br>
</div>
<br></div></blockquote></div></div></div></blockquote></div><br></div>