<div dir="ltr">I'm very glad Kazu wrote this piece, despite the fact that this will expose him to a hefty amount of online abuse (he recently privated his twitter account in preparation). The game studio Sucker Punch's marketing for Ghost of Tsushima relies heavily on its adherence to a certain kind of authenticity ("we photoscanned leaves from Tsushima! we invited Real Life Samurai to our studio!") without, it seems, a consideration for the stakes of history.</div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Thu, Jul 23, 2020 at 3:55 PM Markus Nornes via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="auto">Here is a decent review by Kazuma Hashimoto of the new game that trades on the Kurosawa name. I closest I have come to this is the online trailer. Ironically, the “Kurosawa Mode” is just black and white, while a few of the color bits included are direct quotes of Kagemusha. This review suggests the game is pretty much what you’d expect:</div><div dir="auto"><br></div><div dir="auto">“<span style="font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif;font-size:18px;background-color:rgb(248,248,246);color:rgb(0,0,0)"> A game that so heavily carries itself on the laurels of one of the most prolific Japanese filmmakers should investigate and reflect on his work in the same way that the audience engages with other pieces of media like film and literature. What is the intent of the creator versus the work’s broader meaning in relation to current events, or the history of the culture that is ultimately serving as a backdrop to yet another open-world romp? And how do these things intertwine and create something that can flirt on an edge of misunderstanding? </span><span style="box-sizing:border-box;vertical-align:inherit;font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif;font-size:18px;font-style:italic;line-height:inherit;margin:0px;padding:0px;color:rgb(0,0,0)">Ghost of Tsushima</span><span style="font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif;font-size:18px;background-color:rgb(248,248,246);color:rgb(0,0,0)">is a surface-level reflection of these questions and quandaries, sporting a lens through which to experience Kurosawa, but not to understand his work. It ultimately doesn’t deal with the politics of the country it uses as a backdrop. For the makers of the game, recreating Kurosawa is just black and white.”</span></div><div dir="auto"><span style="font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif;font-size:18px;background-color:rgb(248,248,246);color:rgb(0,0,0)"><br></span></div><div dir="auto"><span style="font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif;font-size:18px;background-color:rgb(248,248,246);color:rgb(0,0,0)"><div style="font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif"><a href="https://www.polygon.com/2020/7/23/21333631/ghost-of-tsushima-kurosawa-films-samurai-japan-abe-politics" target="_blank">https://www.polygon.com/2020/7/23/21333631/ghost-of-tsushima-kurosawa-films-samurai-japan-abe-politics</a></div><div style="font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif" dir="auto"><br></div><div style="font-family:"Mercury SSm A","Mercury SSm B",Helvetica,sans-serif" dir="auto">Markus</div><br></span></div><div dir="auto"><br></div><div dir="auto"><br></div><div dir="auto"><br></div>-- <br><div dir="ltr"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><span style="color:rgb(136,136,136)">--- </span></div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b><img src="https://drive.google.com/a/umich.edu/uc?id=1i0izwlsrcSvQgU4nMCzTLiOhmdDMm-xZ&export=download" width="56" height="96"><br></b></font></div><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b>Markus Nornes</b></font></div><div style="font-size:small"><span style="font-family:"courier new",monospace"><font color="#38761d"><b>Professor of Asian Cinema</b></font></span></div><div><font size="1" color="#38761d"><font face="courier new, monospace">Department of Film, Television and Media</font><span style="font-family:"courier new",monospace">, Department of Asian Languages and Cultures, Penny Stamps </span><span style="font-family:"courier new",monospace">School of Art & Design</span></font></div><div style="color:rgb(136,136,136);font-size:small"><font face="courier new, monospace" color="#6aa84f"><br></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>Department of Film, Television and Media</b></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>6348 North Quad</b></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>105 S. State Street</b></font></div><div><font face="courier new, monospace" size="1" color="#93c47d"><b>Ann Arbor, MI 48109-1285</b></font></div><div style="color:rgb(136,136,136)"><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>
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</blockquote></div><br clear="all"><div><br></div>-- <br><div dir="ltr" class="gmail_signature"><div dir="ltr"><div dir="ltr" style="color:rgb(136,136,136);font-family:arial"><i><font face="georgia, serif">Keung Yoon "Becky" Bae</font></i><div><i><font face="georgia, serif">PhD Student, East Asian Languages and Civilizations</font></i></div><div><i><font face="georgia, serif">Graduate School of Arts and Sciences, Harvard University</font></i></div><div><i><font face="georgia, serif">Cambridge, MA</font></i></div></div></div></div>