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<span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">> ‘From </span><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Hollywood</span><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt"> to </span><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Tokyo</span><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">:
Resolving a Tension in Contemporary Narrative Cinema’, </span><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">DAVIS</span><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">, Robert and de los RIOS, Riccardo, in </span><b style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif; font-size:16px"><i><span style="font-size:10pt; font-family:Arial,Helvetica,sans-serif">Film
Criticism</span></i></b><b style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif; font-size:16px"><span style="font-size:10pt; font-family:Arial,Helvetica,sans-serif"> XXXI</span></b><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">:
1-2,</span><b style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif; font-size:16px"><span style="font-size:10pt; font-family:Arial,Helvetica,sans-serif"> </span></b><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Fall/Winter
2006.</span></p>
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<span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt"></span><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif; font-size:16px"></span><span style="font-size:10pt; font-family:Arial,Helvetica,sans-serif">Thanks, Roger. I'd
almost forgotten that one myself!</span></p>
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<p style="margin-top:0px; margin-bottom:0px"><span style="color:rgb(0,0,0); font-family:Arial,Helvetica,sans-serif; font-size:10pt">There are also</span><span style="color:rgb(0,0,0); font-family:Arial,Helvetica,sans-serif; font-size:10pt"> short pieces --
sometimes more, sometimes less academic -- on several </span><font size="2"><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Sono films in the three volumes of the
</span><i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Directory of World Cinema: Japan</span></i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">. </span></font><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Riccardo</span><font size="2"><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt"> and
I were responsible for the pages on </span><i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Noriko's Dinner Table</span></i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt"> and
</span><i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Yume no naka e</span></i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">. I'd especially recommend the latter, lesser known film. It seems to me a project that,
like </span><i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Bad Film</span></i><span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">, takes us deep into Sono's gut.</span></font></p>
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<span style="font-family:Arial,Helvetica,sans-serif; font-size:10pt">Bob</span></p>
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<div class="PlainText">Robert W. Davis Jr.<br>
Professor, Department of Cinema and Television Arts<br>
California State University, Fullerton<br>
657-278-7147</div>
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<font face="Calibri, sans-serif" color="#000000" style="font-size:11pt"><b>From:</b> KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Roger Macy via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Sent:</b> Wednesday, June 19, 2019 3:36:31 PM<br>
<b>To:</b> Almir Almas via KineJapan<br>
<b>Cc:</b> Roger Macy<br>
<b>Subject:</b> Re: [KineJapan] Shion Sono</font>
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<div>I should have added there's a a few pages<span><span><b><span style="color:black">,
</span></b><span style="color:black">(pp164-167</span></span></span>) on <i>Suicide Club
</i>in <span></span>
<div><span>
<p class="x_ydp333500d2MsoNormal" style="margin-top:3.0pt; margin-right:0cm; margin-bottom:0cm; margin-left:19.85pt; margin-bottom:.0001pt">
<span style="color:black">‘From </span><span style="color:black">Hollywood</span><span style="color:black"> to
</span><span style="color:black">Tokyo</span><span style="color:black">: Resolving a Tension in Contemporary Narrative Cinema’,
</span><span style="color:black">DAVIS</span><span style="color:black">, Robert and de los RIOS, Riccardo, in
</span><b><i><span style="color:black">Film Criticism</span></i></b><b><span style="color:black"> XXXI</span></b><span style="color:black">: 1-2,</span><b><span style="color:black">
</span></b><span style="color:black">Fall/Winter 2006.</span></p>
</span><span></span>
<div>That's all I have.</div>
<div>Roger<br>
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<div>On Wednesday, 19 June 2019, 22:12:21 BST, Almir Almas via KineJapan <kinejapan@mailman.yale.edu> wrote:
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<div dir="ltr">Hi, Tom,
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<div>Thank you very much for your email. </div>
<div>I'm sending your information to my student. </div>
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<div>Thank you. </div>
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<p><b>-- </b></p>
<p><b>Almir Almas</b></p>
<p><b>Chefe de Departamento</b></p>
<p><b>Departamento de Cinema, Rádio e Televisão</b></p>
<p><b>Escola de Comunicações e Artes</b></p>
<div dir="ltr"><b style="font-size:12.8px">Universidade de São Paulo</b></div>
<div dir="ltr"><a shape="rect" href="mailto:alalmas@usp.br" rel="nofollow" target="_blank" id="LPlnk880994" class="OWAAutoLink" previewremoved="true">alalmas@usp.br</a></div>
<div dir="ltr"><span style="font-size:12.8px">55-11-30914020</span><br clear="none">
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<div class="x_ydp579573fayiv5502313114gmail_quote">
<div class="x_ydp579573fayiv5502313114gmail_attr" dir="ltr">On Wed, Jun 19, 2019 at 1:34 PM Tom Mes via KineJapan <<a shape="rect" href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank" id="LPlnk135094" class="OWAAutoLink" previewremoved="true">kinejapan@mailman.yale.edu</a>>
wrote:<br clear="none">
</div>
<blockquote class="x_ydp579573fayiv5502313114gmail_quote" style="margin:0px 0px 0px 0.8ex; border-left:1px solid rgb(204,204,204); padding-left:1ex">
If the student can indeed read Italian, there is an entire book on Sono <br clear="none">
available, edited by Dario Tomasi and Franco Picollo:<br clear="none">
<a shape="rect" href="https://nam01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.amazon.it%2Fsignore-del-caos-Sono-Sion%2Fdp%2F8896989418%2F&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160827499&sdata=aoFv5lLegXnCeHsGDQEZ9olFhR9UIfgRUokB%2BzxWzOM%3D&reserved=0" originalsrc="https://www.amazon.it/signore-del-caos-Sono-Sion/dp/8896989418/" shash="lnFL6HODOc3QGBAMip/Bn17X/o+G4e0F9jIUSF2+P2v+0TWywKiXbQCFx8iUBK8H3CurRYcoFmG4Bj7XMVhrDVpzBiK8qaaN/3M/mWrgm+QVCLdSf7phCWHQl0Oe48tYazr7PIbWd5Qcrm+xh9tUTxKXHIkQ2UgIYY+Ty+guDOs=" rel="nofollow" target="_blank" id="LPlnk715130" class="OWAAutoLink" previewremoved="true">https://www.amazon.it/signore-del-caos-Sono-Sion/dp/8896989418/</a><br clear="none">
<br clear="none">
Best,<br clear="none">
Tom<br clear="none">
<br clear="none">
On 19-06-19 18:11, Roger Macy via KineJapan wrote:<br clear="none">
> Dear Almir,<br clear="none">
> Just a couple of pointers, although there must be many more..<br clear="none">
> A couple of his films were reviewed on Midnight Eye<br clear="none">
> <a shape="rect" href="https://nam01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.midnighteye.com%2Freviews%2Fstrange-circus%2F&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160837496&sdata=eGHV76rnhFMhRWKb9qVaHEAiEqZSfpcssqMskGl5GK8%3D&reserved=0" originalsrc="http://www.midnighteye.com/reviews/strange-circus/" shash="o9LwtCq+C3ETgpS7qtiPdO6coTXfosKAtVUBCrG31fbZs7RH7OgVxr4dHVArOi78YxWlKg82L7BmwTSEi0cwsJfmJEXGUMUSC2Mr+r93/Ek7Ap0M3QLXjJeNqe+mbyeIeUb7QPFRD16aj7ZM0/I+Vp5wPBgx8xitaP79HZaz1s4=" rel="nofollow" target="_blank" id="LPlnk462799" class="OWAAutoLink" previewremoved="true">
http://www.midnighteye.com/reviews/strange-circus/</a><br clear="none">
><br clear="none">
> <a shape="rect" href="https://nam01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.midnighteye.com%2Freviews%2Fsuicide-club%2F&data=02%7C01%7Crdavis%40fullerton.edu%7C3d8f951ea67845cb890308d6f506a0aa%7C82c0b871335f4b5c9ed0a4a23565a79b%7C0%7C0%7C636965806160837496&sdata=p%2FeIqXrua7UQiZ5U8YuKxOi30CzKjVU%2FNTiT361D2t0%3D&reserved=0" originalsrc="http://www.midnighteye.com/reviews/suicide-club/" shash="N9cWRWxLB5FXd7GYpseUYauwJS74kKvKLuy/NpfHf6IEWAEnO3SkKdsgNjHRnnwFNfoK1m20oMHZyttcHeX+GZ3wgRCm1TGWMQBWCtFnPYdYJHPpeRzWPyiF9e8QJgjvNJjuYi5EiV60/mBV//q8Ciibty98QPoXyknf2OM4t/o=" rel="nofollow" target="_blank" id="LPlnk559598" class="OWAAutoLink" previewremoved="true">
http://www.midnighteye.com/reviews/suicide-club/</a><br clear="none">
><br clear="none">
> And can your student read italian ? There's a short chapter by Matteo <br clear="none">
> Boscarol in Nihon Eiga- Storia del Cinema Giapponese 1970 al 2010, as <br clear="none">
> well as 2 pages on 'Love Exposure'.<br clear="none">
> Roger<br clear="none">
><br clear="none">
><br clear="none">
><br clear="none">
><br clear="none">
><br clear="none">
> On Tuesday, 18 June 2019, 13:38:01 BST, Almir Almas via KineJapan <br clear="none">
> <<a shape="rect" href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank" id="LPlnk376842" class="OWAAutoLink" previewremoved="true">kinejapan@mailman.yale.edu</a>> wrote:<br clear="none">
><br clear="none">
><br clear="none">
> Dear all of you, here at the University of São Paulo, Brazil, my <br clear="none">
> undergraduate student, who I am advising in the final course work, is <br clear="none">
> writing a research on Shion Sono.<br clear="none">
><br clear="none">
> Please, would anyone have some bibliographic tips, such as film <br clear="none">
> studies, articles, books, digital links, or others, about his work <br clear="none">
> (cinematographic, videographic, television, poetry, etc)?<br clear="none">
><br clear="none">
> My student attends the Superior Course of Audiovisual, Department of <br clear="none">
> Cinema, Radio and Television, School of Communications and Arts of the <br clear="none">
> University of São Paulo.<br clear="none">
><br clear="none">
> If there is someone, please, could you give me tips? This can be in <br clear="none">
> private also, please: <a shape="rect" href="mailto:alalmas@gmail.com" rel="nofollow" target="_blank" id="LPlnk510383" class="OWAAutoLink" previewremoved="true">
alalmas@gmail.com</a> <mailto:<a shape="rect" href="mailto:alalmas@gmail.com" rel="nofollow" target="_blank" id="LPlnk633305" class="OWAAutoLink" previewremoved="true">alalmas@gmail.com</a>>.<br clear="none">
><br clear="none">
><br clear="none">
> *--*<br clear="none">
><br clear="none">
> *Almir Almas (Ph.D)*<br clear="none">
><br clear="none">
> *Head of Department - **Chefe de Departamento*<br clear="none">
><br clear="none">
> *Department of Film, Radio and Television - **Departamento de Cinema, <br clear="none">
> Rádio e Televisão*<br clear="none">
><br clear="none">
> *Escola de Comunicações e Artes - **School of Communications and Arts*<br clear="none">
><br clear="none">
> *Universidade de São Paulo - **University of Sao Paulo.*<br clear="none">
> <a shape="rect" href="mailto:alalmas@usp.br" rel="nofollow" target="_blank" id="LPlnk332380" class="OWAAutoLink" previewremoved="true">
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