<div dir="ltr">Thanks, Michael<div><br></div><div>And it’s possible Criterion purchased ALL rights, rather than just home video rights. It just simplified things even if one has no plan for theatrical distribution.</div><div><br></div><div>Naoki, keep us updated.</div><div><br></div><div>Stephen</div><div><br></div></div><div class="gmail_extra"><br><div class="gmail_quote">On 22 March 2016 at 10:32, Michael Kerpan <span dir="ltr"><<a href="mailto:mekerpan2@gmail.com" target="_blank">mekerpan2@gmail.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">Since Criterion released Yi Yi on Blu-Ray not all that long ago, I<br>
would think they might know who has US screen rights.<br>
<div class="HOEnZb"><div class="h5"><br>
On Mon, Mar 21, 2016 at 10:27 PM, Stephen Cremin <<a href="mailto:stephen@asianfilm.info">stephen@asianfilm.info</a>> wrote:<br>
> There’s confusion here over regional rights.<br>
><br>
> Pony Canyon were the major investor of the film, and may have financed it<br>
> 100% (or with some small help from Tokyo-based Omega Project), after other<br>
> investors pulled out after the Asian financial crisis. The project was<br>
> announced at a press conference in Busan as one of three films by Stanley<br>
> Kwan, Edward Yang and Iwai Shunji.<br>
><br>
> So, yes, Pony Canyon likely own the global rights to Yang’s film.<br>
><br>
> While Naoko asks for the “currently copyright holder”, what she needs is<br>
> “currently copyright holder in the United States”. I’m travelling and don’t<br>
> have access to last year’s Busan catalogue, but the information inside may<br>
> not be relevant since the “Print Source” is likely a local (not US)<br>
> copyright holder or Pony Canyon itself.<br>
><br>
> Pony Canyon did early on hire London-based sales agency Capitol Films to<br>
> handle the film’s global rights, but I’m sure that deal has expired.<br>
> Similarly, Capitol initially licensed it to Winstar Cinema in the US, but<br>
> it’s unlikely that contract lasted more than 15 years, and rights would have<br>
> reverted to Pony Canyon.<br>
><br>
> Perhaps the “unspecified complication” was the screening fee. If there is a<br>
> US copyright holder, Pony Canyon will tell you, since it’s not worth their<br>
> trouble to collect small screening fees from around the world for one-off<br>
> screenings, particularly late in a film’s life. You’ll likely have to pay<br>
> something to screen it.<br>
><br>
> For many years, the hardest place to see the film was actually Taiwan, where<br>
> there had been no public screening or release. But there was a very cheap<br>
> (legal) Hong Kong DVD - I paid HK$18 or US$2.35 - that film-lovers would<br>
> bring back. It later screened as the closing film at a Hou<br>
> Hsiao-hsien-organised festival; only I think after Yang’s death.<br>
><br>
> In summary, contact Pony Canyon (<a href="mailto:intl@ponycanyon.co.jp">intl@ponycanyon.co.jp</a>). This is one example<br>
> where they absolutely deserve any screening fee since they really stepped up<br>
> and got this film made when they could have easily dropped the project. It<br>
> only exists because of them. The Iwai film - a dystopian English-language<br>
> science fiction film - was never made.<br>
><br>
> Stephen<br>
><br>
><br>
> On 22 March 2016 at 08:48, Eija Niskanen <<a href="mailto:eija.niskanen@gmail.com">eija.niskanen@gmail.com</a>> wrote:<br>
>><br>
>> Hi Naoki,<br>
>> there was an Edward Yang retrospective at Busan Film Festival last year,<br>
>> so they must know the rights owner.<br>
>> Best,<br>
>> Eija<br>
>><br>
>> Naoki Yamamoto <<a href="mailto:naokiya@gmail.com">naokiya@gmail.com</a>> kirjoitti 22.3.2016 kello 9.26:<br>
>><br>
>> Dear all,<br>
>><br>
>> I know this might be a bit off-topic to to this forum, but could anyone on<br>
>> the list tell me who’s the current copyright holder of Edward Yang’s Yi Yi<br>
>> (2000)? I plan to screen this wonderful film at UCSB in this coming May,<br>
>> borrowing its 35mm print from Yale’s film archive. But the Yale’s archivist<br>
>> recently told me that there’s actually some unspecified “complication” with<br>
>> the rights to the film, and for this reason, Pony Canyon, the Japanese<br>
>> comply that claimed to be the film’s copyright holder, could not give them<br>
>> permission for a screening back in 2014.<br>
>><br>
>> Are there anyone who recently screened this film at a film festival or any<br>
>> public setting? If so, could you kindly help me solve this complication?<br>
>><br>
>> All the best,<br>
>> Naoki<br>
>><br>
>> Naoki Yamamoto<br>
>> Assistant Professor<br>
>> Film and Media Studies<br>
>> University of California, Santa Barbara<br>
>> <a href="mailto:yamamoto@filmandmedia.ucsb.edu">yamamoto@filmandmedia.ucsb.edu</a><br>
>><br>
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