<div dir="auto"><div>Hello!</div><div dir="auto"><br></div><div dir="auto">I guess there is a very very little chance your student knows Polish, but just in case - I wrote a chapter on Sion Sono in this book: <a href="https://www.piecsmakow.pl/artykul.do?id=320&mid=860">https://www.piecsmakow.pl/artykul.do?id=320&mid=860</a> (I can send the digital version if needed) and there is another one in Polish written by my friend here: <a href="http://sklep.ekrany.org.pl/ksiazki-elektroniczne/119--pdf-autorzy-kina-azjatyckiego-tom-ii.html">http://sklep.ekrany.org.pl/ksiazki-elektroniczne/119--pdf-autorzy-kina-azjatyckiego-tom-ii.html</a>. </div><div dir="auto"><br></div><div dir="auto">He or she may also find some facts and interpretation tropes in (English) descriptions of films shown in the retrospectove of Sono that I curated some time ago: <a href="https://www.piecsmakow.pl/lista.do?idc=33&mid=845">https://www.piecsmakow.pl/lista.do?idc=33&mid=845</a>.</div><div dir="auto"><br></div><div dir="auto">Sorry for this self-promotion here, but knowing how limited are the sources on this topic I thought it might be helpful for someone. </div><div dir="auto"><br></div><div dir="auto"><br></div><div dir="auto">Best! </div><div dir="auto"><br></div><div dir="auto"><br><div class="gmail_quote" dir="auto"><div dir="ltr" class="gmail_attr">Pt., 21.06.2019, 11:21 użytkownik Jim Harper via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> napisał:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div>                Hello!<br><br>Re: Directory of World Cinema. I did Suicide Club in volume one and Brian Ruh did Love Exposure in volume two, if it helps.<br><br>Jim Harper.<br><br>            </div>            <div class="m_-4782276741109123371yahoo_quoted" style="margin:10px 0px 0px 0.8ex;border-left:1px solid #ccc;padding-left:1ex">                        <div style="font-family:'Helvetica Neue',Helvetica,Arial,sans-serif;font-size:13px;color:#26282a">                                <div>                    On Friday, 21 June 2019, 15:50:53 GMT+9, Davis, Robert W. via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank" rel="noreferrer">kinejapan@mailman.yale.edu</a>> wrote:                </div>                <div><br></div>                <div><br></div>                <div><div id="m_-4782276741109123371yiv7739855394"><div dir="ltr"><div dir="ltr" id="m_-4782276741109123371yiv7739855394divtagdefaultwrapper"><div dir="ltr" id="m_-4782276741109123371yiv7739855394divtagdefaultwrapper"><p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">> ‘From </span><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Hollywood</span><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"> to </span><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Tokyo</span><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">: Resolving a Tension in Contemporary Narrative Cinema’, </span><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">DAVIS</span><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">, Robert and de los RIOS, Riccardo, in </span><b><i><span style="font-size:10pt;font-family:Arial,Helvetica,sans-serif">Film Criticism</span></i></b><b><span style="font-size:10pt;font-family:Arial,Helvetica,sans-serif"> XXXI</span></b><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">: 1-2,</span><b><span style="font-size:10pt;font-family:Arial,Helvetica,sans-serif"> </span></b><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Fall/Winter 2006.</span></p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><br clear="none"><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span></p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><span></span><span style="font-size:10pt;font-family:Arial,Helvetica,sans-serif">Thanks, Roger. I'd almost forgotten that one myself!</span></p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><br clear="none"><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span></p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><p style="margin-top:0px;margin-bottom:0px"><span style="color:rgb(0,0,0);font-family:Arial,Helvetica,sans-serif;font-size:10pt">There are also</span><span style="color:rgb(0,0,0);font-family:Arial,Helvetica,sans-serif;font-size:10pt"> short pieces -- sometimes more, sometimes less academic -- on several </span><font size="2"><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Sono films in the three volumes of the</span><i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Directory of World Cinema: Japan</span></i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">. </span></font><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Riccardo</span><font size="2"><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"> and I were responsible for the pages on </span><i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Noriko's Dinner Table</span></i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"> and</span><i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Yume kinejapa</span></i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">. I'd especially recommend the latter, lesser known film. It seems to me a project that, like </span><i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Bad Film</span></i><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">, takes us deep into Sono's gut.</span></font></p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><br clear="none"><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span></p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt"></span><p><span style="font-family:Arial,Helvetica,sans-serif;font-size:10pt">Bob</span></p><p><br clear="none"></p><p><br clear="none"></p><div id="m_-4782276741109123371yiv7739855394Signature"><div style="font-family:Tahoma;font-size:13px"><div class="m_-4782276741109123371yiv7739855394BodyFragment"><font size="2"></font><div class="m_-4782276741109123371yiv7739855394PlainText">Robert W. Davis Jr.<br clear="none">Professor, Department of Cinema and Television Arts<br clear="none">California State University, Fullerton<br clear="none">657-278-7147</div></div></div></div></div><hr color=""><div class="m_-4782276741109123371yiv7739855394yqt5555857445" id="m_-4782276741109123371yiv7739855394yqt52562"><div dir="ltr" id="m_-4782276741109123371yiv7739855394divRplyFwdMsg"><font face="Calibri, sans-serif" color="#000000" style="font-size:11pt"><b>From:</b> KineJapan <<a href="mailto:kinejapan-bounces@mailman.yale.edu" target="_blank" rel="noreferrer">kinejapan-bounces@mailman.yale.edu</a>> on behalf of Roger Macy via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank" rel="noreferrer">kinejapan@mailman.yale.edu</a>><br clear="none"><b>Sent:</b> Wednesday, June 19, 2019 3:36:31 PM<br clear="none"><b>To:</b> Almir Almas via KineJapan<br clear="none"><b>Cc:</b> Roger Macy<br clear="none"><b>Subject:</b> Re: [KineJapan] Shion Sono</font><div> </div></div><div><div class="m_-4782276741109123371yiv7739855394x_ydp5c33f21eyahoo-style-wrap" style="font-family:Helvetica Neue,Helvetica,Arial,sans-serif;font-size:16px"><div></div><div>I should have added there's a a few pages<span><span><b><span style="color:black">,</span></b><span style="color:black">(pp164-167</span></span></span>) on <i>Suicide Club</i>in <span></span><div><span></span><p class="m_-4782276741109123371yiv7739855394x_ydp333500d2MsoNormal" style="margin-top:3.0pt;margin-right:0cm;margin-bottom:0cm;margin-left:19.85pt;margin-bottom:.0001pt"><span style="color:black">‘From </span><span style="color:black">Hollywood</span><span style="color:black"> to</span><span style="color:black">Tokyo</span><span style="color:black">: Resolving a Tension in Contemporary Narrative Cinema’,</span><span style="color:black">DAVIS</span><span style="color:black">, Robert and de los RIOS, Riccardo, in</span><b><i><span style="color:black">Film Criticism</span></i></b><b><span style="color:black"> XXXI</span></b><span style="color:black">: 1-2,</span><b><span style="color:black"></span></b><span style="color:black">Fall/Winter 2006.</span></p><span></span><div>That's all I have.</div><div>Roger<br clear="none"></div><span></span><p class="m_-4782276741109123371yiv7739855394x_ydp333500d2MsoNormal" style="margin-top:3.0pt;margin-right:0cm;margin-bottom:0cm;margin-left:19.85pt;margin-bottom:.0001pt"><span style="color:black"></span><span style="color:black"></span><b><span style="color:black"></span></b></p></div><span></span><br clear="none"></div><div><br clear="none"></div></div><div class="m_-4782276741109123371yiv7739855394x_ydp579573fayahoo_quoted" id="m_-4782276741109123371yiv7739855394x_ydp579573fayahoo_quoted_1201971889"><div style="font-family:'Helvetica Neue',Helvetica,Arial,sans-serif;font-size:13px;color:#26282a"><div>On Wednesday, 19 June 2019, 22:12:21 BST, Almir Almas via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank" rel="noreferrer">kinejapan@mailman.yale.edu</a>> wrote:</div><div><br clear="none"></div><div><br clear="none"></div><div><div id="m_-4782276741109123371yiv7739855394x_ydp579573fayiv5502313114"><div><div dir="ltr">Hi, Tom, <div><br clear="none"></div><div>Thank you very much for your email. </div><div>I'm sending your information to my student. </div><div><div>Thank you. </div><div><br clear="all"><div><div class="m_-4782276741109123371yiv7739855394x_ydp579573fayiv5502313114gmail_signature" dir="ltr"><div dir="ltr"><div><div dir="ltr"><p><b>-- </b></p><p><b>Almir Almas</b></p><p><b>Chefe de Departamento</b></p><p><b>Departamento de Cinema, Rádio e Televisão</b></p><p><b>Escola de Comunicações e Artes</b></p><div dir="ltr"><b style="font-size:12.8px">Universidade de São Paulo</b></div><div dir="ltr"><a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk880994" href="mailto:alalmas@usp.br" target="_blank">alalmas@usp.br</a></div><div dir="ltr"><span style="font-size:12.8px">55-11-30914020</span><br clear="none"></div></div></div></div></div></div><br clear="none"></div></div></div><br clear="none"><div class="m_-4782276741109123371yiv7739855394x_ydp579573fayiv5502313114yqt2769393099" id="m_-4782276741109123371yiv7739855394x_ydp579573fayiv5502313114yqt76872"><div class="m_-4782276741109123371yiv7739855394x_ydp579573fayiv5502313114gmail_quote"><div class="m_-4782276741109123371yiv7739855394x_ydp579573fayiv5502313114gmail_attr" dir="ltr">On Wed, Jun 19, 2019 at 1:34 PM Tom Mes via KineJapan <<a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk135094" href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br clear="none"></div><blockquote class="m_-4782276741109123371yiv7739855394x_ydp579573fayiv5502313114gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">If the student can indeed read Italian, there is an entire book on Sono <br clear="none">available, edited by Dario Tomasi and Franco Picollo:<br clear="none"><a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk715130" href="https://nam01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.amazon.it%2Fsignore-del-caos-Sono-Sion%2Fdp%2F8896989418%2F&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160827499&sdata=aoFv5lLegXnCeHsGDQEZ9olFhR9UIfgRUokB%2BzxWzOM%3D&reserved=0" target="_blank">https://www.amazon.it/signore-del-caos-Sono-Sion/dp/8896989418/</a><br clear="none"><br clear="none">Best,<br clear="none">Tom<br clear="none"><br clear="none">On 19-06-19 18:11, Roger Macy via KineJapan wrote:<br clear="none">> Dear Almir,<br clear="none">> Just a couple of pointers, although there must be many more..<br clear="none">> A couple of his films were reviewed on Midnight Eye<br clear="none">> <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk462799" href="https://nam01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.midnighteye.com%2Freviews%2Fstrange-circus%2F&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160837496&sdata=eGHV76rnhFMhRWKb9qVaHEAiEqZSfpcssqMskGl5GK8%3D&reserved=0" target="_blank">http://www.midnighteye.com/reviews/strange-circus/</a><br clear="none">><br clear="none">> <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk559598" href="https://nam01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.midnighteye.com%2Freviews%2Fsuicide-club%2F&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160837496&sdata=p%2FeIqXrua7UQiZ5U8YuKxOi30CzKjVU%2FNTiT361D2t0%3D&reserved=0" target="_blank">http://www.midnighteye.com/reviews/suicide-club/</a><br clear="none">><br clear="none">> And can your student read italian ? There's a short chapter by Matteo <br clear="none">> Boscarol in Nihon Eiga- Storia del Cinema Giapponese 1970 al 2010, as <br clear="none">> well as 2 pages on 'Love Exposure'.<br clear="none">> Roger<br clear="none">><br clear="none">><br clear="none">><br clear="none">><br clear="none">><br clear="none">> On Tuesday, 18 June 2019, 13:38:01 BST, Almir Almas via KineJapan <br clear="none">> <<a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk376842" href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br clear="none">><br clear="none">><br clear="none">> Dear all of you, here at the University of São Paulo, Brazil, my <br clear="none">> undergraduate student, who I am advising in the final course work, is <br clear="none">> writing a research on Shion Sono.<br clear="none">><br clear="none">> Please, would anyone have some bibliographic tips, such as film <br clear="none">> studies, articles, books, digital links, or others, about his work <br clear="none">> (cinematographic, videographic, television, poetry, etc)?<br clear="none">><br clear="none">> My student attends the Superior Course of Audiovisual, Department of <br clear="none">> Cinema, Radio and Television, School of Communications and Arts of the <br clear="none">> University of São Paulo.<br clear="none">><br clear="none">> If there is someone, please, could you give me tips? This can be in <br clear="none">> private also, please: <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk510383" href="mailto:alalmas@gmail.com" target="_blank">alalmas@gmail.com</a> <mailto:<a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk633305" href="mailto:alalmas@gmail.com" target="_blank">alalmas@gmail.com</a>>.<br clear="none">><br clear="none">><br clear="none">> *--*<br clear="none">><br clear="none">> *Almir Almas (Ph.D)*<br clear="none">><br clear="none">> *Head of Department - **Chefe de Departamento*<br clear="none">><br clear="none">> *Department of Film, Radio and Television - **Departamento de Cinema, <br clear="none">> Rádio e Televisão*<br clear="none">><br clear="none">> *Escola de Comunicações e Artes - **School of Communications and Arts*<br clear="none">><br clear="none">> *Universidade de São Paulo - **University of Sao Paulo.*<br clear="none">> <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk332380" href="mailto:alalmas@usp.br" target="_blank">alalmas@usp.br</a> <mailto:<a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk1182" href="mailto:alalmas@usp.br" target="_blank">alalmas@usp.br</a>><br clear="none">> 55-11-30914020<br clear="none">> 55-11-99103-4266<br clear="none">><br clear="none">> _______________________________________________<br clear="none">> KineJapan mailing list<br clear="none">> <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk784964" href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a> <mailto:<a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk540891" href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a>><br clear="none">> <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk415499" href="https://nam01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmailman.yale.edu%2Fmailman%2Flistinfo%2Fkinejapan&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160837496&sdata=OrNIESVmCmHbu%2BntHndQhsny1Xy7LG7LhJDcvxRbnKo%3D&reserved=0" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br clear="none">><br clear="none">> _______________________________________________<br clear="none">> KineJapan mailing list<br clear="none">> <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk569528" href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a><br clear="none">> <a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk602583" href="https://nam01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmailman.yale.edu%2Fmailman%2Flistinfo%2Fkinejapan&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160847489&sdata=Sd2%2FGtOhj6xVl3POVGUh9h76y6BbzczpF%2BoB%2FsymYeE%3D&reserved=0" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br clear="none"><br clear="none">_______________________________________________<br clear="none">KineJapan mailing list<br clear="none"><a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk824381" href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a><br clear="none"><a rel="nofollow noreferrer" shape="rect" class="m_-4782276741109123371yiv7739855394OWAAutoLink" id="m_-4782276741109123371yiv7739855394LPlnk511871" href="https://nam01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmailman.yale.edu%2Fmailman%2Flistinfo%2Fkinejapan&data=02%7C01%7Crdavis%40fullerton.edu%7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