<div dir="ltr">Oh, that's interesting. But this is certainly a matter of coincidence and not influence. Or synchronicity? <div><br></div><div>M</div></div><div class="gmail_extra"><br clear="all"><div><div class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><span style="color:rgb(136,136,136)">--- </span></div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b><img src="https://drive.google.com/a/umich.edu/uc?id=1i0izwlsrcSvQgU4nMCzTLiOhmdDMm-xZ&export=download" width="56" height="96"><br></b></font></div><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b>Markus Nornes</b></font></div><div style="font-size:small"><span style="font-family:'courier new',monospace"><font color="#38761d"><b>Professor of Asian Cinema</b></font></span></div><div><font size="1" color="#38761d"><font face="courier new, monospace">Department of Screen Arts and Cultures</font><span style="font-family:'courier new',monospace">, Department of Asian Languages and Cultures, Penny Stamps </span><span style="font-family:'courier new',monospace">School of Art & Design</span></font></div><div style="color:rgb(136,136,136);font-size:small"><font face="courier new, monospace" color="#6aa84f"><br></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>Department of Screen Arts and Cultures</b></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>6348 North Quad</b></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>105 S. State Street</b></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>Ann Arbor, MI 48109-1285</b></font></div><div style="color:rgb(136,136,136)"><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>
<br><div class="gmail_quote">On Sun, May 6, 2018 at 6:21 AM, Japanese Cinema Discussion Forum via KineJapan <span dir="ltr"><<a href="mailto:kinejapan@lists.osu.edu" target="_blank">kinejapan@lists.osu.edu</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="auto"><div><br></div><div>The similarities between Ogawa Pro’s shift towards the use of long takes (1972-73) and Rouch experimenting with “shot sequence/plan sequence” (usually 10 minutes) in <span style="font-size:12pt;font-family:Helvetica">Horendi, Yenendi de Gangel and Tourou et Bitti (1970-72), </span><span style="background-color:rgba(255,255,255,0)">although there are big differences like Rouch using the camera as a catalyst for instance</span><span style="font-family:Helvetica;font-size:12pt">, is also fascinating.</span></div><div><br></div>Julia, I can send you the scans of the book (please contact me off list if you’re interested: matteo.boscarol@gmail)<span class=""><br><br><div id="m_3748646441409064453AppleMailSignature"><span style="background-color:rgba(255,255,255,0)">Matteo Boscarol<br></span><div><div style="line-height:24px"><span style="background-color:rgba(255,255,255,0)">ボスカロル マッテオ</span></div><div style="line-height:24px"><span style="background-color:rgba(255,255,255,0)">記憶ただ陽炎のゆらめき</span></div><div style="line-height:24px"><span style="background-color:rgba(255,255,255,0)">- Documentary in Japan and Asia</span></div><div style="line-height:24px"><span style="background-color:rgba(255,255,255,0)"><a href="http://storiadocgiappone.wordpress.com" target="_blank">http://storiadocgiappone.<wbr>wordpress.com</a></span></div><div style="line-height:24px">- Film writer for Il Manifesto</div></div><div style="line-height:24px"><a href="http://ilmanifesto.it" target="_blank">http://ilmanifesto.it</a></div><div style="line-height:24px"><br></div><div style="line-height:24px"><br></div><div><span style="line-height:24px;background-color:rgba(255,255,255,0)"></span></div></div></span><div><div class="h5"><div><br>On May 4, 2018, at 22:14, Japanese Cinema Discussion Forum via KineJapan <<a href="mailto:kinejapan@lists.osu.edu" target="_blank">kinejapan@lists.osu.edu</a>> wrote:<br><br></div><blockquote type="cite"><div>I am not sure if Paul Henley’s massive book on Rouch touches on this Japan connection (The adventure of the real: Jean Rouch and the craft of ethnographic film), but next time I see him I will ask. Just a quick search on google books throws up some Japanese collaborations, but I don’t have the book itself to check.<div>Yours, Lola <br><br>On Monday, 30 April 2018, Japanese Cinema Discussion Forum via KineJapan <<a href="mailto:kinejapan@lists.osu.edu" target="_blank">kinejapan@lists.osu.edu</a>> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">Really strange - almost eerie - to think that there were things that happened, comfortably in living memory... and that already they're almost impossible to research. Happily, we can still watch the films!<br><br><div>Thanks, Markus, for your report on the show!</div><div><br></div><div>Best wishes,</div><div><br></div><div><br></div><div><br></div><div>ALEX</div></div>
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