<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Hi Roger,<div class=""><br class=""></div><div class="">Perhaps I’m wrong, but my guess is Iijima Tadashi’s 1928 book <i class="">Shinema no</i> <i class="">ABC</i> (飯島正『シネマのABC』東京: 厚生閣書店,1928). The book has 248 page and DOES begin with an article titled “Rhythm in Film” (「映画のリズム」). </div><div class=""><br class=""></div><div class="">Iijima was known as a translator of Léon Moussinac’s <i class="">Naissance du cinéma</i> (1925) and <i style="color: rgb(37, 37, 37); font-family: sans-serif;" class="">Le cinéma soviétique</i> (1928) and in this article cites his “Du rythme cinégraphique” (1923). </div><div class=""><br class=""></div><div class="">Hope this helps.</div><div class="">Naoki</div><div class=""><br class=""></div><div class=""><div class="">
<div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class="">Naoki Yamamoto</div><div class="">Assistanat Professor</div><div class="">Film and Media Studies</div><div class="">University of California, Santa Barbara</div><div class=""><a href="mailto:naokiya@gmail.com" class="">naokiya@gmail.com</a></div><div class=""><br class=""></div></div></div><div><blockquote type="cite" class=""><div class="">On Aug 12, 2016, at 7:06 AM, Japanese Cinema Discussion Forum via KineJapan <<a href="mailto:kinejapan@lists.osu.edu" class="">kinejapan@lists.osu.edu</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div class=""><div style="background-color: rgb(255, 255, 255); font-family: HelveticaNeue, 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 16px;" class=""><!--[if gte mso 9]><xml>
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<div id="yui_3_16_0_ym19_1_1471008391156_3260" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3261" style="font-family:"Arial","sans-serif"" class="">Dear
Kinejapaners,</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3262" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3263" style="font-family:"Arial","sans-serif"" class="">Could I ask
for some help in editing a translation of an article on Japanese Film
Exhibition in Moscow in 1929.</span></div><div id="yui_3_16_0_ym19_1_1471008391156_3325" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3263" style="font-family:"Arial","sans-serif"" class=""><br class=""></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3264" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3265" style="font-family:"Arial","sans-serif"" class="">The piece by
Dan. Rafalovich has a paragraph on film books shown at the exhibition.</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3266" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3267" style="font-family:"Arial","sans-serif"" class="">A raw
translation goes :-</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3268" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3269" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif"" class="">“The
Poetics of the Script” by Takada Akaro and ‘Rhythm in Film’ is a big and
serious work that is around 200 pages long. ‘Introduction to Proletarian Cinema
Art’ by the Japanese proletarian writer Tomoiossa.”</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3270" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3271" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif"" class="">The
second, incomplete sentence is straightforward to identify, the author being </span><span id="yui_3_16_0_ym19_1_1471008391156_3272" style="font-family:"Arial","sans-serif"" class="">MURAYAMA</span><span id="yui_3_16_0_ym19_1_1471008391156_3273" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif"" class=""> </span><span id="yui_3_16_0_ym19_1_1471008391156_3274" style="font-family:"Arial","sans-serif"" class="">Tomoyoshi</span><span id="yui_3_16_0_ym19_1_1471008391156_3275" style="font-family:SimSun;mso-ascii-font-family:Arial;mso-hansi-font-family:Arial;mso-bidi-font-family:Arial;mso-fareast-language:JA" lang="JA" class=""> 村山知義 </span><span id="yui_3_16_0_ym19_1_1471008391156_3276" style="font-family:"Arial","sans-serif"" class="">(1901-1977)</span><span id="yui_3_16_0_ym19_1_1471008391156_3277" style="mso-bidi-font-size:12.0pt;font-family:"Arial","sans-serif"" class="">, and the
book, </span><span id="yui_3_16_0_ym19_1_1471008391156_3278" style="font-family:SimSun;mso-ascii-font-family:Arial;mso-bidi-font-family:Arial" lang="ZH-TW" class="">『</span><span id="yui_3_16_0_ym19_1_1471008391156_3279" style="font-family:SimSun;mso-ascii-font-family:Arial;mso-bidi-font-family:Arial;mso-fareast-language:JA" lang="JA" class="">プロレタリア映画入門』前衛書房</span><span id="yui_3_16_0_ym19_1_1471008391156_3280" style="font-family:"Arial","sans-serif";mso-fareast-font-family:SimSun" lang="JA" class=""> </span><span id="yui_3_16_0_ym19_1_1471008391156_3281" style="font-family:"Arial","sans-serif"" class="">1928.</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3282" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3283" style="font-family:"Arial","sans-serif"" class="">I’m also pretty
sure that the first author is TAKEDA Akira </span><span id="yui_3_16_0_ym19_1_1471008391156_3284" style="font-family:"PMingLiU","serif";mso-ascii-font-family:"Arial Unicode MS";mso-hansi-font-family:"Arial Unicode MS"" lang="ZH-TW" class="">武田晃</span><span id="yui_3_16_0_ym19_1_1471008391156_3285" style="font-family:"Arial","sans-serif"" class="">, and the book </span><span id="yui_3_16_0_ym19_1_1471008391156_3286" style="font-family:"MS Mincho";mso-ascii-theme-font:minor-fareast;mso-fareast-theme-font:minor-fareast;mso-hansi-theme-font:minor-fareast;mso-fareast-language:JA" lang="JA" class="">映畫十二講</span><span id="yui_3_16_0_ym19_1_1471008391156_3287" style="font-family:"MS Mincho";mso-ascii-theme-font:minor-fareast;mso-fareast-theme-font:minor-fareast;mso-hansi-theme-font:minor-fareast;mso-fareast-language:JA" class=""> : <span id="yui_3_16_0_ym19_1_1471008391156_3288" lang="JA" class="">附・映畫用語辞典</span></span><span id="yui_3_16_0_ym19_1_1471008391156_3289" style="font-family:"Arial","sans-serif"" class="">,
1925.</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3290" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3291" style="font-family:"Arial","sans-serif"" class="">But what’s
this ‘Rhythm in Film’ book - I feel I ought to know. From the date, it has to
be about editing.<span id="yui_3_16_0_ym19_1_1471008391156_3292" style="mso-spacerun:yes" class=""> </span>I suppose it could be
a translation.</span></div><div id="yui_3_16_0_ym19_1_1471008391156_3333" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3291" style="font-family:"Arial","sans-serif"" class=""><br class=""></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3293" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3294" style="font-family:"Arial","sans-serif"" class="">Comments and
suggestions, please.<span id="yui_3_16_0_ym19_1_1471008391156_3295" style="mso-spacerun:yes" class=""> </span>Russian original
below</span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3296" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3297" style="font-family:"Arial","sans-serif"" class="">Roger</span></div><div id="yui_3_16_0_ym19_1_1471008391156_3340" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3297" style="font-family:"Arial","sans-serif"" class=""><br class=""></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3298" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3299" style="font-family:"Arial","sans-serif";mso-ansi-language:RU" lang="RU" class="">Тут, например, «Поэтика сценарий» Такада Акаро и «Ритм в
кино» - большое и серьезное исследование<span id="yui_3_16_0_ym19_1_1471008391156_3300" style="mso-spacerun:yes" class="">
</span>страниц на 200. «Введение в пролетарское киноисскуство» - японского
пролетарского писателя Томойосса.</span><span id="yui_3_16_0_ym19_1_1471008391156_3301" style="font-family:"Arial","sans-serif"" class=""></span></div>
<div id="yui_3_16_0_ym19_1_1471008391156_3302" class=""><span id="yui_3_16_0_ym19_1_1471008391156_3303" style="font-family:"Arial","sans-serif"" class=""><a href="mailto:macyroger@yahoo.co.uk" class="">macyroger@yahoo.co.uk</a></span></div>
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