<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: 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;" class=""><br class=""></div><div class=""><b class=""><u class=""><font face="ArialMT" class="">PART I </font><i style="font-family: ArialMT;" class="">MINSHŪ</i><font face="ArialMT" class="">/THE PEOPLE</font></u></b></div><div class=""><b class=""><span style="font-family: ArialMT;" class="">Chap. 1</span><span class="Apple-tab-span" style="font-family: ArialMT; white-space: pre;">     </span><font face="ArialMT" class="">The Emergence of the Social Subject: </font></b><b class=""><font face="ArialMT" class="">“The People” and Cinema Audience by Popular</font><span style="font-family: ArialMT;" class=""> Amusements</span><font face="ArialMT" class=""> and Social Education</font></b></div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">            </span>-“The People” as a Social Problem: Class, Voluntariness, Gender</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">               </span>-Cinema as a Popular Amusement and “the People”<span class="Apple-tab-span" style="white-space:pre"> </span></div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">          </span>-Cinema as a Social Education and “the People”</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">                </span>-“The People”/Cinema Audience as the Subject of the “Society"</div><div style="font-family: ArialMT;" class=""><br class=""></div><div class=""><b class=""><u class=""><font face="ArialMT" class="">PART II </font><i style="font-family: ArialMT;" class="">KOKUMIN</i><font face="ArialMT" class="">/THE NATIONAL</font></u></b></div><div style="font-family: ArialMT;" class=""><b class="">Chap. 2<span class="Apple-tab-span" style="white-space: pre;">       </span>Total War and Transmedial Consumer Culture: </b><b class="">Around the Re-definition and Contradictions of "the National”</b></div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">             </span>-Re-defining “the National”: Updating “the People”</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">                </span>-Transmedial Consumer Culture and “the Masses”</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">                </span>-Consumer Subject’s Experiences</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">         </span>-Becoming “the National”: (Anti-)Capitalism, Class, Gender</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">            </span>-The Total War Regime and Media Ecology </div><div style="font-family: ArialMT;" class=""><br class=""></div><div class=""><b class=""><font face="ArialMT" class="">Chap. 3</font><span class="Apple-tab-span" style="font-family: ArialMT; white-space: pre;">      </span><font face="ArialMT" class="">Mobilizing Them Into "the National”: </font></b><b style="font-family: ArialMT;" class="">Cinema Audience and the Total War, and the Postwar</b></div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">          </span>-The Power Specific to Cinema</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">             </span>-Film Regulations and Consumer Culture</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">            </span>-“New Audience”</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">               </span>-Disavowing Contradictions and Conflicts: Consumer Culture, Locality, Gender</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">              </span>-“National Cinema” and “Culture Cinema”</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">           </span>-The Postwar Period, and the Contemporary Period </div><div style="font-family: ArialMT;" class=""><b class=""><u class=""><br class=""></u></b></div><div class=""><b class=""><u class=""><font face="ArialMT" class="">PART III </font><i style="font-family: ArialMT;" class="">TŌA MINZOKU</i><font face="ArialMT" class="">/EAST ASIAN RACE</font></u></b></div><div class=""><b class=""><span style="font-family: ArialMT;" class="">Chap. 4</span><span class="Apple-tab-span" style="font-family: ArialMT; white-space: pre;">  </span><font face="ArialMT" class="">Inventing and Imagining the “East Asian Race”: </font></b><b class=""><font face="ArialMT" class="">The Fantasy of the Japanese Empire and Mobilization Through Films</font></b></div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">          </span>-The Empire and “East Asian Race”</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">             </span>-The Empire and Film Policy</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">               </span>-The Fantasy of Unity</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">             </span>-Hidden Centrality</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">                </span>-Appealing to the Body, or “Spirit” and Science</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">               </span>-The System of Mobilization and Cinema</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">            </span>-The Empire and Capitalism</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">                </span>-Outside the Capitalism</div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">           </span>-The Post-Empire: Oblivion and Fantasy</div><div style="font-family: ArialMT;" class=""><b class=""><u class=""><br class=""></u></b></div><div class=""><b class=""><u class=""><font face="ArialMT" class="">PART IV </font><i style="font-family: ArialMT;" class="">TAISHŪ/</i><font face="ArialMT" class="">THE MASSES</font></u></b></div><div class=""><b class=""><span style="font-family: ArialMT;" class="">Chap. 5</span><span class="Apple-tab-span" style="font-family: ArialMT; white-space: pre;">     </span><font face="ArialMT" class="">The Politics of "the Masses” Towards the Televisual and Atomic Age: </font></b><b class=""><font face="ArialMT" class="">The Theories of Mass Society, Mass Culture, and Mass Communication</font></b></div><div class=""><span class="Apple-tab-span" style="font-family: ArialMT; font-weight: bold; white-space: pre;">           </span><font face="ArialMT" class="">-The Emergence of the Politics of “the Masses": Its Discursive Formation in Prewar and Wartime Japan</font></div><div class=""><font face="ArialMT" class=""><span class="Apple-tab-span" style="white-space:pre">          </span>-“The Masses” Immanent in the System: The Theory of Mass Society</font></div><div class=""><font face="ArialMT" class=""><span class="Apple-tab-span" style="white-space:pre">         </span>-“The Masses” on the Threshold of the System: The Theory of Mass Culture</font></div><div class=""><font face="ArialMT" class="">   <span class="Apple-tab-span" style="white-space:pre">               </span>-(De-)politicizing “the Masses”: The Theory of Mass Communication</font></div><div class=""><b style="font-family: ArialMT;" class=""><br class=""></b></div><div class=""><b class=""><span style="font-family: ArialMT;" class="">Chap. 6</span><font face="ArialMT" class=""> </font><span class="Apple-tab-span" style="font-family: ArialMT; white-space: pre;">    </span>"<font face="ArialMT" class="">The Masses” as Democratic Subjects: </font></b><b class=""><font face="ArialMT" class="">Re-assembling the Transmedial Consumer Culture Through the Diffusion of Television, and Cinema Audience</font></b></div><div class=""><font face="ArialMT" class=""><span class="Apple-tab-span" style="white-space:pre">           </span>-The Democratic Subject of Consumer-life: Discourses on Television</font></div><div class=""><font face="ArialMT" class=""><span class="Apple-tab-span" style="white-space:pre">           </span>-Re-assembling the Transmedial Consumer Culture</font></div><div class=""><font face="ArialMT" class=""><span class="Apple-tab-span" style="white-space:pre">              </span>-The Democratic Subject of Modernist Politics: Re-defining Cinema Audience</font></div><div style="font-family: ArialMT;" class=""><span class="Apple-tab-span" style="white-space:pre">           </span>-Have “the Masses” Disappeared?</div><div style="font-family: ArialMT;" class=""><b class=""><u class=""><br class=""></u></b></div><div class=""><b class=""><u class=""><font face="ArialMT" class="">PART V </font><i style="font-family: ArialMT;" class="">SHIMIN</i><font face="ArialMT" class="">/CITIZENS</font></u></b></div><div class=""><b class=""><span style="font-family: ArialMT;" class="">Chap. 7</span><span class="Apple-tab-span" style="font-family: ArialMT; white-space: pre;">    </span><font face="ArialMT" class="">“Citizens" as Vulnerable Subjects: </font></b><b class=""><font face="ArialMT" class="">Individualizing and Networking in the Ages of the Postwar and Risk</font></b></div><div class=""><span class="Apple-tab-span" style="font-family: ArialMT; font-weight: bold; white-space: pre;">            </span><font face="ArialMT" class="">-Historical Assembling of “Citizens”</font></div><div class=""><font face="ArialMT" class=""><span class="Apple-tab-span" style="white-space:pre">                </span>-The Age of Risk: The Flexible, Precarious, Self-disciplinary, and Self-responsible Subject</font></div><div class=""><span class="Apple-tab-span" style="font-family: ArialMT; font-weight: bold; white-space: pre;">               </span><font face="ArialMT" class="">-The Network of Power and the Networking of Territory-Aspired “Citizens”  </font></div><div class=""><span style="font-family: ArialMT;" class=""><b class=""><br class=""></b></span></div><div class=""><b class=""><span style="font-family: ArialMT;" class="">Chap. 8<span class="Apple-tab-span" style="white-space: pre;">        </span></span><font face="ArialMT" class="">“Citizens’” Porous Intimate-Public Sphere</font><span style="font-family: ArialMT;" class="">: </span></b><b class=""><span style="font-family: ArialMT;" class="">Transmedial Social Movement Through I</span><span style="font-family: ArialMT;" class="">ndependent Film Screening Events and S</span><span style="font-family: ArialMT;" class="">ocial Media</span></b></div></div><div class=""><span class="Apple-tab-span" style="white-space:pre">                </span>-Network of the Intimate-Sphere: Re-assembling “Citizens”</div><div class=""><span class="Apple-tab-span" style="white-space:pre">             </span>-Updating Social Movements and Social Media</div><div class=""><span class="Apple-tab-span" style="white-space:pre">               </span>-Independent Film Screening Events by “Citizens"</div><div class=""><br class=""></div><div class=""><b class="">Conclusion</b></div><div class=""><span style="font-size: 11px;" class=""><br class=""></span></div><div class=""><span style="font-size: 11px;" class="">  </span></div><br class=""><br class=""></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>

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<div dir="auto" style="caret-color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div style="caret-color: rgb(0, 0, 0); font-family: Arial; font-size: 13px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;"><span style="color: rgb(0, 0, 0);" class="">********************************************<br class=""><a href="https://eizogaku.wordpress.com/%E3%81%93%E3%81%AE%E3%82%B5%E3%82%A4%E3%83%88%E3%81%AB%E3%81%A4%E3%81%84%E3%81%A6/%E8%97%A4%E6%9C%A8%E7%A7%80%E6%9C%97%EF%BC%88fujiki-hideaki%EF%BC%89%E6%95%99%E6%8E%88/" class="">Hideaki Fujiki</a>, PhD<br class="">Professor,<a href="https://eizogaku.wordpress.com/" class=""> Cinema Studies</a><br class=""><a href="https://www.hum.nagoya-u.ac.jp/tcs/" class="">Center for Transregional Culture and Society</a>, <br class=""><a href="http://profs.provost.nagoya-u.ac.jp/view/html/100002526_en.html" class="">Graduate School of Humanities, Nagoya University</a><br class="">1 Furo-cho, Chikusa-ku, Nagoya, Aichi<br class="">JAPAN 464-8601<br class=""><a href="mailto:hfuji@nagoya-u.jp" class="">email: hfuji@nagoya-u.jp</a> <br class="">(</span><font color="#b51a00" class="">The older address, <a href="mailto:hfuji@lit.nagoya-u.ac.jp" class="">hfuji@lit.nagoya-u.ac.jp</a>, expires at the end of March, 2019</font>.)<br class=""></div></div></div></div></div></div></div></div></div>
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