<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
</head>
<body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; color: rgb(0, 0, 0); font-size: 14px; font-family: Calibri, sans-serif;">
<div>
<div>
<div>Hi Eija,</div>
</div>
</div>
<div><br>
</div>
<div>Sorry for the late reply, you caught me between flights. Happy new year of the horse!</div>
<div><br>
</div>
<div>We’re planning a very informal screening for Thursday evening, around 6:30, but we still have to decide… The finalized schedule will go out in two days (nothing has basically changed).</div>
<div><br>
</div>
<div>Let me know if you have any other questions!</div>
<div><br>
</div>
<div>Best,</div>
<div>Alex</div>
<div><br>
</div>
<div><br>
</div>
<div><br>
</div>
<span id="OLK_SRC_BODY_SECTION">
<div style="font-family:Calibri; font-size:11pt; text-align:left; color:black; BORDER-BOTTOM: medium none; BORDER-LEFT: medium none; PADDING-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; BORDER-TOP: #b5c4df 1pt solid; BORDER-RIGHT: medium none; PADDING-TOP: 3pt">
<span style="font-weight:bold">From: </span>Eija Niskanen <<a href="mailto:eija@helsinkicineaasia.fi">eija@helsinkicineaasia.fi</a>><br>
<span style="font-weight:bold">Reply-To: </span>Mailing list for managing Kinema Club <<a href="mailto:kinemaclub@mailman.yale.edu">kinemaclub@mailman.yale.edu</a>><br>
<span style="font-weight:bold">Date: </span>Monday, January 6, 2014 at 6:17 AM<br>
<span style="font-weight:bold">To: </span>Roger Macy <<a href="mailto:macyroger@yahoo.co.uk">macyroger@yahoo.co.uk</a>>, Mailing list for managing Kinema Club <<a href="mailto:kinemaclub@mailman.yale.edu">kinemaclub@mailman.yale.edu</a>><br>
<span style="font-weight:bold">Subject: </span>Re: [Kinema Club] [KineJapan] "The Aesthetics of Shadow" Retrospective @ Berlin International Film Festival<br>
</div>
<div><br>
</div>
<div>
<div>
<div dir="ltr">Around what time are the screenings and your introductions?
<div>Eija</div>
</div>
<div class="gmail_extra"><br>
<br>
<div class="gmail_quote">2013/11/10 Roger Macy <span dir="ltr"><<a href="mailto:macyroger@yahoo.co.uk" target="_blank">macyroger@yahoo.co.uk</a>></span><br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
<div>
<div style="font-size:12pt;font-family:HelveticaNeue,Helvetica Neue,Helvetica,Arial,Lucida Grande,Sans-Serif">
<div><font face="Arial">New York in January? That's also interesting.</font></div>
<div><font face="Arial">Given what they seem to have in the pipeline, already, I would take it that screenings are more likely to be after Kineclub on January 17-8, rather than before ? I'm just thinking about my plane tickets, as must others, if you have
any further guidance, Daisuke.</font></div>
<div><font face="Arial">best,</font></div>
<div><font face="Arial">Roger</font></div>
<div>
<div class="im"><font face="Arial">----- Original Message ----- </font>
<div><font face="Arial">From: "Daisuke Miyao" <</font><a href="mailto:dmiyao@uoregon.edu" target="_blank"><font face="Arial">dmiyao@uoregon.edu</font></a><font face="Arial">></font></div>
</div>
<div>
<div class="h5">
<div><font face="Arial">To: "Japanese Cinema Discussion Forum" <</font><a href="mailto:kinejapan@lists.service.ohio-state.edu" target="_blank"><font face="Arial">kinejapan@lists.service.ohio-state.edu</font></a><font face="Arial">></font></div>
<div><font face="Arial">Sent: Friday, November 08, 2013 6:11 PM</font></div>
<div><font face="Arial">Subject: Re: [KineJapan] "The Aesthetics of Shadow" Retrospective @ Berlin International Film Festival</font></div>
</div>
</div>
</div>
<div>
<div class="h5">
<div><font face="Arial"><br>
</font></div>
<font face="Arial">> Dear all,<br>
> <br>
> Thank you very much for your interests in the retrospective. Answering <br>
> Alex's question, here is the tentative list of films (not only <br>
> Japanese). In addition to Berlin International Film Festival, I am <br>
> collaborating with MoMA of New York, and they will have its own "The <br>
> Aesthetics of Shadow" series in January. More information to come....<br>
> <br>
> Best,<br>
> Daisuke<br>
> <br>
> A) LIGHTING STYLES FOR GENRES:<br>
> 1) Street films: “City as protagonist”<br>
> JUJIRO (Crossways/Im Schatten des Yoshiwara), Teinosuke Kinugasa, 1928 <br>
> (silent, engl. subt.)<br>
> SONO YO NO TSUMA (That Night’s Wife), Yasujiro Ozu, 1930 (silent, engl. <br>
> subt.)<br>
> NINJO KAMIFUSEN (Humanity and Paper Balloon), Yamanaka Sadao, 1937 <br>
> (engl. subt.)<br>
> SUNRISE, F.W. Murnau, 1927 (silent)<br>
> QUAI DES BRUMES, Marcel Carné, F 1938 (Eugen Schüfftan)<br>
> UNTER DER LATERNE, Gerhard Lamprecht, G 1926 (silent, digital <br>
> restoration, Deutsche Kinemathek)<br>
> DIRNENTRAGÖDIE, Bruno Rahn, 1927 (Guido Seeber) or<br>
> MINATO NO NIHON MUSUME (Japanese Girls at the Harbor), Hiroshi Shimizu, <br>
> 1933<br>
> <br>
> 2) jidaigeki: “Flash of the sword”<br>
> YUKINOJO HENGE (An Actor’s Revenge), Teinosuke Kinugasa, 1935/1952 <br>
> (engl. subt.)<br>
> THE MARK OF ZORRO, Fred Niblo, 1920 (silent)<br>
> RASHOMON, Akira Kurosawa, 1950<br>
> THE IRON MASK, Allan Dwan, 1929 (silent)or<br>
> SCARAMOUCHE, Rex Ingram, 1924 (silent)<br>
> <br>
> 3) “War films”<br>
> GONIN NO SEKKOHEI (Five Scouts), Tomotaka Tasaka, 1938 (live subt. <br>
> engl.)<br>
> HAWAI MARE OKI KAISEN (The War at Sea from Hawaii to Malaya), Kajiro <br>
> Yamamoto, 1944 (live subt. engl.)<br>
> DAWN PATROL, Howard Hawks, 1930<br>
> AIR FORCE, Howard Hawks, 1943<br>
> <br>
> B) LIGHTING STYLES FOR STARS:<br>
> Marlene Dietrich, Greta Garbo, Kazuo Hasegawa/Hayashi Chojiro, Sessue <br>
> Hayakawa etc.<br>
> 4) Lighting styles for stars<br>
> TSURUHACHI TSURUJIRO (Tsuruhachi and Tsurujiro), Mikio Naruse, 1938 <br>
> (engl. subt.)<br>
> THE TYPHOON, Reginald Barker, (withHenry Kotani), 1914 (silent)<br>
> THE CHEAT, Cecil B. DeMille, 1915 (silent)<br>
> SHANGHAI EXPRESS, Josef von Sternberg, 1932 (Lee Garmes) and/or<br>
> FLESH AND THE DEVIL, Clarence Brown, 1926 (William Daniels) and/or<br>
> <br>
> C) THEMES:<br>
> 5) Light and Rhythm<br>
> KURUTTA IPPEJI (A Page of Madness), Teinosuke Kinugasa, 1926 (silent, <br>
> engl. subt.)<br>
> OSHIDORI UTAGASSEN (Singing Lovebirds), Makino Masahiro, 1939 (engl. <br>
> subt.)<br>
> BERLIN. DIE SINFONIE DER GROßSTADT (Berlin. Symphony of a Great City), <br>
> Walther Ruttmann, 1927<br>
> 1 Short film program:<br>
> OPUS I-IV, Walther Ruttmann, 1921-25<br>
> Lichtspiel Schwarz Weiss Grau, László Moholy-Nagy, 1930<br>
> Grossstadtzigeuner, László Moholy-Nagy, 1932<br>
> <br>
> 6) Painting with shadows<br>
> UGETSU (Tales of the Rain and Moon), Kenji Mizoguchi, 1953 (engl. <br>
> subt.)<br>
> FAUST, F.W. Murnau, 1926 (silent)<br>
> LA BELLE ET LA BETE, Jean Cocteau, F 1945 (Henri Alekan)<br>
> STAGECOACH, John Ford, 1939 (Bert Glennon)<br>
> and possibly FÄHRMANN MARIA, Frank Wysbar, G 1936<br>
> <br>
> 7) Towards Realism (6 films)<br>
> DOCKS OF NEW YORK, Josef von Sternberg, 1926 (engl. subt.)<br>
> NASAKE NO HIKARI (Light of Compassion), Henri Kotani, 1926 (silent, <br>
> engl. live subt.)<br>
> TOKYO NO EIYU (A Hero of Tokyo), Hiroshi Shimizu, 1935 (engl. subt.)<br>
> THE GRAPES OF WRATH, John Ford, 1940<br>
> CITIZEN KANE, Orson Welles, 1941<br>
> NAKED CITY Jules Dassin, 1948 (restoration LoC) or<br>
> BERLIN EXPRESS, Jacques Tourneur, 1948 (restoration LoC)<br>
> <br>
> Additional title:<br>
> Benjamin Christensen: HÆVNENS NAT or HEMMELIGHEDSFULDE X (or less known <br>
> title → Thomas Christensen) (silent)<br>
> <br>
> <br>
> <br>
> On 2013/11/08 06:52, Alex Zahlten wrote:<br>
>> This looks amazing, Daisuke. In the press release no specific films<br>
>> seem to be mentioned- are you allowed to give us an idea of which<br>
>> Japanese films will be playing there?<br>
>> <br>
>> Best<br>
>> <br>
>> Alex<br>
>> <br>
>> GESENDET: Donnerstag, 07. November 2013 um 22:50 Uhr<br>
>> VON: "Daisuke Miyao" <</font><a href="mailto:dmiyao@uoregon.edu" target="_blank"><font face="Arial">dmiyao@uoregon.edu</font></a><font face="Arial">><br>
>> AN: "Japanese Cinema Discussion Forum" <br>
>> <</font><a href="mailto:kinejapan@lists.service.ohio-state.edu" target="_blank"><font face="Arial">kinejapan@lists.service.ohio-state.edu</font></a><font face="Arial">><br>
>> BETREFF: [KineJapan] "The Aesthetics of Shadow" Retrospective @<br>
>> Berlin International Film Festival<br>
>> Dear All,<br>
>> <br>
>> I would like to let you know that my book, The Aesthetics of Shadow:<br>
>> Lighting and Japanese Cinema (Duke University Press, 2013), is <br>
>> invited<br>
>> to the 64th Berlin International Film Festival. There will be a<br>
>> retrospective based on the book and beyond. Here is the link to the<br>
>> festival website.<br>
>> <br>
>> <br>
>> </font><a href="http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html" target="_blank"><font face="Arial">http://www.berlinale.de/en/presse/pressemitteilungen/alle/Alle-Detail_19796.html</font></a><br>
<font face="Arial">>> [1]<br>
>> <br>
>> I am going to introduce some films. If you are in Berlin in February,<br>
>> see you there!<br>
>> <br>
>> Best,<br>
>> Daisuke<br>
>> <br>
>> Daisuke Miyao<br>
>> Associate Professor of Japanese Film and Cinema Studies<br>
>> University of Oregon<br>
>> <br>
</font><br>
<font face="Arial">></font>
<div><br>
</div>
</div>
</div>
</div>
</div>
<br>
_______________________________________________<br>
Kinemaclub mailing list<br>
<a href="mailto:Kinemaclub@mailman.yale.edu">Kinemaclub@mailman.yale.edu</a><br>
<a href="http://mailman.yale.edu/mailman/listinfo/kinemaclub" target="_blank">http://mailman.yale.edu/mailman/listinfo/kinemaclub</a><br>
<br>
</blockquote>
</div>
<br>
</div>
</div>
</div>
</span>
</body>
</html>