<div dir="ltr">Apologies for not responding individually, but since you brought up Gogoanime I feel that I should mention to the group that it's not a "legitimate" site for streaming animation. (In other words, they don't have the rights to stream what they do and none of their revenue goes back to the original creators / localizers / translators / etc.) As film fans and scholars, I'm sure that many of us have accessed perhaps-not-quite-legal ways of getting what we needed to have in times of need, but I wouldn't feel right directing any students to a site like that.<div><br></div><div>== Brian </div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Mon, Mar 23, 2020 at 3:24 AM Katherine Mezur via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div><div style="font-family:"times new roman","new york",times,serif;font-size:13px"><div><div dir="ltr">Dear All,</div><div dir="ltr">I hope you are all well as can be in our current stay-home restrictions. Sorry if this is an old question. I am teaching all my classes on line as many of you probably are doing now as well. I am looking for your recommendations for Japanese, Korean, PRC, Hong Kong or Taiwanese animation online streaming sources. I know gogoanime, which is good for series but spotty streaming. I also would like to know what source you use for performing arts (contemporary and traditional) and best source for Japanese docs and films (with subtitles as I teach those who most often are bilingual Spanish/English and many Mandarin/English speaking). Please just contact me individually so we don't fill up the text-waves. Many thanks as I shift my classes from live encounters to screened "present-ness."</div><div dir="ltr">Very Best Wishes,</div><div dir="ltr">Katherine Mezur</div><div><br></div><div><div style="font-family:"new times",serif;font-size:13px"><div id="gmail-m_-8990638884635292929ydpcef79b38yui_3_16_0_ym19_1_1513825513560_8729"><br></div><div id="gmail-m_-8990638884635292929ydpcef79b38yui_3_16_0_ym19_1_1513825513560_8729"><font size="3" id="gmail-m_-8990638884635292929ydpcef79b38yui_3_16_0_ym19_1_1513825513560_10188"><br></font><div id="gmail-m_-8990638884635292929ydpcef79b38yui_3_16_0_ym19_1_1513825513560_10135"><div style="margin-top:0.1em;margin-bottom:0.1em;padding:0px">Katherine Mezur, PhD</div><div style="margin-top:0.1em;margin-bottom:0.1em;padding:0px">Lecturer</div><div style="margin-top:0.1em;margin-bottom:0.1em;padding:0px" dir="ltr">Department of Comparative Literature</div><div style="margin-top:0.1em;margin-bottom:0.1em;padding:0px">University of California, Berkeley</div><div style="margin-top:0.1em;margin-bottom:0.1em;padding:0px"><br></div><div style="margin-top:0.1em;margin-bottom:0.1em;padding:0px">1100 Miller Ave. Berkeley, CA 94708 </div></div><div id="gmail-m_-8990638884635292929ydpcef79b38yui_3_16_0_ym19_1_1513825513560_10134"><br></div></div></div></div></div></div></div>_______________________________________________<br>
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