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<div dir="ltr" data-setdir="false">I've just had notice of a screening of Shusenjo tomorrow in London at UCL then elsewhere in the UK.</div><div dir="ltr" data-setdir="false"><a href="https://www.eventbrite.co.uk/e/shusenjo-film-screening-with-a-qa-with-the-director-miki-dezaki-tickets-77508852063" rel="nofollow" target="_blank" class="">https://www.eventbrite.co.uk/e/shusenjo-film-screening-with-a-qa-with-the-director-miki-dezaki-tickets-77508852063</a></div><div dir="ltr" data-setdir="false">Roger<br></div><div><br></div><div><br></div><div><br></div>
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On Wednesday, 6 November 2019, 23:33:51 GMT+9, Gerow Aaron via KineJapan <kinejapan@mailman.yale.edu> wrote:
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<div><div dir="ltr">The director/screenwriter Junichi Inoue discusses in an interview the threats to Japanese cinema posed by recent government actions against Shusenjo and other art works. <br clear="none"><br clear="none"><a shape="rect" href="https://wezz-y.com/archives/70303" rel="nofollow" target="_blank">https://wezz-y.com/archives/70303</a><div class="ydpc2dd101dyqt8000123687" id="ydpc2dd101dyqtfd31485"><br clear="none">_______________________________________________<br clear="none">KineJapan mailing list<br clear="none"><a shape="rect" href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br clear="none"><a shape="rect" href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br clear="none"></div></div></div>
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