Roger,<div><br></div><div>There are several marketplace sellers offering this on US Amazon for around $35, plus $3.99 shipping (to the US). They seem to be shipping from Spain or the UK, so they may be cross-listing on other Amazon sites as well. </div>
<div><br></div><div>Fred. </div><div><br>On Tuesday, December 24, 2013, Roger Macy  wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div><div><div><font face="Arial">Dear <span>KineJapaners<var></var></span>,</font></div>
<div><font face="Arial">I see that the bilingual book on <span>Oshima</span>, published in connection with the retrospective at San Sebastian, and edited by <span>Quim</span> <span>Casas</span> and Ana Cristina <span>Iriarte</span>, is now available from their <span>online</span> store.</font></div>


<div><font face="Arial"><a href="http://tienda.sansebastianfestival.com/" target="_blank">http://tienda.sansebastianfestival.com/</a></font></div>
<div><font face="Arial">However,although the book, bilingual and well illustrated, is only 25 euros, it turns out that delivery charges range from 6 euros within Spain, to 75 euros outside of Europe.  If I had known that I would have taken a large case of them back on a train.  Their publications office is closed for the holidays, but if I hear anything practical, I'll let interested people know.</font></div>


<div> </div>
<div><font face="Arial">Below are my notes on the content made nearer the time of the festival, in case it helps anyone.  The <span>filmography</span> is inclusive of a wide range of media.</font></div>
<div><font face="Arial">Roger</font></div>
<div><font face="Arial"></font> </div>
<div>
<div style="TEXT-ALIGN:center;MARGIN:0cm 0cm 0pt" align="center"><span style="FONT-FAMILY:'Arial','sans-serif';FONT-SIZE:14pt"><span>Nagisa</span> <span>Oshima</span></span></div>
<div style="TEXT-ALIGN:center;MARGIN:6pt 0cm 0pt" align="center"><span style="FONT-FAMILY:'Arial','sans-serif'" lang="ES-TRAD"><span>Edición</span> <span>bilingüe</span> <span>castellano</span> / <span>inglés</span></span></div>


<div style="TEXT-ALIGN:center;MARGIN:6pt 0cm 0pt" align="center"><span style="FONT-FAMILY:'Arial','sans-serif'" lang="ES-TRAD"><span>CASAS</span>, <span>Quim</span></span></div>
<div style="TEXT-ALIGN:center;MARGIN:0cm 0cm 0pt;LAYOUT-GRID-MODE:char" align="center"><span style="FONT-FAMILY:'Arial','sans-serif'" lang="ES-TRAD"><span>IRIARTE</span>, Ana Cristina, coordinators</span></div>


<div style="TEXT-ALIGN:center;MARGIN:6pt 0cm" align="center"><span style="FONT-FAMILY:'Arial','sans-serif'" lang="ES-TRAD"><span>Donostia</span> <span>Zinemaldia</span> - Festival <span>de</span> San <span>Sebastián</span>, 2013</span></div>


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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">Preface</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>KOYAMA</span> <span>Akiko</span></span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">p13</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">Viewing <span>Ōshima</span> through their marriage.</span></div></td></tr>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>Nagisa</span> <span>Oshima</span></span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">THOMAS, Jeremy</span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">17</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">Viewing <span>Ōshima</span> as one of his producers.</span></div></td></tr>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">Rebelliousness as a lifestyle</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>SANTAMARINA</span>, Antonio</span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">23</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">A survey of a transgressive career by the director of <span>Doré</span> Cinema (Spanish Film Archive)</span></div>

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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">Killing the father, <span>Nagisa</span> <span>Oshima</span> and tradition in Japanese cinema</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>SÁNCHEZ</span>, <span>Sergi</span></span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">43</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">A parallel survey to the above by the Barcelona professor and film critic. Focus on <i><span>Nihon</span> no <span>yoru</span> to <span>kiri</span></i> and <i><span>Gishiki</span></i>.</span></div>

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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>Oshima</span>’s 1960</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>DESSER</span>, David</span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">53</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">A lucid take on how <span>Ōshima</span> crafted his films of this period (<span>Desser</span> <span>doesn</span>’t use the word ‘craft’)</span></div>

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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">First, the revolution</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>KOVACSICS</span>, <span>Violeta</span></span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">67</span></div></td>
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<div style="MARGIN:0cm 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">Places <span>Ōshima</span> in a wide range of western film-referenced writing, in relation to the body, and spaces; also mentioning <span>Wakamatsu</span>.</span></div>

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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">The phase of the <span>Shochiku</span> <span>Ofuna</span> studios</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>SATŌ</span> <span>Tadao</span></span></div>
<div style="MARGIN:0cm 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">as <span>SATO</span>, <span>Tadao</span></span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">77</span></div></td>
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<div style="MARGIN:0cm 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">Another biographical survey but of a limited period.<span>  </span>Has translator’s notes, presumably of the uncredited </span><span style="FONT-FAMILY:'Arial','sans-serif';COLOR:windowtext">Daniel Aguilar.<span>  </span>Makes the specific claim that <i><span>Nihon</span> no <span>yoru</span> to <span>kiri</span></i> was made to influence an election in the post-<span>Anpo</span> period.</span><span style="FONT-FAMILY:'Arial','sans-serif'"></span></div>

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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">The collective movement called <span>Nagisa</span> <span>Oshima</span></span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'">GO <span>Hirasawa</span></span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">85</span></div></td>
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<div style="MARGIN:0cm 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">Starts” I doubt if anyone will challenge me if I say that <span>Nagisa</span> <span>Oshima</span> is the most important Japanese filmmaker since the Second World War.” Banish your doubts</span></div>

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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>Oshima</span>’s Aesthetic Treatises on Eroticism and Violence</span></div></td>
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<div style="MARGIN:6pt 0cm 0pt"><span style="FONT-FAMILY:'Arial','sans-serif'"><span>TURIM</span>, Maureen</span></div></td>
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<div style="TEXT-ALIGN:right;MARGIN:6pt 2.85pt 0pt 0cm" align="right"><span style="FONT-FAMILY:'Arial','sans-serif'">101</span></div></td>
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<div style="MARGIN:0cm 0cm 0pt;LAYOUT-GRID-MODE:char"><span style="FONT-FAMILY:'Arial','sans-serif'">Extensive essay on said subject <span>focussing</span> on <i><span>Ai</span> no <span>korida</span></i>, <i><span>Ai</span> no <span>borei</span></i>, <i><span>Taiyo</span> no <span>hakaba</span></i>, <i><span>Muri</span> <span>shinku</span>:</i> <i><span>Nihon</span> no <span>natsu</span></i>, <i><span>Etsuraku</span></i>, <i>Merry Christmas, Mr. Lawrence</i> and <i><span>Gishiki</span></i>.</span></div>

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