<div dir="ltr"><div class="gmail_default" style="font-family:arial,helvetica,sans-serif">And perhaps it is showing in Paris as well?</div><div class="gmail_default" style="font-family:arial,helvetica,sans-serif">Not sure of the context but a friend (director Ebata Koki) posted this cool French poster for the film a few days ago:</div><div class="gmail_default" style="font-family:arial,helvetica,sans-serif"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__twitter.com_eba-5Fko_status_777286106274525184&d=DQMFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=ec-b7BKiTT9vbbk_KnLGlJJSOudNIZOc9WzIfjIBvi4&s=1mDt964SKaBfYa_Nb4pF6qBk15dqfvKD0Ctv1iGXAG4&e=">https://twitter.com/eba_ko/status/777286106274525184</a><br></div><div class="gmail_default" style="font-family:arial,helvetica,sans-serif"><br></div><div class="gmail_default" style="font-family:arial,helvetica,sans-serif">Jeremy Harley</div><div class="gmail_default" style="font-family:arial,helvetica,sans-serif">Mabashi Movie Festival</div></div><div class="gmail_extra"><br><div class="gmail_quote">On Mon, Sep 26, 2016 at 4:48 PM, Japanese Cinema Discussion Forum via KineJapan <span dir="ltr"><<a href="mailto:kinejapan@lists.osu.edu" target="_blank">kinejapan@lists.osu.edu</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div><div style="color:#000;background-color:#fff;font-family:HelveticaNeue,Helvetica Neue,Helvetica,Arial,Lucida Grande,Sans-Serif;font-size:16px">

<div><span>Dear KineJapaners,</span></div>

<div><span>Although Pordenone, starting on the
1^st, has not been trailed as a Japanese year, I see that there’s a
few gems scattered amongst the programme.</span></div>

<div><span><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cinetecadelfriuli.org_gcm_allegati_GCM2016-5FCalendario-5Fw5.pdf&d=DQMFaQ&c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&r=e7qMG9KFq7WNnPQWULWHJA&m=ec-b7BKiTT9vbbk_KnLGlJJSOudNIZOc9WzIfjIBvi4&s=YGHwpCODadRSh3j-kBi4IrmtvcXFdMMrMHMHqWhFfSE&e=" target="_blank">http://www.cinetecadelfriuli.<wbr>org/gcm/allegati/GCM2016_<wbr>Calendario_w5.pdf</a></span></div>

<div><span>There are two
animations from MURATA Yasuji, different from those shown in 2011, as well as <i>Nipponichi
momotaro</i>, 1928 by YAMAMOTO Sanae. Earlier in the week in another slot,
there’s the 1917 <i>Namakura gatana</i> by KOUCHI Junichi, which I have only
seen on a very small screen at the permanent exhibition at Kyōbashi. On Thursday
6^th in the ‘City Symphonies’ strand, there’s <i>Fukkō teito shinfonī</i>,
<i>Symphony on the Rebuilding of the Imperial Metropolis</i>, 1928, a
dawn-to-dusk essay commissioned by <span style="color:black">Tōkyō shisei chōsa
kai [Tokyo Institute for Municipal Research]</span>.</span></div>

<div><span><br></span></div><div><span>Saturday’s
‘rediscoveries’ slot also sees the reprisal of <i>I Was Born, but …</i>, 1931.<span>  </span>That seems to be very prescient piece of
programming with a second excellent reworking of Ozu’s film being on release
this week in London.</span></div>

<div><span><br></span></div><div><span>Roger</span></div>

<div><br></div></div></div><br>______________________________<wbr>_________________<br>
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<br></blockquote></div><br></div>