<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><div><br></div><div>The similarities between Ogawa Pro’s shift towards the use of long takes (1972-73) and Rouch experimenting with “shot sequence/plan sequence” (usually 10 minutes) in <span style="font-size: 12pt; font-family: Helvetica;">Horendi, Yenendi de Gangel and Tourou et Bitti (1970-72), </span><span style="background-color: rgba(255, 255, 255, 0);">although there are big differences like Rouch using the camera as a catalyst for instance</span><span style="font-family: Helvetica; font-size: 12pt;">, is also fascinating.</span></div><div><br></div>Julia, I can send you the scans of the book (please contact me off list if you’re interested: matteo.boscarol@gmail)<br><br><div id="AppleMailSignature"><span style="background-color: rgba(255, 255, 255, 0);">Matteo Boscarol<br></span><div><div style="line-height: 24px;"><span style="background-color: rgba(255, 255, 255, 0);">ボスカロル マッテオ</span></div><div style="line-height: 24px;"><span style="background-color: rgba(255, 255, 255, 0);">記憶ただ陽炎のゆらめき</span></div><div style="line-height: 24px;"><span style="background-color: rgba(255, 255, 255, 0);">- Documentary in Japan and Asia</span></div><div style="line-height: 24px;"><span style="background-color: rgba(255, 255, 255, 0);"><a href="http://storiadocgiappone.wordpress.com">http://storiadocgiappone.wordpress.com</a></span></div><div style="line-height: 24px;">- Film writer for Il Manifesto</div></div><div style="line-height: 24px;"><a href="http://ilmanifesto.it">http://ilmanifesto.it</a></div><div style="line-height: 24px;"><br></div><div style="line-height: 24px;"><br></div><div><span style="line-height: 24px; background-color: rgba(255, 255, 255, 0);"></span></div></div><div><br>On May 4, 2018, at 22:14, Japanese Cinema Discussion Forum via KineJapan <<a href="mailto:kinejapan@lists.osu.edu">kinejapan@lists.osu.edu</a>> wrote:<br><br></div><blockquote type="cite"><div>I am not sure if Paul Henley’s massive book on Rouch touches on this Japan connection (The adventure of the real: Jean Rouch and the craft of ethnographic film), but next time I see him I will ask. Just a quick search on google books throws up some Japanese collaborations, but I don’t have the book itself to check.<div>Yours, Lola <br><br>On Monday, 30 April 2018, Japanese Cinema Discussion Forum via KineJapan <<a href="mailto:kinejapan@lists.osu.edu">kinejapan@lists.osu.edu</a>> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">Really strange - almost eerie - to think that there were things that happened, comfortably in living memory... and that already they're almost impossible to research. Happily, we can still watch the films!<br><br><div>Thanks, Markus, for your report on the show!</div><div><br></div><div>Best wishes,</div><div><br></div><div><br></div><div><br></div><div>ALEX</div></div>
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