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<div>Wish I could be.</div>
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<div>Ted Cook</div>
<div>William Paterson University <br>
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Sent from my iPhone</div>
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On Jul 5, 2014, at 9:31, "Christophe Thouny" <<a href="mailto:kthouny@gmail.com">kthouny@gmail.com</a>> wrote:<br>
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<div><font face="Arial">Dear colleagues,</font>
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<div><font face="Arial">In case the information has not circulated, there is tomorrow, sunday July 6th, a panel I organize on Melancholy Ethics and the (moving) image as part of the Hyôshôbunkaron gakkai, this year at Tokyo University, Komaba Campus.</font></div>
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<div><font face="Arial">Please find the link to the gakkai program here. The panel is from 16h30 in building 18, 4F, Collaboration Room #3.</font></div>
<div><a href="http://www.repre.org/conventions/9/"><font face="Arial">http://www.repre.org/conventions/9/</font></a></div>
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<div><span style="line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);"><font face="Arial">バイリンガル・パネル：Melancholy Ethics – Ecocriticism and the Moving Image in a Planetary Age（コラボレーションルーム3）</font></span></div>
<div><font face="Arial"><span style="line-height: 20px;">Love as Atmosphere: Melancholy Ethics, Fukushima Japan, and the lost decade in Shôno Yoriko's Time War Complex / Christophe THOUNY (University of Tokyo)</span><br style="margin: 0px; padding: 0px; line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">
<span style="line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">Doubts, Denial and Recognition: A Cavellian and Oreskian Approach to Films on 311 / Élise DOMENACH (Ecole Normale Supérieure Lyon / University of Tokyo)</span><br style="margin: 0px; padding: 0px; line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">
<span style="line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">After Species Being: Gender, Sexuality, and the Critique of Industrialization / Diane Wei LEWIS (Washington University in St. Louis)</span><br style="margin: 0px; padding: 0px; line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">
<span style="line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">Chair: Christophe THOUNY (University of Tokyo)</span><br style="margin: 0px; padding: 0px; line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">
<span style="line-height: 20.399999618530273px; background-color: rgb(255, 255, 255);">Discussant: Yoshiaki SATO</span></font></div>
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<div><font face="Arial">Thank you and sorry for the late notice.</font></div>
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<div><font face="Arial">Best,</font></div>
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<div><font face="Arial">Christophe</font></div>
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<div apple-content-edited="true"><span class="Apple-style-span" style="border-collapse: separate; border-spacing: 0px;"><span class="Apple-style-span" style="border-collapse: separate; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; -webkit-text-decorations-in-effect: none; text-indent: 0px; -webkit-text-size-adjust: auto; text-transform: none; orphans: 2; widows: 2; word-spacing: 0px; ">
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<div style="white-space: normal; "><span class="Apple-tab-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "></span></span></span></span><i style="font-style: italic; "><b style="font-style: italic; font-weight: bold; "><span class="Apple-style-span" style="font-style: italic; font-weight: bold; "><span class="Apple-style-span" style="font-style: italic; font-weight: bold; ">Christophe
Thouny, PhD</span></span></b></i></div>
<div style="white-space: normal; "><span class="Apple-tab-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "><i style="font-style: italic; white-space: pre; "><span class="Apple-style-span" style="font-style: italic; white-space: pre; "><span class="Apple-style-span" style="font-style: italic; white-space: pre; "></span></span></i></span></span><i style="font-style: italic; "><span class="Apple-style-span" style="font-style: italic; "><span class="Apple-style-span" style="font-style: italic; ">University
of Tokyo </span></span></i></div>
<div style="white-space: normal; "><i style="font-style: italic; "><span class="Apple-style-span" style="font-style: italic; "><span class="Apple-style-span" style="font-style: italic; "> Global Communication Research Center</span></span></i></div>
<div style="white-space: normal; "><i style="font-style: italic; "><span class="Apple-style-span" style="font-style: italic; "><span class="Apple-style-span" style="font-style: italic; "> </span></span></i></div>
<div style="white-space: normal; "><span class="Apple-tab-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "></span></span></span></span>tel
: 080-3366-9018</div>
<div style="white-space: normal; "><span class="Apple-tab-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="white-space: pre; "></span></span></span></span>email
: <a href="mailto:ct843@nyu.edu">ct843@nyu.edu</a></div>
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<div>On Jun 18, 2014, at 3:27 AM, Jim Harper <<a href="mailto:jimharper666@yahoo.co.uk">jimharper666@yahoo.co.uk</a>> wrote:</div>
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<blockquote type="cite">Cheers Jasper.<br>
<br>
For some reason it never occurred to me to check Aurum, and you're right, they've included it but obviously couldn't see it. I was interested in it because I know it's a version of the Kaidan Kasane-ga-fuchi, and having watched Nakagawa, Yasuda and Hase adaptations
I was curious to see what Mizoguchi brought to his version, although I'm guessing it wasn't as gruesome as the others or as utterly misanthropic and cynical as the Kazuo Hase version. I know few of the pre-war kaidan/horror films have survived.
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Right, thanks for your assistance!<br>
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Jim.<br>
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--------------------------------------------<br>
On Tue, 17/6/14, Jasper Sharp <<a href="mailto:jasper_sharp@hotmail.com">jasper_sharp@hotmail.com</a>> wrote:<br>
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Subject: Re: [KineJapan] Early Mizoguchi film enquiry<br>
To: "kinejapan" <<a href="mailto:kinejapan@lists.service.ohio-state.edu">kinejapan@lists.service.ohio-state.edu</a>><br>
Date: Tuesday, 17 June, 2014, 18:55<br>
<br>
It is lost<br>
I am pretty sure. I know probably the reason you are asking<br>
about it is because it was included as an early proto-horror<br>
in the Aurum Encyclopeda of Horror, and this was precisely<br>
because it was released in Europe (because the authors of<br>
Aurum would not have been able to see it and there are quite<br>
a few other titles that would fit the bill too).From my<br>
research a few years back, I know this film was released in<br>
France, but no in the UK, I think - there were simply no<br>
places that would show this kind of thing except Close Up<br>
film club, and from my consultation of their catalogues,<br>
there's no mention of this particular film - although a<br>
few other Japanese films from this period did play at Close<br>
Up. So best to consult french sources, but its worth<br>
remembering that the kind of film culture we are used to<br>
today did not exist so probably it screened a few times and<br>
no one even bothered to so much as register its presence in<br>
any language.This is all from memory, so forgive<br>
my lack of precision. I'm sure there's info out<br>
there, but you might have to head to Paris to find it.<br>
<br>
<br>
<br>
<br>
<br>
The<br>
Creeping Garden - A Real-Life Science-Fiction Story<br>
about Slime Moulds and the People Who Work With<br>
them. Currently in production,<br>
directed by Tim Grabham and Jasper<br>
Sharp. <br>
The Historical Dictionary of Japanese<br>
Cinema (2011) is out now from Scarecrow<br>
Press<br>
Midnight Eye - Visions of<br>
Japanese cinema<br>
<a href="http://www.midnighteye.com">http://www.midnighteye.com</a><br>
<br>
<br>
<br>
<blockquote type="cite">Date: Tue, 17 Jun<br>
</blockquote>
2014 15:36:35 +0100<br>
<blockquote type="cite">From:<br>
</blockquote>
<a href="mailto:jimharper666@yahoo.co.uk">jimharper666@yahoo.co.uk</a><br>
<blockquote type="cite">To:<br>
</blockquote>
<a href="mailto:kinejapan@lists.service.ohio-state.edu">kinejapan@lists.service.ohio-state.edu</a><br>
<blockquote type="cite"><br>
</blockquote>
Subject: [KineJapan] Early Mizoguchi film enquiry<br>
<blockquote type="cite"><br>
Afternoon all<br>
<br>
I'm not terribly<br>
</blockquote>
familiar with Kenji Mizoguchi's early films, so I wanted<br>
to check a couple of things. Is Kyoren no onna shisho (1926)<br>
a lost film, or do prints (wholly or in part) still<br>
exist?<br>
<blockquote type="cite"><br>
If it is<br>
</blockquote>
lost, was their much written about the film (reviews,<br>
publicity etc) at the time of its release?<br>
<blockquote type="cite"><br>
Any help would be<br>
</blockquote>
much appreciated!<br>
<blockquote type="cite"><br>
<br>
</blockquote>
Thanks,<br>
<blockquote type="cite"><br>
Jim<br>
</blockquote>
Harper.<br>
<blockquote type="cite"><br>
<br>
</blockquote>
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