<div dir="ltr">Around what time are the screenings and your introductions?<div>Eija</div></div><div class="gmail_extra"><br><br><div class="gmail_quote">2013/11/10 Roger Macy <span dir="ltr"><<a href="mailto:macyroger@yahoo.co.uk" target="_blank">macyroger@yahoo.co.uk</a>></span><br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div><div style="font-size:12pt;font-family:HelveticaNeue,Helvetica Neue,Helvetica,Arial,Lucida Grande,Sans-Serif"><div>
<font face="Arial">New York in January? That's also
interesting.</font></div>
<div><font face="Arial">Given what they seem to have in the pipeline, already, I
would take it that screenings are more likely to be after Kineclub on January
17-8, rather than before ? I'm just thinking about my plane tickets, as must
others, if you have any further guidance, Daisuke.</font></div>
<div><font face="Arial">best,</font></div>
<div><font face="Arial">Roger</font></div>
<div><div class="im"><font face="Arial">----- Original Message ----- </font>
<div><font face="Arial">From: "Daisuke Miyao" <</font><a href="mailto:dmiyao@uoregon.edu" target="_blank"><font face="Arial">dmiyao@uoregon.edu</font></a><font face="Arial">></font></div>
</div><div><div class="h5"><div><font face="Arial">To: "Japanese Cinema Discussion Forum" <</font><a href="mailto:kinejapan@lists.service.ohio-state.edu" target="_blank"><font face="Arial">kinejapan@lists.service.ohio-state.edu</font></a><font face="Arial">></font></div>
<div><font face="Arial">Sent: Friday, November 08, 2013 6:11 PM</font></div>
<div><font face="Arial">Subject: Re: [KineJapan] "The Aesthetics of Shadow"
Retrospective @ Berlin International Film Festival</font></div></div></div></div><div><div class="h5">
<div><font face="Arial"><br></font></div><font face="Arial">> Dear all,<br>>
<br>> Thank you very much for your interests in the retrospective. Answering
<br>> Alex's question, here is the tentative list of films (not only <br>>
Japanese). In addition to Berlin International Film Festival, I am <br>>
collaborating with MoMA of New York, and they will have its own "The <br>>
Aesthetics of Shadow" series in January. More information to come....<br>>
<br>> Best,<br>> Daisuke<br>> <br>> A) LIGHTING STYLES FOR
GENRES:<br>> 1) Street films: “City as protagonist”<br>> JUJIRO
(Crossways/Im Schatten des Yoshiwara), Teinosuke Kinugasa, 1928 <br>>
(silent, engl. subt.)<br>> SONO YO NO TSUMA (That Night’s Wife), Yasujiro
Ozu, 1930 (silent, engl. <br>> subt.)<br>> NINJO KAMIFUSEN (Humanity and
Paper Balloon), Yamanaka Sadao, 1937 <br>> (engl. subt.)<br>> SUNRISE,
F.W. Murnau, 1927 (silent)<br>> QUAI DES BRUMES, Marcel Carné, F 1938 (Eugen
Schüfftan)<br>> UNTER DER LATERNE, Gerhard Lamprecht, G 1926 (silent, digital
<br>> restoration, Deutsche Kinemathek)<br>> DIRNENTRAGÖDIE, Bruno Rahn,
1927 (Guido Seeber) or<br>> MINATO NO NIHON MUSUME (Japanese Girls at the
Harbor), Hiroshi Shimizu, <br>> 1933<br>> <br>> 2) jidaigeki: “Flash of
the sword”<br>> YUKINOJO HENGE (An Actor’s Revenge), Teinosuke Kinugasa,
1935/1952 <br>> (engl. subt.)<br>> THE MARK OF ZORRO, Fred Niblo, 1920
(silent)<br>> RASHOMON, Akira Kurosawa, 1950<br>> THE IRON MASK, Allan
Dwan, 1929 (silent)or<br>> SCARAMOUCHE, Rex Ingram, 1924 (silent)<br>>
<br>> 3) “War films”<br>> GONIN NO SEKKOHEI (Five Scouts), Tomotaka
Tasaka, 1938 (live subt. <br>> engl.)<br>> HAWAI MARE OKI KAISEN (The War
at Sea from Hawaii to Malaya), Kajiro <br>> Yamamoto, 1944 (live subt.
engl.)<br>> DAWN PATROL, Howard Hawks, 1930<br>> AIR FORCE, Howard Hawks,
1943<br>> <br>> B) LIGHTING STYLES FOR STARS:<br>> Marlene Dietrich,
Greta Garbo, Kazuo Hasegawa/Hayashi Chojiro, Sessue <br>> Hayakawa
etc.<br>> 4) Lighting styles for stars<br>> TSURUHACHI TSURUJIRO
(Tsuruhachi and Tsurujiro), Mikio Naruse, 1938 <br>> (engl. subt.)<br>>
THE TYPHOON, Reginald Barker, (withHenry Kotani), 1914 (silent)<br>> THE
CHEAT, Cecil B. DeMille, 1915 (silent)<br>> SHANGHAI EXPRESS, Josef von
Sternberg, 1932 (Lee Garmes) and/or<br>> FLESH AND THE DEVIL, Clarence Brown,
1926 (William Daniels) and/or<br>> <br>> C) THEMES:<br>> 5) Light and
Rhythm<br>> KURUTTA IPPEJI (A Page of Madness), Teinosuke Kinugasa, 1926
(silent, <br>> engl. subt.)<br>> OSHIDORI UTAGASSEN (Singing Lovebirds),
Makino Masahiro, 1939 (engl. <br>> subt.)<br>> BERLIN. DIE SINFONIE DER
GROßSTADT (Berlin. Symphony of a Great City), <br>> Walther Ruttmann,
1927<br>> 1 Short film program:<br>> OPUS I-IV, Walther Ruttmann,
1921-25<br>> Lichtspiel Schwarz Weiss Grau, László Moholy-Nagy, 1930<br>>
Grossstadtzigeuner, László Moholy-Nagy, 1932<br>> <br>> 6) Painting with
shadows<br>> UGETSU (Tales of the Rain and Moon), Kenji Mizoguchi, 1953
(engl. <br>> subt.)<br>> FAUST, F.W. Murnau, 1926 (silent)<br>> LA
BELLE ET LA BETE, Jean Cocteau, F 1945 (Henri Alekan)<br>> STAGECOACH, John
Ford, 1939 (Bert Glennon)<br>> and possibly FÄHRMANN MARIA, Frank Wysbar, G
1936<br>> <br>> 7) Towards Realism (6 films)<br>> DOCKS OF NEW YORK,
Josef von Sternberg, 1926 (engl. subt.)<br>> NASAKE NO HIKARI (Light of
Compassion), Henri Kotani, 1926 (silent, <br>> engl. live subt.)<br>>
TOKYO NO EIYU (A Hero of Tokyo), Hiroshi Shimizu, 1935 (engl. subt.)<br>> THE
GRAPES OF WRATH, John Ford, 1940<br>> CITIZEN KANE, Orson Welles,
1941<br>> NAKED CITY Jules Dassin, 1948 (restoration LoC) or<br>> BERLIN
EXPRESS, Jacques Tourneur, 1948 (restoration LoC)<br>> <br>> Additional
title:<br>> Benjamin Christensen: HÆVNENS NAT or HEMMELIGHEDSFULDE X (or less
known <br>> title → Thomas Christensen) (silent)<br>> <br>> <br>>
<br>> On 2013/11/08 06:52, Alex Zahlten wrote:<br>>> This looks
amazing, Daisuke. In the press release no specific films<br>>> seem to be
mentioned- are you allowed to give us an idea of which<br>>> Japanese
films will be playing there?<br>>> <br>>> Best<br>>>
<br>>> Alex<br>>> <br>>> GESENDET: Donnerstag, 07. November
2013 um 22:50 Uhr<br>>> VON: "Daisuke Miyao" <</font><a href="mailto:dmiyao@uoregon.edu" target="_blank"><font face="Arial">dmiyao@uoregon.edu</font></a><font face="Arial">><br>>> AN:
"Japanese Cinema Discussion Forum" <br>>> <</font><a href="mailto:kinejapan@lists.service.ohio-state.edu" target="_blank"><font face="Arial">kinejapan@lists.service.ohio-state.edu</font></a><font face="Arial">><br>
>> BETREFF: [KineJapan] "The Aesthetics of Shadow"
Retrospective @<br>>> Berlin International Film Festival<br>>> Dear
All,<br>>> <br>>> I would like to let you know that my book, The
Aesthetics of Shadow:<br>>> Lighting and Japanese Cinema (Duke University
Press, 2013), is <br>>> invited<br>>> to the 64th Berlin
International Film Festival. There will be a<br>>> retrospective based on
the book and beyond. Here is the link to the<br>>> festival
website.<br>>> <br>>> <br>>> </font><a href="http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html" target="_blank"><font face="Arial">http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html</font></a><br>
<font face="Arial">>> [1]<br>>> <br>>> I am going to introduce some
films. If you are in Berlin in February,<br>>> see you there!<br>>>
<br>>> Best,<br>>> Daisuke<br>>> <br>>> Daisuke
Miyao<br>>> Associate Professor of Japanese Film and Cinema
Studies<br>>> University of Oregon<br>>> <br></font><br><font face="Arial">></font> <div><br></div></div></div></div></div><br>_______________________________________________<br>
Kinemaclub mailing list<br>
<a href="mailto:Kinemaclub@mailman.yale.edu">Kinemaclub@mailman.yale.edu</a><br>
<a href="http://mailman.yale.edu/mailman/listinfo/kinemaclub" target="_blank">http://mailman.yale.edu/mailman/listinfo/kinemaclub</a><br>
<br></blockquote></div><br></div>