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<div id="yui_3_16_0_ym19_1_1471008391156_3260"><span id="yui_3_16_0_ym19_1_1471008391156_3261" style="font-family:"Arial","sans-serif"">Dear
Kinejapaners,</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3262"><span id="yui_3_16_0_ym19_1_1471008391156_3263" style="font-family:"Arial","sans-serif"">Could I ask
for some help in editing a translation of an article on Japanese Film
Exhibition in Moscow in 1929.</span></div><div id="yui_3_16_0_ym19_1_1471008391156_3325"><span id="yui_3_16_0_ym19_1_1471008391156_3263" style="font-family:"Arial","sans-serif""><br></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3264"><span id="yui_3_16_0_ym19_1_1471008391156_3265" style="font-family:"Arial","sans-serif"">The piece by
Dan. Rafalovich has a paragraph on film books shown at the exhibition.</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3266"><span id="yui_3_16_0_ym19_1_1471008391156_3267" style="font-family:"Arial","sans-serif"">A raw
translation goes :-</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3268"><span id="yui_3_16_0_ym19_1_1471008391156_3269" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif"">“The
Poetics of the Script” by Takada Akaro and ‘Rhythm in Film’ is a big and
serious work that is around 200 pages long. ‘Introduction to Proletarian Cinema
Art’ by the Japanese proletarian writer Tomoiossa.”</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3270"><span id="yui_3_16_0_ym19_1_1471008391156_3271" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif"">The
second, incomplete sentence is straightforward to identify, the author being </span><span id="yui_3_16_0_ym19_1_1471008391156_3272" style="font-family:"Arial","sans-serif"">MURAYAMA</span><span id="yui_3_16_0_ym19_1_1471008391156_3273" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif""> </span><span id="yui_3_16_0_ym19_1_1471008391156_3274" style="font-family:"Arial","sans-serif"">Tomoyoshi</span><span id="yui_3_16_0_ym19_1_1471008391156_3275" style="font-family:SimSun;mso-ascii-font-family:Arial;mso-hansi-font-family:Arial;mso-bidi-font-family:Arial;mso-fareast-language:JA" lang="JA"> 村山知義 </span><span id="yui_3_16_0_ym19_1_1471008391156_3276" style="font-family:"Arial","sans-serif"">(1901-1977)</span><span id="yui_3_16_0_ym19_1_1471008391156_3277" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif"">, and the
book, </span><span id="yui_3_16_0_ym19_1_1471008391156_3278" style="font-family:SimSun;mso-ascii-font-family:Arial;mso-bidi-font-family:Arial" lang="ZH-TW">『</span><span id="yui_3_16_0_ym19_1_1471008391156_3279" style="font-family:SimSun;mso-ascii-font-family:Arial;mso-bidi-font-family:Arial;mso-fareast-language:JA" lang="JA">プロレタリア映画入門』前衛書房</span><span id="yui_3_16_0_ym19_1_1471008391156_3280" style="font-family:"Arial","sans-serif";mso-fareast-font-family:SimSun" lang="JA"> </span><span id="yui_3_16_0_ym19_1_1471008391156_3281" style="font-family:"Arial","sans-serif"">1928.</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3282"><span id="yui_3_16_0_ym19_1_1471008391156_3283" style="font-family:"Arial","sans-serif"">I’m also pretty
sure that the first author is TAKEDA Akira </span><span id="yui_3_16_0_ym19_1_1471008391156_3284" style="font-family:"PMingLiU","serif";mso-ascii-font-family:"Arial Unicode MS";mso-hansi-font-family:"Arial Unicode MS"" lang="ZH-TW">武田晃</span><span id="yui_3_16_0_ym19_1_1471008391156_3285" style="font-family:"Arial","sans-serif"">, and the book </span><span id="yui_3_16_0_ym19_1_1471008391156_3286" style="font-family:"MS Mincho";mso-ascii-theme-font:minor-fareast;mso-fareast-theme-font:minor-fareast;mso-hansi-theme-font:minor-fareast;mso-fareast-language:JA" lang="JA">映畫十二講</span><span id="yui_3_16_0_ym19_1_1471008391156_3287" style="font-family:"MS Mincho";mso-ascii-theme-font:minor-fareast;mso-fareast-theme-font:minor-fareast;mso-hansi-theme-font:minor-fareast;mso-fareast-language:JA"> : <span id="yui_3_16_0_ym19_1_1471008391156_3288" lang="JA">附・映畫用語辞典</span></span><span id="yui_3_16_0_ym19_1_1471008391156_3289" style="font-family:"Arial","sans-serif"">,
1925.</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3290"><span id="yui_3_16_0_ym19_1_1471008391156_3291" style="font-family:"Arial","sans-serif"">But what’s
this ‘Rhythm in Film’ book - I feel I ought to know. From the date, it has to
be about editing.<span id="yui_3_16_0_ym19_1_1471008391156_3292" style="mso-spacerun:yes"> </span>I suppose it could be
a translation.</span></div><div id="yui_3_16_0_ym19_1_1471008391156_3333"><span id="yui_3_16_0_ym19_1_1471008391156_3291" style="font-family:"Arial","sans-serif""><br></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3293"><span id="yui_3_16_0_ym19_1_1471008391156_3294" style="font-family:"Arial","sans-serif"">Comments and
suggestions, please.<span id="yui_3_16_0_ym19_1_1471008391156_3295" style="mso-spacerun:yes"> </span>Russian original
below</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3296"><span id="yui_3_16_0_ym19_1_1471008391156_3297" style="font-family:"Arial","sans-serif"">Roger</span></div><div id="yui_3_16_0_ym19_1_1471008391156_3340"><span id="yui_3_16_0_ym19_1_1471008391156_3297" style="font-family:"Arial","sans-serif""><br></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3298"><span id="yui_3_16_0_ym19_1_1471008391156_3299" style="font-family:"Arial","sans-serif";mso-ansi-language:RU" lang="RU">Тут, например, «Поэтика сценарий» Такада Акаро и «Ритм в
кино» - большое и серьезное исследование<span id="yui_3_16_0_ym19_1_1471008391156_3300" style="mso-spacerun:yes">
</span>страниц на 200. «Введение в пролетарское киноисскуство» - японского
пролетарского писателя Томойосса.</span><span id="yui_3_16_0_ym19_1_1471008391156_3301" style="font-family:"Arial","sans-serif""></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3302"><span id="yui_3_16_0_ym19_1_1471008391156_3303" style="font-family:"Arial","sans-serif"">macyroger@yahoo.co.uk</span></div>
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