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<p class="ydp843a075dMsoNormal"><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold;mso-bidi-font-style:italic">Hi, Alastair,</span></p>
<p class="ydp843a075dMsoNormal" style="margin-top:6.0pt;layout-grid-mode:char;mso-layout-grid-align:none"><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold;mso-bidi-font-style:italic">You don’t mention whether he’s found anything
yet, so I can give a few basic leads. I’m sure he’s already looked up the entry
in Alex’s <i>A Critical Handbook of Japanese Film Directors</i></span><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">.</span></p>
<p class="ydp843a075dMsoNormal" style="margin-top:6.0pt;layout-grid-mode:char;mso-layout-grid-align:none"><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold;mso-bidi-font-style:italic">Donald Richie’s , 1987, <i>Different People</i></span><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">
mentions Obayashi in the chapter on <span>’Oshima’;</span></span></p>
<p class="ydp843a075dMsoNormal" style="margin-top:6.0pt;layout-grid-mode:char;mso-layout-grid-align:none"><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">Paul Roquet, 2010, has a whole essay on him, ‘Unhinged Desire (At home
with Obayashi)’, essay in Master of Cinema booklet in the <i>House</i> DVD , developed
from his ‘Nobuhiko Obayashi, Vagabond of Time’, 2009 at </span><span style="mso-bidi-font-family:Arial;color:#007A00;mso-bidi-font-weight:bold"><a href="http://www.midnighteye.com/features/nobuhiko-obayashi-vagabond-of-time/" rel="nofollow" target="_blank" class="enhancr_card_6574426099">Midnight
Eye</a></span></p><div><br></div><div id="ydp428aaa38enhancr_card_6574426099" class="ydp428aaa38yahoo-link-enhancr-card ydp428aaa38ymail-preserve-class ydp428aaa38ymail-preserve-style" style="max-width:400px;font-family:Helvetica Neue, Segoe UI, Helvetica, Arial, sans-serif" data-url="http://www.midnighteye.com/features/nobuhiko-obayashi-vagabond-of-time/" data-type="YENHANCER" data-size="MEDIUM" contenteditable="false"><a href="http://www.midnighteye.com/features/nobuhiko-obayashi-vagabond-of-time/" style="text-decoration-line: none !important; text-decoration-style: solid !important; text-decoration-color: currentcolor !important; color: rgb(0, 0, 0) !important;" class="ydp428aaa38yahoo-enhancr-cardlink" rel="nofollow" target="_blank"><table class="ydp428aaa38card-wrapper ydp428aaa38yahoo-ignore-table" style="max-width:400px" cellspacing="0" cellpadding="0" border="0"><tbody><tr><td width="400"><table class="ydp428aaa38card ydp428aaa38yahoo-ignore-table" style="max-width:400px;border-width:1px;border-style:solid;border-color:rgb(224, 228, 233);border-radius:2px" width="100%" cellspacing="0" cellpadding="0" border="0"><tbody><tr><td class="ydp428aaa38card-primary-image-cell" style="background-color: rgb(0, 0, 0); background-repeat: no-repeat; background-size: cover; position: relative; border-radius: 2px 2px 0px 0px; min-height: 175px;" valign="top" height="175" bgcolor="#000000" background="https://s.yimg.com/lo/api/res/1.2/KVwBq.Inchjw7ru.HKTIuA--~A/Zmk9ZmlsbDt3PTQwMDtoPTIwMDthcHBpZD1pZXh0cmFjdA--/http://images.midnighteye.com/features/headers/nobuhiko-obayashi-vagabond-of-time.jpg.cf.jpg"><!--[if gte mso 9]><v:rect fill="true" stroke="false" style="width:396px;height:175px;position:absolute;top:0;left:0;"><v:fill type="frame" color="#000000" src="https://s.yimg.com/lo/api/res/1.2/KVwBq.Inchjw7ru.HKTIuA--~A/Zmk9ZmlsbDt3PTQwMDtoPTIwMDthcHBpZD1pZXh0cmFjdA--/http://images.midnighteye.com/features/headers/nobuhiko-obayashi-vagabond-of-time.jpg.cf.jpg"/></v:rect><![endif]--><table class="ydp428aaa38card-overlay-container-table ydp428aaa38yahoo-ignore-table" style="width:100%" cellspacing="0" cellpadding="0" border="0"><tbody><tr><td class="ydp428aaa38card-overlay-cell" style="background-color: transparent; border-radius: 2px 2px 0px 0px; min-height: 175px;" valign="top" bgcolor="transparent" background="https://s.yimg.com/cv/ae/nq/storm/assets/enhancrV21/1/enhancr_gradient-400x175.png"><!--[if gte mso 9]><v:rect fill="true" stroke="false" style="width:396px;height:175px;position:absolute;top:-18px;left:0;"><v:fill type="pattern" color="#000000" src="https://s.yimg.com/cv/ae/nq/storm/assets/enhancrV21/1/enhancr_gradient-400x175.png"/><v:textbox inset="0,0,20px,0"><![endif]--><table class="ydp428aaa38yahoo-ignore-table" style="width: 100%; min-height: 175px;" height="175" border="0"><tbody><tr><td class="ydp428aaa38card-richInfo2" style="text-align:left;padding:15px 0 0 15px;vertical-align:top"></td><td class="ydp428aaa38card-actions" style="text-align:right;padding:15px 15px 0 0;vertical-align:top"><div class="ydp428aaa38card-share-container"></div></td></tr></tbody></table><!--[if gte mso 9]></v:textbox></v:rect><![endif]--></td></tr></tbody></table></td></tr><tr><td><table class="ydp428aaa38card-info ydp428aaa38yahoo-ignore-table" style="background-color: rgb(255, 255, 255); background-repeat: repeat; background-attachment: scroll; background-image: none; background-size: auto; position: relative; z-index: 2; width: 100%; max-width: 400px; border-radius: 0px 0px 2px 2px; border-top: 1px solid rgb(224, 228, 233);" cellspacing="0" cellpadding="0" border="0" align="center"><tbody><tr><td style="background-color:#ffffff;padding:16px 0 16px 12px;vertical-align:top;border-radius:0 0 0 2px"></td><td style="vertical-align:middle;padding:12px 24px 16px 12px;width:99%;font-family:Helvetica Neue, Segoe UI, Helvetica, Arial, sans-serif;border-radius:0 0 2px 0"><h2 class="ydp428aaa38card-title" style="font-size: 14px; line-height: 19px; margin: 0px 0px 6px; font-family: Helvetica Neue, Segoe UI, Helvetica, Arial, sans-serif; color: rgb(38, 40, 42); max-width: 314px;">Midnight Eye feature: Nobuhiko Obayashi, Vagabond of Time</h2><p class="ydp428aaa38card-description" style="font-size: 12px; line-height: 16px; margin: 0px; color: rgb(151, 155, 167);">In Japan, he is the director of such perennial favorites as House and The Girl Who Leapt Through Time. In the re...</p></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></a></div><div><br></div><div><br></div><p></p>
<p class="ydp843a075dMsoNormal" style="margin-top:6.0pt;layout-grid-mode:char;mso-layout-grid-align:none"><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">Obayashi’s films have also been frequent at festivals, such as Nippon
Connection, whose catalogues are generally online. In particular, </span><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-style:italic">Mark Schilling
mentions Obayashi <span></span>in the FEFF publications, </span><i><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">Beyond <span>Godzilla: Alternative Futures and Fantasies in Japanese Cinema</span></span></i><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">, 2016,
and also at </span><i><span style="font-size:11.0pt;mso-bidi-font-family: Arial;color:black">Asia</span></i><i><span style="font-size:11.0pt;mso-bidi-font-family:Arial;color:black"> Sings! A Survey of Asian Musical Films</span></i><span style="font-size:11.0pt;mso-bidi-font-family:Arial;color:black">, GARCIA,
Roger, ed., 2006,</span><i><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold"> </span></i><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold;mso-bidi-font-style:italic">p131</span><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">. They’re printed books which I could
look at, if he needs it.</span></p>
<p class="ydp843a075dMsoNormal" style="margin-top:6.0pt;layout-grid-mode:char;mso-layout-grid-align:none"><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">Jorg also referred to <i>Riyū</i>, 2004, on KineJapan on </span><span style="mso-bidi-font-family:Arial; color:black;mso-bidi-font-weight:bold">1<sup>st</sup> March 2017</span><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">.</span></p>
<p class="ydp843a075dMsoNormal" style="margin-top:3.0pt;layout-grid-mode:char;mso-layout-grid-align:none"><span style="mso-bidi-font-family:Arial;color:black;mso-bidi-font-weight:bold">Roger</span></p>
<p class="ydp843a075dMsoNormal" style="margin-top:3.0pt;layout-grid-mode:char;mso-layout-grid-align:none"><span style="mso-bidi-font-family:Arial;color:#007A00;mso-bidi-font-weight:bold">.</span><span style="font-family:MS Mincho;mso-bidi-font-family:PMingLiU;color:#007A00;mso-fareast-language:JA"></span></p>
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On Saturday, 4 April 2020, 08:19:06 BST, Phillips, Alastair via KineJapan <kinejapan@mailman.yale.edu> wrote:
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Hello everyone,</div>
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I have a Masters student writing his dissertation on Obayashi Nobuhiko. </div>
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As you know, we are in total lockdown in the UK and so I was wondering in the first place if anyone knows of any accessible online English language resources or then, for a future date, any accessible print resources.</div>
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Any help appreciated!</div>
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All best wishes,</div>
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Alastair</div>
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<span style="font-family:'Courier New';font-size:10pt;">Professor Alastair Phillips<br>
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<span style="font-family:'Courier New';font-size:10pt;">Department of Film and Television Studies<br>
Millburn House<br>
University of Warwick<br>
Coventry<br>
CV4 7HS<br>
UK<br>
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T: 02476 522434<br>
E: <a href="mailto:Alastair.Phillips@warwick.ac.uk" rel="nofollow" target="_blank">Alastair.Phillips@warwick.ac.uk</a><br>
W: <a href="https://mywebmail.warwick.ac.uk/exchweb/bin/redir.asp?URL=http://www2.warwick.ac.uk/fac/arts/film/staff/phillips/" rel="nofollow" target="_blank">
http://www2.warwick.ac.uk/fac/arts/film/staff/phillips/</a></span></p>
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