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<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US">Dear Roger,<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US">Thanks, this is also a good piece of information!<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US">Terayama died in 1983 and the film was released in 1984, coming to Cannes in 1985. So it is impossible that Terayama was present in that hypothetical screening in Cannes. We would have
here a funny and surreal story say of both authors…<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US">Does anyone know, then, the extent to which the editing belongs to Terayama, did he give indications to Yamaji Sachiko for this?<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US">Best,<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
<div>
<p class="MsoNormal"><span style="font-size:12.0pt;color:black"><img width="265" height="122" style="width:2.7604in;height:1.2708in" id="Imagen_x0020_1" src="cid:image001.jpg@01D623CA.5CDA3AA0"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:9.0pt;font-family:"Gill Sans MT",sans-serif;color:#E20000">Lorenzo J. Torres Hortelano </span></b><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:9.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Vicedecano de Extensión Universitaria y Relaciones Internacionales</span></b><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-size:9.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Vice-Dean of University Extension and International Relations</span></b><span lang="EN-GB" style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Profesor Titular/Professor</span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Facultad de Ciencias de la Comunicación </span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Departamento de Ciencias de la Comunicación y Sociología </span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Universidad Rey Juan Carlos</span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Edificio de Gestión - Decanato</span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">Camino del Molino s/n, 28943 Fuenlabrada </span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">+34 91 488 73 11</span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><a href="mailto:lorenzojavier.torres.hortelano@urjc.es" target="_blank"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#0563C1">lorenzojavier.torres.hortelano@urjc.es</span></a><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">
<o:p></o:p></span></p>
<p class="MsoNormal"><a href="https://gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano"><span style="font-size:8.0pt">gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano</span></a><span style="font-size:8.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><a href="https://www.researchgate.net/profile/Lorenzo_Torres"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif">researchgate.net/profile/Lorenzo_Torres</span></a><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:black">
<o:p></o:p></span></p>
<p class="MsoNormal"><a href="https://urjc.academia.edu/ljtorres" target="_blank"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#0563C1">Lorenzo Torres Academia.edu</span></a><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal"><span style="mso-fareast-language:EN-US"><o:p> </o:p></span></p>
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<p class="MsoNormal"><b>De:</b> KineJapan <kinejapan-bounces@mailman.yale.edu> <b>
En nombre de </b>Roger Macy via KineJapan<br>
<b>Enviado el:</b> miércoles, 6 de mayo de 2020 13:57<br>
<b>Para:</b> Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>CC:</b> Roger Macy <macyroger@yahoo.co.uk><br>
<b>Asunto:</b> Re: [KineJapan] Terayama on García Márquez<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="ydp23e753acmsonormal" style="margin-top:6.0pt;layout-grid-mode:char"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica Neue",serif">Dear Lorenzo and Steve,<o:p></o:p></span></p>
<p class="ydp23e753acmsonormal" style="margin-top:6.0pt;layout-grid-mode:char"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica Neue",serif">I contacted Tony Rayns when I saw this question, due to his dealings and knowledge of Terayama, and
he kindly offered this :-<o:p></o:p></span></p>
<p class="ydp23e753acmsonormal" style="mso-margin-top-alt:6.0pt;margin-right:17.0pt;margin-bottom:0cm;margin-left:17.0pt;margin-bottom:.0001pt;layout-grid-mode:char">
<span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica Neue",serif">About
<i>Saraba Hakobune</i>: I saw Terayama's three-ring-circus of a stage production in Tokyo (it took place on three widely distanced stages set up in a cavernous warehouse on Tokyo Bay), which the film derives from, and I did ask Terayama if he'd formally acquired
the rights to adapt Garcia Marquez -- since the play was still called <i>100 Years of Solitude</i>. He told me that he did clear it with the publisher of the Japanese translation, which was probably true.
<o:p></o:p></span></p>
<p class="ydp23e753acmsonormal" style="mso-margin-top-alt:6.0pt;margin-right:17.0pt;margin-bottom:0cm;margin-left:17.0pt;margin-bottom:.0001pt;layout-grid-mode:char">
<span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica Neue",serif">I never asked Madame Govaers about the film rights, so I never heard the anecdote which Prof Bordwell's colleague Steve Ridgely reports. It rings true to me that Govaers would have
shown the film to Garcia Marquez and asked his permission, but it's <u>not possible</u> that Terayama was present because his nephritis killed him in the very early stages of the post-production. Terayama would probably have wanted to keep Garcia Marquez's
title, and the money-minded Govaers would <u>definitely</u> have wanted to market Terayama's last film as
<i>100 Years of Solitude. </i>It also rings true that Garcia Marquez (always famously cagey about film adaptations of his work) would have judged the film a very free adaptation and asked for a title change. Incidentally, the film's post-production wasn't
finished until nearly a year after Terayama's death. <o:p></o:p></span></p>
<p class="ydp23e753acmsonormal" style="margin-top:6.0pt;layout-grid-mode:char"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica Neue",serif">Roger<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica Neue",serif"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica Neue",serif"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">On Tuesday, 5 May 2020, 19:32:05 BST, Steve Ridgely via KineJapan <</span><a href="mailto:kinejapan@mailman.yale.edu"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif">kinejapan@mailman.yale.edu</span></a><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">>
wrote: <o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">Hi Lorenzo,
<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">I asked Hiroko Govaers about this when I interviewed her in Paris (summer of 2002). She said that she and Terayama screened the film that would
be released as Saraba hakobune before Cannes for García Márquez (I think in her apartment) as a way of asking his permission to use the title of his novel. But he felt that the narrative was too much of a departure, and asked them to release it under a different
name. She presented it to me as an amicable exchange.<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">Steve Ridgely<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">UW-Madison<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A"><o:p> </o:p></span></p>
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<blockquote style="margin-top:5.0pt;margin-bottom:5.0pt">
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">On May 5, 2020, at 12:05 PM, Lorenzo Javier Torres Hortelano via KineJapan <</span><a href="mailto:kinejapan@mailman.yale.edu" target="_blank"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif">kinejapan@mailman.yale.edu</span></a><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A">>
wrote:<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica Neue",serif;color:#26282A"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A">Dear friends,</span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A"> </span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A">I’m writing an article on the Terayama’s film adaptation on García Márquez’</span></span><span class="ydpcf3681byiv0657914253apple-converted-space"><span lang="EN-GB" style="color:#26282A"> </span></span><span class="ydpcf3681byiv0657914253"><i><span lang="EN-GB" style="color:#26282A">Cien
años de soledad</span></i></span><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A">.</span></span><span class="ydpcf3681byiv0657914253apple-converted-space"><span lang="EN-GB" style="color:#26282A"> </span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A"> </span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A">It is a very free and unknown adaptation and, apparently, Terayama did not ask the Colombian for permission, or did he not like the result: do you know any reliable
sources that clarify the subject?</span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A"> </span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A">Thank you in advance and encouragement with the pandemic,</span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A"> </span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A"> </span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span lang="EN-GB" style="color:#26282A"> </span></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:12.0pt;color:#26282A"><image001.jpg></span></span><span class="ydpcf3681byiv0657914253"><span style="font-size:12.0pt"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><b><span style="font-size:9.0pt;font-family:"Gill Sans MT",sans-serif;color:#E20000">Lorenzo J. Torres Hortelano </span></b></span><o:p></o:p></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><b><span style="font-size:9.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Vicedecano de Extensión Universitaria y Relaciones Internacionales</span></b></span><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><b><span lang="EN-US" style="font-size:9.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Vice-Dean of University Extension and International Relations</span></b></span><span lang="EN-GB" style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Profesor Titular/Professor</span></span><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Facultad de Ciencias de la Comunicación </span></span><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Departamento de Ciencias de la Comunicación y Sociología </span></span><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Universidad Rey Juan Carlos</span></span><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Edificio de Gestión - Decanato</span></span><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">Camino del Molino s/n, 28943 Fuenlabrada </span></span><span style="color:#26282A"><o:p></o:p></span></p>
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<div>
<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#26282A">+34 91 488 73 11</span></span><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><a href="mailto:lorenzojavier.torres.hortelano@urjc.es" target="_blank"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#0563C1">lorenzojavier.torres.hortelano@urjc.es</span></span></a><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><a href="https://gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano" target="_blank"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt">gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano</span></span></a><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><a href="https://www.researchgate.net/profile/Lorenzo_Torres" target="_blank"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif">researchgate.net/profile/Lorenzo_Torres</span></span></a><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><a href="https://urjc.academia.edu/ljtorres" target="_blank"><span class="ydpcf3681byiv0657914253"><span style="font-size:8.0pt;font-family:"Gill Sans MT",sans-serif;color:#0563C1">Lorenzo Torres Academia.edu</span></span></a><span style="color:#26282A"><o:p></o:p></span></p>
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<p class="MsoNormal"><span class="ydpcf3681byiv0657914253"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#26282A">_______________________________________________</span></span><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#26282A"><br>
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