<div dir="ltr">And Himatsuri (in 35mm) is playing on the 24th at the Japan Society as a part of a Donald Richie tribute series...<br><br><a href="http://www.japansociety.org/event/himatsuri-3">http://www.japansociety.org/event/himatsuri-3</a><br>
</div><div class="gmail_extra"><br><br><div class="gmail_quote">On Tue, Dec 24, 2013 at 7:32 PM, Roger Macy <span dir="ltr"><<a href="mailto:macyroger@yahoo.co.uk" target="_blank">macyroger@yahoo.co.uk</a>></span> wrote:<br>
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<div><font face="Arial">Dear KineJapaners,</font></div>
<div><font face="Arial">I see that part 1 of <i><span style="FONT-FAMILY:'Arial','sans-serif';FONT-SIZE:14pt;FONT-WEIGHT:normal">The Aesthetics of Shadow, Part 1: Japan</span></i> is up the MoMA website and, contrary to my guess, is largely <u>before</u> KinemaClub XIII on January 7th to 19th.</font></div>
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<div style="MARGIN:0cm 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><a href="http://www.moma.org/visit/calendar/films/1449" rel="nofollow" target="_blank"><font color="#2862c5">http://www.moma.org/visit/calendar/films/1449</font></a></span></div>
<div>It dooesn't seem that you can book tickets more than a week before the screening which, even though that's a week more than at Tokyo NFC, is tricky for booking flights ahead.</div>
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<div>It's also tricky for KineClub - papers </div></font><font face="Arial">on Fri 17th and Sat 18th but there was talk of screening(s). </font><font face="Arial">Yes, I know we'll always have Berlin ...</font></div>
<div><font face="Arial">Roger</font></div>
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<div><font face="Arial"></font></div><font face="Arial">----- Original Message ----- </font></div>
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<div><font face="Arial">From: "Daisuke Miyao" <</font><a href="mailto:dmiyao@uoregon.edu" rel="nofollow" target="_blank"><font color="#2862c5" face="Arial">dmiyao@uoregon.edu</font></a><font face="Arial">></font></div>
<div><font face="Arial">To: "Japanese Cinema Discussion Forum" <</font><a href="mailto:kinejapan@lists.service.ohio-state.edu" rel="nofollow" target="_blank"><font color="#2862c5" face="Arial">kinejapan@lists.service.ohio-state.edu</font></a><font face="Arial">></font></div>
<div><font face="Arial">Sent: Friday, November 08, 2013 6:11 PM</font></div>
<div><font face="Arial">Subject: Re: [KineJapan] "The Aesthetics of Shadow" Retrospective @ Berlin International Film Festival</font></div></div>
<div><font face="Arial"><br></font></div><font face="Arial">> Dear all,<br>> <br>> Thank you very much for your interests in the retrospective. Answering <br>> Alex's question, here is the tentative list of films (not only <br>
> Japanese). In addition to Berlin International Film Festival, I am <br>> collaborating with MoMA of New York, and they will have its own "The <br>> Aesthetics of Shadow" series in January. More information to come....<br>
> <br>> Best,<br>> Daisuke<br>> <br>> A) LIGHTING STYLES FOR GENRES:<br>> 1) Street films: “City as protagonist”<br>> JUJIRO (Crossways/Im Schatten des Yoshiwara), Teinosuke Kinugasa, 1928 <br>> (silent, engl. subt.)<br>
> SONO YO NO TSUMA (That Night’s Wife), Yasujiro Ozu, 1930 (silent, engl. <br>> subt.)<br>> NINJO KAMIFUSEN (Humanity and Paper Balloon), Yamanaka Sadao, 1937 <br>> (engl. subt.)<br>> SUNRISE, F.W. Murnau, 1927
(silent)<br>> QUAI DES BRUMES, Marcel Carné, F 1938 (Eugen Schüfftan)<br>> UNTER DER LATERNE, Gerhard Lamprecht, G 1926 (silent, digital <br>> restoration, Deutsche Kinemathek)<br>> DIRNENTRAGÖDIE, Bruno Rahn, 1927 (Guido Seeber) or<br>
> MINATO NO NIHON MUSUME (Japanese Girls at the Harbor), Hiroshi Shimizu, <br>> 1933<br>> <br>> 2) jidaigeki: “Flash of the sword”<br>> YUKINOJO HENGE (An Actor’s Revenge), Teinosuke Kinugasa, 1935/1952 <br>
> (engl. subt.)<br>> THE MARK OF ZORRO, Fred Niblo, 1920 (silent)<br>> RASHOMON, Akira Kurosawa, 1950<br>> THE IRON MASK, Allan Dwan, 1929 (silent)or<br>> SCARAMOUCHE, Rex Ingram, 1924 (silent)<br>> <br>
> 3) “War films”<br>> GONIN NO SEKKOHEI (Five Scouts), Tomotaka Tasaka, 1938 (live subt. <br>> engl.)<br>> HAWAI MARE OKI KAISEN (The War at Sea from Hawaii to Malaya), Kajiro <br>> Yamamoto, 1944 (live subt. engl.)<br>
> DAWN PATROL, Howard
Hawks, 1930<br>> AIR FORCE, Howard Hawks, 1943<br>> <br>> B) LIGHTING STYLES FOR STARS:<br>> Marlene Dietrich, Greta Garbo, Kazuo Hasegawa/Hayashi Chojiro, Sessue <br>> Hayakawa etc.<br>> 4) Lighting styles for stars<br>
> TSURUHACHI TSURUJIRO (Tsuruhachi and Tsurujiro), Mikio Naruse, 1938 <br>> (engl. subt.)<br>> THE TYPHOON, Reginald Barker, (withHenry Kotani), 1914 (silent)<br>> THE CHEAT, Cecil B. DeMille, 1915 (silent)<br>
> SHANGHAI EXPRESS, Josef von Sternberg, 1932 (Lee Garmes) and/or<br>> FLESH AND THE DEVIL, Clarence Brown, 1926 (William Daniels) and/or<br>> <br>> C) THEMES:<br>> 5) Light and Rhythm<br>> KURUTTA IPPEJI (A Page of Madness), Teinosuke Kinugasa, 1926 (silent, <br>
> engl. subt.)<br>> OSHIDORI UTAGASSEN (Singing Lovebirds), Makino Masahiro, 1939 (engl. <br>> subt.)<br>> BERLIN. DIE SINFONIE DER GROßSTADT (Berlin. Symphony of a Great City), <br>> Walther Ruttmann,
1927<br>> 1 Short film program:<br>> OPUS I-IV, Walther Ruttmann, 1921-25<br>> Lichtspiel Schwarz Weiss Grau, László Moholy-Nagy, 1930<br>> Grossstadtzigeuner, László Moholy-Nagy, 1932<br>> <br>> 6) Painting with shadows<br>
> UGETSU (Tales of the Rain and Moon), Kenji Mizoguchi, 1953 (engl. <br>> subt.)<br>> FAUST, F.W. Murnau, 1926 (silent)<br>> LA BELLE ET LA BETE, Jean Cocteau, F 1945 (Henri Alekan)<br>> STAGECOACH, John Ford, 1939 (Bert Glennon)<br>
> and possibly FÄHRMANN MARIA, Frank Wysbar, G 1936<br>> <br>> 7) Towards Realism (6 films)<br>> DOCKS OF NEW YORK, Josef von Sternberg, 1926 (engl. subt.)<br>> NASAKE NO HIKARI (Light of Compassion), Henri Kotani, 1926 (silent, <br>
> engl. live subt.)<br>> TOKYO NO EIYU (A Hero of Tokyo), Hiroshi Shimizu, 1935 (engl. subt.)<br>> THE GRAPES OF WRATH, John Ford, 1940<br>> CITIZEN KANE, Orson Welles, 1941<br>> NAKED CITY Jules Dassin, 1948
(restoration LoC) or<br>> BERLIN EXPRESS, Jacques Tourneur, 1948 (restoration LoC)<br>> <br>> Additional title:<br>> Benjamin Christensen: HÆVNENS NAT or HEMMELIGHEDSFULDE X (or less known <br>> title → Thomas Christensen) (silent)<br>
> <br>> <br>> <br>> On 2013/11/08 06:52, Alex Zahlten wrote:<br>>> This looks amazing, Daisuke. In the press release no specific films<br>>> seem to be mentioned- are you allowed to give us an idea of which<br>
>> Japanese films will be playing there?<br>>> <br>>> Best<br>>> <br>>> Alex<br>>> <br>>> GESENDET: Donnerstag, 07. November 2013 um 22:50 Uhr<br>>> VON: "Daisuke Miyao" <</font><a href="mailto:dmiyao@uoregon.edu" rel="nofollow" target="_blank"><font color="#2862c5" face="Arial">dmiyao@uoregon.edu</font></a><font face="Arial">><br>
>> AN: "Japanese Cinema Discussion Forum"
<br>>> <</font><a href="mailto:kinejapan@lists.service.ohio-state.edu" rel="nofollow" target="_blank"><font color="#2862c5" face="Arial">kinejapan@lists.service.ohio-state.edu</font></a><font face="Arial">><br>
>> BETREFF: [KineJapan] "The Aesthetics of Shadow" Retrospective @<br>>> Berlin International Film Festival<br>>> Dear All,<br>>> <br>>> I would like to let you know that my book, The Aesthetics of Shadow:<br>
>> Lighting and Japanese Cinema (Duke University Press, 2013), is <br>>> invited<br>>> to the 64th Berlin International Film Festival. There will be a<br>>> retrospective based on the book and beyond. Here is the link to the<br>
>> festival website.<br>>> <br>>> <br>>> </font><a href="http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html" rel="nofollow" target="_blank"><font color="#2862c5" face="Arial">http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html</font></a><br>
<font face="Arial">>> [1]<br>>> <br>>> I am going to introduce some films. If you are in Berlin in February,<br>>> see you there!<br>>> <br>>> Best,<br>>> Daisuke<br>>> <br>
>> Daisuke Miyao<br>>> Associate Professor of Japanese Film and Cinema Studies<br>>> University of Oregon<var></var><br></font></div></blockquote></div></div></div>
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