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<p style="margin-top:0; margin-bottom:0"><span style="margin:0px; color:rgb(34,34,34); line-height:107%; font-family:"Arial",sans-serif; font-size:9.5pt">Dear All,</span><br style="orphans:2; word-spacing:0px">
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<span style="margin:0px; word-spacing:0px; orphans:2; float:none"><span>Apologies for cross-posting and self-promotion, but w</span>e are delighted to announce the publication of our new edited collection entitled:</span></font></p>
<p style="margin:0px"><span style="margin:0px; color:rgb(34,34,34); line-height:107%; font-family:"Arial",sans-serif; font-size:9.5pt"><b><a class="x_OWAAutoLink" id="LPlnk945579" href="https://edinburghuniversitypress.com/irene-gonzalez-lopez.html" previewremoved="true"><span style="margin:0px; font-size:12pt"> </span><span style="font-size:12pt">Tanaka
 Kinuyo: Nation, Stardom and Female Subjectivity</span></a></b></span></p>
<p style="margin:0px"><span lang="ES" style="margin:0px; color:rgb(34,34,34); line-height:107%; font-family:"Arial",sans-serif; font-size:9.5pt">Eds.
</span><span lang="ES" style="margin:0px"><font face="Calibri">Irene González-López, Michael Smith (Edinburgh University Press, 2018)</font></span></p>
<p style="margin:0px 0px 10.66px"><a id="LPlnk888363" href="https://edinburghuniversitypress.com/book-tanaka-kinuyo.html" previewremoved="true"><span lang="ES" style="margin:0px"><font color="#0000ff" face="Calibri">https://edinburghuniversitypress.c<span style="font-size:11pt"></span>om/book-tanaka-kinuyo.html</font></span></a></p>
<p style="margin:0px 0px 10.66px"><span style="text-align:left; color:rgb(34,34,34); text-transform:none; text-indent:0px; letter-spacing:normal; font-family:"Arial",sans-serif; font-size:11pt; font-style:normal; font-variant:normal; font-weight:400; text-decoration:none; word-spacing:0px; display:inline!important; white-space:normal; orphans:2; float:none; background-color:transparent">Bringing
 together a range of Japanese and western scholars, this is the first book in English dedicated to the actress and director Tanaka Kinuyo. Praised as amongst the greatest actors in the history of Japanese cinema, Tanaka’s career spanned the industrial development
 of cinema – from silent to sound, monochrome to colour. Alongside featuring in films by Ozu, Mizoguchi, Naruse and Kurosawa, Tanaka was also the only Japanese woman filmmaker between 1953 and 1962, and her films tackled distinctly feminine topics such as prostitution
 and breast cancer. Her career overlapped with a transformative period in Japanese history, and this close analysis of her fascinating life and work offers new perspectives, subjectivities and modes of analysis for the classical era of Japanese cinema.</span></p>
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<p style="margin:0px; text-align:left; color:rgb(0,0,0); text-transform:none; line-height:normal; text-indent:0px; letter-spacing:normal; font-size:16px; font-variant:normal; font-weight:400; text-decoration:none; word-spacing:0px; white-space:normal; orphans:2; background-color:transparent">
<i>"<span style="margin:0px; color:rgb(85,85,85); font-size:11pt">These authors brilliantly demonstrate how Tanaka overcame multiple challenges to direct her own powerful films about men and women in the unfixed landscape of postwar Japan.'"</span></i></p>
<p style=""><span style="margin:0px; color:rgb(85,85,85); font-size:11pt"></span><span style=""><span style="font-size:11pt">-
</span><i><span style="font-size:11pt">Professor Catherine Russell, Concordia University, Montreal</span></i></span><span style=""><br>
</span></p>
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<p style="margin:0px 0px 10.66px"><span style="display:inline!important; float:none; background-color:transparent; color:rgb(34,34,34); font-family:"Arial",sans-serif; font-size:12.66px; font-style:normal; font-variant:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:left; text-decoration:none; text-indent:0px; text-transform:none; white-space:normal; word-spacing:0px"><b style=""><span style="margin:0px; color:rgb(34,34,34); line-height:17.33px; font-size:11pt">ORDER
 ONLINE AND SAVE 30% (See attached flyer)</span></b></span></p>
<p style="margin:0px 0px 10.66px"><span style="display:inline!important; float:none; background-color:transparent; color:rgb(34,34,34); font-family:"Arial",sans-serif; font-size:12.66px; font-style:normal; font-variant:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:left; text-decoration:none; text-indent:0px; text-transform:none; white-space:normal; word-spacing:0px"><b style=""><span style=""><span style=""><span style="margin:0px; font-size:11pt; word-spacing:0px; orphans:2; float:none">Best
 regards,</span><br style="orphans:2; word-spacing:0px">
<span style="font-size:11pt"></span><span style="margin:0px; font-size:11pt; word-spacing:0px; orphans:2; float:none">Irene González-López and Michael Smith (Editors)</span></span></span></b><span style=""><br>
</span></span><span lang="ES" style="margin:0px"></span></p>
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The first book in English dedicated to the actor and director Tanaka Kinuyo Praised as amongst the greatest actors in the history of Japanese cinema, Tanaka’s career spanned the industrial development of cinema – from silent to sound, monochrome to colou</div>
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<p style="margin:0px 0px 10.66px"><span lang="ES" style="margin:0px; color:rgb(34,34,34); line-height:107%; font-family:"Arial",sans-serif; font-size:9.5pt"><font size="3"></font><font color="#0000ff"></font><font face="Calibri"></font><br>
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<p style="margin:0px 0px 10.66px"><span style="margin:0px; color:rgb(34,34,34); line-height:107%; font-family:"Arial",sans-serif; font-size:9.5pt"> </span><strong>Dr Irene González-López</strong></p>
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<p><strong><br>
</strong></p>
<p><strong>Postdoctoral Researcher</strong></p>
<p><strong>Visual and Material Culture Research Centre</strong></p>
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<p><b><span style="background-color:rgb(255,255,0)">Kingston School of Art</span></b></p>
<p>Grange Road,</p>
<p>Kingston upon Thames,</p>
<p>KT1 2QJ</p>
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<p>kingston.ac.uk/ksa</p>
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<b>Kingston University </b>London<br>
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