<html><body><div style="color:#000; background-color:#fff; font-family:HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif;font-size:12pt"><div><span>Wow, thank you! It seems really what I was looking for!</span></div><div class="yahoo_quoted" style="display: block;"> <br> <br> <div style="font-family: HelveticaNeue, 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 12pt;"> <div style="font-family: HelveticaNeue, 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 12pt;"> <div dir="ltr"> <font size="2" face="Arial"> Il Martedì 3 Dicembre 2013 17:07, Marc Steinberg <Marc.Steinberg@concordia.ca> ha scritto:<br> </font> </div> <div class="y_msg_container"><div id="yiv9144257421"><div>
Hi Giacomo,
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<div>This is a really fertile field of research. I’d just suggest looking at the two documents Rayna Denison and her researcher associates put together:</div>
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<div><a rel="nofollow" shape="rect" target="_blank" href="http://www.mangamoviesproject.com/publications.html">http://www.mangamoviesproject.com/publications.html</a></div>
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<div>There’s a real wealth of information there.</div>
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<div>best,</div>
<div>Marc</div>
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Marc Steinberg, PhD<br clear="none">
Assistant Professor, Film Studies<br clear="none">
Mel Hoppenheim School of Cinema, FB 319<br clear="none">
Concordia University<br clear="none">
1455 de Maisonneuve Blvd. West<br clear="none">
Montreal, Quebec, H3G 1M8<br clear="none">
Phone: (514) 848-2424 ext. 8728<br clear="none">
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<div class="yiv9144257421yqt7280847447" id="yiv9144257421yqt53972"><div>On Dec 3, 2013, at 5:15 AM, Giacomo Calorio <<a rel="nofollow" shape="rect" ymailto="mailto:cinnamon815@yahoo.it" target="_blank" href="mailto:cinnamon815@yahoo.it">cinnamon815@yahoo.it</a>> wrote:</div>
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<div>Dear Kinejapaners,</div>
<div>recently I was asked to write an essay on the boundaries between contemporary japanese cinema and manga. It's quite evident that mangas provide an unlimited source for movie scripts, as contemporary japanese cinema abounds with adaptations and so on. But
in the works of some directors, we can also easily find a significant influence concerning aestethics, cinematography, archetypal characters, situations, mimicry, pop visual effects and so on, even in movies not directly adapted from manga. Maybe it's a bit
too much complex matter to deal with in a short essay, as manga universe in itself (which in turn was influenced by a far more ancient aesthetical tradition) proves to be extremely multiform and its visual array wider than the well-known sterotypes of shonen
and shojo manga, and as it seems to me that often the influence manga exercises on cinema is not specific and direct but blended with references to anime, videogames, tv shows, advertisings, Internet graphics and so on.</div>
<div>Anyway, I'm asking you if anything has already been written specifically on this topic. Of course I found brief references to manga and "mangaesque" in movie essays, reviews and interviews on films or directors but nothing really focused on this particular
subject (except for an essay by Olaf M<span style="color: rgb(51, 51, 51); font-family: Arial, 'Helvetica Neue', Helvetica, sans-serif; font-size: 13px; line-height: 15.109375px;">ö</span>ller about shojo manga published in 2001).</div>
<div>Any suggestion would be very appreciated!</div>
<div>thank you in advance</div>
<div>giacomo</div>
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