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<DIV>I must see the film to judge it on its quality. I don’t have to see a film
to say I’m unimpressed about the subject matter; yet another go at a topic
that’s been done to death, even if it is Kiarostami. And to answer another
question, given the plot involves the student in question meeting an elderly man
who shows her kind treatment really suggests there’s nothing the director will
add. </DIV>
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<DIV style="font-color: black"><B>From:</B> <A title=brokerharris@gmail.com
href="mailto:brokerharris@gmail.com">Mark R. Harris</A> </DIV>
<DIV><B>Sent:</B> Thursday, April 19, 2012 2:26 PM</DIV>
<DIV><B>To:</B> <A title=KineJapan@lists.acs.ohio-state.edu
href="mailto:KineJapan@lists.acs.ohio-state.edu">KineJapan@lists.acs.ohio-state.edu</A>
</DIV>
<DIV><B>Subject:</B> Re: Japan in Cannes</DIV></DIV></DIV>
<DIV> </DIV></DIV>
<DIV
style="FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: none">Why
all the negativity about a film that hasn't been seen yet? <BR><BR>
<DIV class=gmail_quote>On Thu, Apr 19, 2012 at 1:19 PM, Michael Kerpan <SPAN
dir=ltr><<A
href="mailto:mekerpan@verizon.net">mekerpan@verizon.net</A>></SPAN>
wrote:<BR>
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<DIV><SPAN>Does Kiarostami have anything new or different to say (or show us)
about the topic?<VAR></VAR><BR></SPAN></DIV>
<DIV> </DIV>
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<DIV
style="FONT-FAMILY: times new roman,new york,times,serif; FONT-SIZE: 12pt">
<DIV dir=ltr><FONT face=Arial>
<DIV
style="BORDER-BOTTOM: rgb(204,204,204) 1px solid; BORDER-LEFT: rgb(204,204,204) 1px solid; PADDING-BOTTOM: 0px; LINE-HEIGHT: 0pt; MARGIN: 5px 0px; MIN-HEIGHT: 0px; PADDING-LEFT: 0px; PADDING-RIGHT: 0px; FONT-SIZE: 0px; BORDER-TOP: rgb(204,204,204) 1px solid; BORDER-RIGHT: rgb(204,204,204) 1px solid; PADDING-TOP: 0px"
readonly></DIV><B><SPAN style="FONT-WEIGHT: bold">From:</SPAN></B> Mark Mays
<<A href="mailto:tetsuwan@comcast.net"
target=_blank>tetsuwan@comcast.net</A>><BR><B><SPAN
style="FONT-WEIGHT: bold">To:</SPAN></B> <A
href="mailto:KineJapan@lists.acs.ohio-state.edu"
target=_blank>KineJapan@lists.acs.ohio-state.edu</A> <BR><B><SPAN
style="FONT-WEIGHT: bold">Sent:</SPAN></B> Thursday, April 19, 2012 3:04 PM
<DIV>
<DIV class=h5><BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> Re:
Japan in Cannes<BR></DIV></DIV></FONT></DIV>
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<DIV>Was disappointed to hear about the Kiarostami, frankly. Brilliant
director but how many more times must we round the enjyo kosai poll . . . er
so to speak.</DIV>
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<DIV style="BACKGROUND: rgb(245,245,245)">
<DIV><B>From:</B> <A title=brokerharris@gmail.com
href="mailto:brokerharris@gmail.com" rel=nofollow target=_blank>Mark R.
Harris</A> </DIV>
<DIV><B>Sent:</B> Thursday, April 19, 2012 1:09 PM</DIV>
<DIV><B>To:</B> <A title=KineJapan@lists.acs.ohio-state.edu
href="mailto:KineJapan@lists.acs.ohio-state.edu" rel=nofollow
target=_blank>KineJapan@lists.acs.ohio-state.edu</A> </DIV>
<DIV><B>Subject:</B> Re: Japan in Cannes</DIV></DIV></DIV>
<DIV> </DIV></DIV>
<DIV
style="FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: none">It's
a big day for Korea, since both Im and Hong got spots in the main competition,
and they are the only East Asian directors to do so. Weerasethakul's film was
relegated to a Special Screening, a bit of a surprise perhaps after his recent
Palme d'Or win.<BR><BR>Mark R. Harris<BR><BR>
<DIV>On Thu, Apr 19, 2012 at 11:46 AM, Mark Nornes <SPAN dir=ltr><<A
href="mailto:amnornes@umich.edu" rel=nofollow
target=_blank>amnornes@umich.edu</A>></SPAN> wrote:<BR>
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<DIV style="WORD-WRAP: break-word">The Cannes lineup was announced.
<DIV> </DIV>
<DIV>The only Japanese film in competition is directed by Kiarostami, sorry
to say. </DIV>
<DIV> </DIV>
<DIV>Un Certain Regard will future Wakamatsu's regrettably titled <I>11.25
The Day He Chose His Own Fate. </I></DIV>
<DIV><I><BR></I></DIV>
<DIV>Finally, there is a midnight screening of <I>The Legend of Love &
Sincerity, </I>by Miike. </DIV>
<DIV> </DIV>
<DIV>Not a good year for Japan. Other Asian directors that got slots include
Apichatpong Weerasethakul, You Ye, Ashim Ahluwalia, Im Sang-soo, and Hong
Sang-soo. </DIV>
<DIV> </DIV>
<DIV>Markus</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>
<DIV> </DIV>
<DIV><SPAN
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<DIV>_________________________________</DIV>
<DIV><B>A. M. Nornes</B></DIV>
<DIV><B>Chair, </B><B>Department of Screen Arts and Cultures</B></DIV>
<DIV><B>Professor, Department of Asian Languages & Cultures</B></DIV>
<DIV><B>Professor, School of Art & Design</B></DIV>
<DIV><B>University of Michigan</B></DIV>
<DIV><B><SPAN style="FONT-WEIGHT: normal">
<DIV><B>North Quad 6F, 105 S. State Street</B></DIV>
<DIV><B>Ann Arbor, MI 48104-1608</B></DIV>
<DIV><B>Phone: 734-763-1314</B></DIV>
<DIV><B>FAX: 734-936-1846</B></DIV></SPAN></B></DIV></DIV>
<DIV> </DIV></SPAN></DIV></DIV></SPAN><BR></DIV></DIV></SPAN></DIV></DIV></SPAN><BR></DIV></SPAN><BR></DIV></SPAN><BR></DIV></SPAN><BR></SPAN><BR></DIV>
<DIV> </DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR clear=all><BR>-- <BR>
<DIV>Mark R. Harris<BR></DIV>
<DIV>Profesor de humanidades</DIV>
<DIV>Tecnologico de Monterrey, Campus Sinaloa</DIV>
<DIV>Blvd. Pedro Infante 3773</DIV>
<DIV>Culiacan, CP 80100, Sinaloa, Mexico</DIV>
<DIV>+52 (667) 759-1600</DIV><A href="mailto:mark_r_harris@yahoo.com"
rel=nofollow target=_blank>mark_r_harris@yahoo.com</A><BR><A
href="mailto:brokerharris@gmail.com" rel=nofollow
target=_blank>brokerharris@gmail.com</A><BR></DIV></DIV></DIV></DIV></DIV><BR><BR></DIV></DIV></DIV></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR
clear=all><BR>-- <BR>
<DIV>Mark R. Harris<BR></DIV>
<DIV>Profesor de humanidades</DIV>
<DIV>Tecnologico de Monterrey, Campus Sinaloa</DIV>
<DIV>Blvd. Pedro Infante 3773</DIV>
<DIV>Culiacan, CP 80100, Sinaloa, Mexico</DIV>
<DIV>+52 (667) 759-1600</DIV><A href="mailto:mark_r_harris@yahoo.com"
target=_blank>mark_r_harris@yahoo.com</A><BR><A
href="mailto:brokerharris@gmail.com"
target=_blank>brokerharris@gmail.com</A><BR></DIV></DIV></DIV></BODY></HTML>