<html><body><div style="color:#000; background-color:#fff; font-family:HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, Sans-Serif|1;font-size:12pt"><DIV style="RIGHT: auto"><FONT style="RIGHT: auto" face=Arial>I see that part 1 of <I style="RIGHT: auto; mso-bidi-font-style: normal"><SPAN style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 14pt; FONT-WEIGHT: normal; mso-bidi-font-weight: bold">The Aesthetics of Shadow, Part 1: Japan<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p style="RIGHT: auto"></o:p></SPAN></I> is up the MoMA website and, contrary to my guess, is largrey <U>before</U> KinemaClub XIII on January 7th to 19th.</FONT></DIV>
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<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class=MsoNormal><SPAN style="FONT-FAMILY: 'Arial','sans-serif'"><A href="http://www.moma.org/visit/calendar/films/1449">http://www.moma.org/visit/calendar/films/1449</A><o:p></o:p></SPAN></div>It dooesn't seem that you can book tickets more than a week before the screening which, even though it's a week more than Tokyo NFC, is tricky for booking flights ahead.</FONT></DIV>
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<DIV><FONT face=Arial>But we can have some scheduling news for KinemaClub, please ? The papers are on Fri 17th and Sat 18th but there was talk of screening(s). In particular, will there be anything to keep me in Boston on Sunday 19th, rather than see <SPAN style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 14pt; mso-bidi-font-weight: bold; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: ZH-CN; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA"><EM>Hawai Mare oki kaisen </EM></SPAN>,1942 in NYC - film of which I have read much but seen nothing except a couple of stills.</FONT></DIV>
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<DIV><FONT face=Arial>Yes, I know we'll always have Berlin ...</FONT></DIV>
<DIV><FONT face=Arial>Roger</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A title=macyroger@yahoo.co.uk href="mailto:macyroger@yahoo.co.uk">Roger Macy</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=kinemaclub@mailman.yale.edu href="mailto:kinemaclub@mailman.yale.edu">kinejapan</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, November 10, 2013 12:31 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [Kinema Club] [KineJapan] "The Aesthetics of Shadow"Retrospective @ Berlin International Film Festival</DIV>
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<DIV><FONT face=Arial>New York in January? That's also interesting.</FONT></DIV>
<DIV><FONT face=Arial>Given what they seem to have in the pipeline, already, I would take it that screenings are more likely to be after Kineclub on January 17-8, rather than before ? I'm just thinking about my plane tickets, as must others, if you have any further guidance, Daisuke.</FONT></DIV>
<DIV><FONT face=Arial>best,</FONT></DIV>
<DIV><FONT face=Arial>Roger</FONT></DIV>
<DIV><FONT face=Arial>----- Original Message ----- </FONT>
<DIV><FONT face=Arial>From: "Daisuke Miyao" <</FONT><A href="mailto:dmiyao@uoregon.edu"><FONT face=Arial>dmiyao@uoregon.edu</FONT></A><FONT face=Arial>></FONT></DIV>
<DIV><FONT face=Arial>To: "Japanese Cinema Discussion Forum" <</FONT><A href="mailto:kinejapan@lists.service.ohio-state.edu"><FONT face=Arial>kinejapan@lists.service.ohio-state.edu</FONT></A><FONT face=Arial>></FONT></DIV>
<DIV><FONT face=Arial>Sent: Friday, November 08, 2013 6:11 PM</FONT></DIV>
<DIV><FONT face=Arial>Subject: Re: [KineJapan] "The Aesthetics of Shadow" Retrospective @ Berlin International Film Festival</FONT></DIV></DIV>
<DIV><FONT face=Arial><BR></FONT></DIV><FONT face=Arial>> Dear all,<BR>> <BR>> Thank you very much for your interests in the retrospective. Answering <BR>> Alex's question, here is the tentative list of films (not only <BR>> Japanese). In addition to Berlin International Film Festival, I am <BR>> collaborating with MoMA of New York, and they will have its own "The <BR>> Aesthetics of Shadow" series in January. More information to come....<BR>> <BR>> Best,<BR>> Daisuke<BR>> <BR>> A) LIGHTING STYLES FOR GENRES:<BR>> 1) Street films: “City as protagonist”<BR>> JUJIRO (Crossways/Im Schatten des Yoshiwara), Teinosuke Kinugasa, 1928 <BR>> (silent, engl. subt.)<BR>> SONO YO NO TSUMA (That Night’s Wife), Yasujiro Ozu, 1930 (silent, engl. <BR>> subt.)<BR>> NINJO KAMIFUSEN (Humanity and Paper Balloon), Yamanaka Sadao, 1937 <BR>> (engl. subt.)<BR>> SUNRISE, F.W. Murnau, 1927
(silent)<BR>> QUAI DES BRUMES, Marcel Carné, F 1938 (Eugen Schüfftan)<BR>> UNTER DER LATERNE, Gerhard Lamprecht, G 1926 (silent, digital <BR>> restoration, Deutsche Kinemathek)<BR>> DIRNENTRAGÖDIE, Bruno Rahn, 1927 (Guido Seeber) or<BR>> MINATO NO NIHON MUSUME (Japanese Girls at the Harbor), Hiroshi Shimizu, <BR>> 1933<BR>> <BR>> 2) jidaigeki: “Flash of the sword”<BR>> YUKINOJO HENGE (An Actor’s Revenge), Teinosuke Kinugasa, 1935/1952 <BR>> (engl. subt.)<BR>> THE MARK OF ZORRO, Fred Niblo, 1920 (silent)<BR>> RASHOMON, Akira Kurosawa, 1950<BR>> THE IRON MASK, Allan Dwan, 1929 (silent)or<BR>> SCARAMOUCHE, Rex Ingram, 1924 (silent)<BR>> <BR>> 3) “War films”<BR>> GONIN NO SEKKOHEI (Five Scouts), Tomotaka Tasaka, 1938 (live subt. <BR>> engl.)<BR>> HAWAI MARE OKI KAISEN (The War at Sea from Hawaii to Malaya), Kajiro <BR>> Yamamoto, 1944 (live subt. engl.)<BR>> DAWN PATROL, Howard
Hawks, 1930<BR>> AIR FORCE, Howard Hawks, 1943<BR>> <BR>> B) LIGHTING STYLES FOR STARS:<BR>> Marlene Dietrich, Greta Garbo, Kazuo Hasegawa/Hayashi Chojiro, Sessue <BR>> Hayakawa etc.<BR>> 4) Lighting styles for stars<BR>> TSURUHACHI TSURUJIRO (Tsuruhachi and Tsurujiro), Mikio Naruse, 1938 <BR>> (engl. subt.)<BR>> THE TYPHOON, Reginald Barker, (withHenry Kotani), 1914 (silent)<BR>> THE CHEAT, Cecil B. DeMille, 1915 (silent)<BR>> SHANGHAI EXPRESS, Josef von Sternberg, 1932 (Lee Garmes) and/or<BR>> FLESH AND THE DEVIL, Clarence Brown, 1926 (William Daniels) and/or<BR>> <BR>> C) THEMES:<BR>> 5) Light and Rhythm<BR>> KURUTTA IPPEJI (A Page of Madness), Teinosuke Kinugasa, 1926 (silent, <BR>> engl. subt.)<BR>> OSHIDORI UTAGASSEN (Singing Lovebirds), Makino Masahiro, 1939 (engl. <BR>> subt.)<BR>> BERLIN. DIE SINFONIE DER GROßSTADT (Berlin. Symphony of a Great City), <BR>> Walther Ruttmann,
1927<BR>> 1 Short film program:<BR>> OPUS I-IV, Walther Ruttmann, 1921-25<BR>> Lichtspiel Schwarz Weiss Grau, László Moholy-Nagy, 1930<BR>> Grossstadtzigeuner, László Moholy-Nagy, 1932<BR>> <BR>> 6) Painting with shadows<BR>> UGETSU (Tales of the Rain and Moon), Kenji Mizoguchi, 1953 (engl. <BR>> subt.)<BR>> FAUST, F.W. Murnau, 1926 (silent)<BR>> LA BELLE ET LA BETE, Jean Cocteau, F 1945 (Henri Alekan)<BR>> STAGECOACH, John Ford, 1939 (Bert Glennon)<BR>> and possibly FÄHRMANN MARIA, Frank Wysbar, G 1936<BR>> <BR>> 7) Towards Realism (6 films)<BR>> DOCKS OF NEW YORK, Josef von Sternberg, 1926 (engl. subt.)<BR>> NASAKE NO HIKARI (Light of Compassion), Henri Kotani, 1926 (silent, <BR>> engl. live subt.)<BR>> TOKYO NO EIYU (A Hero of Tokyo), Hiroshi Shimizu, 1935 (engl. subt.)<BR>> THE GRAPES OF WRATH, John Ford, 1940<BR>> CITIZEN KANE, Orson Welles, 1941<BR>> NAKED CITY Jules Dassin, 1948
(restoration LoC) or<BR>> BERLIN EXPRESS, Jacques Tourneur, 1948 (restoration LoC)<BR>> <BR>> Additional title:<BR>> Benjamin Christensen: HÆVNENS NAT or HEMMELIGHEDSFULDE X (or less known <BR>> title → Thomas Christensen) (silent)<BR>> <BR>> <BR>> <BR>> On 2013/11/08 06:52, Alex Zahlten wrote:<BR>>> This looks amazing, Daisuke. In the press release no specific films<BR>>> seem to be mentioned- are you allowed to give us an idea of which<BR>>> Japanese films will be playing there?<BR>>> <BR>>> Best<BR>>> <BR>>> Alex<BR>>> <BR>>> GESENDET: Donnerstag, 07. November 2013 um 22:50 Uhr<BR>>> VON: "Daisuke Miyao" <</FONT><A href="mailto:dmiyao@uoregon.edu"><FONT face=Arial>dmiyao@uoregon.edu</FONT></A><FONT face=Arial>><BR>>> AN: "Japanese Cinema Discussion Forum" <BR>>> <</FONT><A
href="mailto:kinejapan@lists.service.ohio-state.edu"><FONT face=Arial>kinejapan@lists.service.ohio-state.edu</FONT></A><FONT face=Arial>><BR>>> BETREFF: [KineJapan] "The Aesthetics of Shadow" Retrospective @<BR>>> Berlin International Film Festival<BR>>> Dear All,<BR>>> <BR>>> I would like to let you know that my book, The Aesthetics of Shadow:<BR>>> Lighting and Japanese Cinema (Duke University Press, 2013), is <BR>>> invited<BR>>> to the 64th Berlin International Film Festival. There will be a<BR>>> retrospective based on the book and beyond. Here is the link to the<BR>>> festival website.<BR>>> <BR>>> <BR>>> </FONT><A href="http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html"><FONT face=Arial>http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html</FONT></A><BR><FONT style="RIGHT:
auto" face=Arial>>> [1]<BR>>> <BR>>> I am going to introduce some films. If you are in Berlin in February,<BR>>> see you there!<BR>>> <BR>>> Best,<BR>>> Daisuke<BR>>> <BR>>> Daisuke Miyao<BR>>> Associate Professor of Japanese Film and Cinema Studies<BR>>> University of Oregon<VAR id=yui-ie-cursor></VAR><BR></FONT></DIV></BLOCKQUOTE></div></body></html>