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<div>Thank you, Caitlin. And I note you have already added the welcome name of Earl Jackson to the discussants on 'Constant Breast', so you don't need to separately notify me of this. I guess I should just remind you that my nomination said "<span><!--[if gte mso 9]><xml>
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stipulation that I don’t have to refer to it by its idiotic english title, ‘The
Eternal Breast’, which immediately conjures up a gendered pair with ‘Sacred
Heart’.</span></span>" - something I mentioned to Alejandra when I spoke to her a while back.<br></div><div><br></div><div>Looking forward to seeing you.</div><div>Roger<br></div><div><br></div>
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On Saturday, 19 January 2019, 22:10:04 GMT, Caitlin Casiello <caitlin.casiello@yale.edu> wrote:
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<div><div id="ydpe6787c03yiv0971173202"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr">Dear Kineastes, <div><br></div><div>We are happy to announce the below schedule for Kinema Club XVIII, Gender and Sexuality in Japanese Cinema, on February 22nd-24th, Yale University. </div><div><br></div><div>If you are joining us, there is still time to book discount hotel rooms at the Courtyard Marriott: <a href="https://www.marriott.com/event-reservations/reservation-link.mi?id=1544217275236&key=GRP&app=resvlink" rel="nofollow" target="_blank">https://www.marriott.com/event-reservations/reservation-link.mi?id=1544217275236&key=GRP&app=resvlink</a></div><div><br></div><div>Please be in touch with any questions, comments, strong objections to our translations of the films' titles, etc. Looking forward to seeing you all. </div><div><br></div><div>Best,</div><div>Caitlin </div><div><br></div><div><b><u>Kinema Club XVIII Schedule</u></b></div><div><b><br></b></div><div><div><b>Feb 22nd, Friday </b></div><div><br></div><div>6:00pm - Reception </div><div><br></div><div>7:00pm - Fukujusō (Kawate Jirō, 1935)</div><div>With benshi and live piano accompaniment </div><div>Panelists: Sarah Frederick, Marta Figlerowicz, Brian Meacham</div><div><br></div><div><b>Feb 23rd, Saturday</b></div><div><br></div><div>8:00 am - Breakfast </div><div><br></div><div>9:00 am - Gate of Flesh (Makino Masahiro, 1948)</div><div>Panelists: Saitō Ayako, Kamiya Makiko, Vera Mackie, Griseldis Kirsch (Moderator: Irene Gonzalez) </div><div><br></div><div>11:30am - Lunch break</div><div><br></div><div>12:30pm - Lily Festival (Hamano Sachi, 2001)</div><div>Panelists: Jasper Sharp, Caitlin Casiello, Jonathan Hall</div><div><br></div><div>3:30pm - Coffee break </div><div><br></div><div>4:00pm - Flowers Have Fallen (Ishida Tamizō, 1938) and Madam Butterfly’s Illusion (Arai Wagorō, 1940)</div><div>Panelists: Katie Trumpener, Hsin-Yuan Peng, Jason Douglass</div><div><br></div><div>6:30pm - Dinner break</div><div><br></div><div>8:00pm - The Elegant Life of Mr. Everyman (Okamoto Kihachi, 1963)</div><div>Panelists: Hannah Airess, Miryam Sas, Jennifer Coates, Xavier Sawada</div><div><br></div><div><b>Feb. 24th, Sunday</b></div><div><br></div><div>8:00am - Breakfast </div><div><br></div><div>9:00am - The Eternal Breasts (Tanaka Kinuyo, 1955)</div><div>Panelists: Alejandra Armendariz-Hernandez, Roger Macy, Irene Gonzalez</div></div><div><br></div><div><br></div><div><br></div><div><br></div><div><div><br></div>-- <br><div dir="ltr" class="ydpe6787c03yiv0971173202gmail_signature"><div dir="ltr"><div><div dir="ltr">Caitlin Casiello <div><br></div><div>Ph.D. Student</div><div>Film & Media Studies / East Asian Languages and Literatures</div><div><span style="font-size:12.8px;"><font color="#000000">Graduate School of Arts and Sciences </font></span><br></div><div>Yale University </div></div></div></div></div></div></div></div></div></div></div>_______________________________________________<br>KineJapan mailing list<br><a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br><a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div>
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