<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class="">Thanks very much for the reply. I’ll look for an online copy of the Sugiyama text via CiNii / WebCat. 日本戦前映画論集 too looks like an essential read. <br class=""><div class="">
<div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><br class=""><br class=""><br class=""><br class=""><br class="">Shayne Bowden BA, MA (USYD)<br class="">--------------------------------------------<br class="">director of deterra <br class=""><a href="http://www.deterra8.com" class="">www.deterra8.com</a><br class="">--------------------------------------------<br class="">PhD Candidate<br class="">School of Languages and Cultures<br class="">Faculty of Arts and Social Sciences <br class="">The University of Sydney <br class="">--------------------------------------------<br class="">shayne bowden blog<br class="">shaynebowden8.blogspot.com</div><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><br class=""></div><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><br class=""></div></div></div></div><div><blockquote type="cite" class=""><div class=""><div class=""><br class=""><br class="">Today's Topics:<br class=""><br class=""> 1. On Framing and Japanese Film Theory (shayne bowden)<br class=""> 2. Re: On Framing and Japanese Film Theory (Gerow Aaron)<br class=""> 3. sometime, Paris (Roger Macy)<br class=""><br class=""><br class="">----------------------------------------------------------------------<br class=""><br class="">Message: 1<br class="">Date: Thu, 15 Oct 2020 16:49:00 +0900<br class="">From: shayne bowden <<a href="mailto:swb8@gol.com" class="">swb8@gol.com</a>><br class="">To: <a href="mailto:kinejapan@mailman.yale.edu" class="">kinejapan@mailman.yale.edu</a><br class="">Subject: [KineJapan] On Framing and Japanese Film Theory<br class="">Message-ID: <<a href="mailto:D1FF1A66-3E75-4150-8661-F763B5035D08@gol.com" class="">D1FF1A66-3E75-4150-8661-F763B5035D08@gol.com</a>><br class="">Content-Type: text/plain;<span class="Apple-tab-span" style="white-space:pre"> </span>charset=us-ascii<br class=""><br class="">Hi<br class=""><br class="">I was hoping that you might have some leads on cinematic framing and how it has been interpreted by Japanese film theorists and historians. Does anyone know of any instances where this has been discussed within film studies in Japan?<br class=""><br class="">Thanks<br class=""><br class="">Shayne Bowden<br class=""><br class=""><br class=""><br class="">------------------------------<br class=""><br class="">Message: 2<br class="">Date: Thu, 15 Oct 2020 09:44:39 -0400<br class="">From: Gerow Aaron <<a href="mailto:aaron.gerow@yale.edu" class="">aaron.gerow@yale.edu</a>><br class="">To: Japanese Cinema Discussion Forum <<a href="mailto:kinejapan@mailman.yale.edu" class="">kinejapan@mailman.yale.edu</a>><br class="">Subject: Re: [KineJapan] On Framing and Japanese Film Theory<br class="">Message-ID: <<a href="mailto:C1C7D81D-AF12-4EE6-9326-CD26561FD5AF@yale.edu" class="">C1C7D81D-AF12-4EE6-9326-CD26561FD5AF@yale.edu</a>><br class="">Content-Type: text/plain; charset="utf-8"<br class=""><br class="">Dear Shayne,<br class=""><br class="">Great to hear that you are looking at Japanese film theory. For framing, one place to start is Sugiyama Heiichi, who focuses on framing in his version of realist film theory. This is primarily in his book Eiga hyoronshu from 1941. We published excerpts of that in our Nihon sense eiga ronshu (2018). Naoki Yamamoto?s new book Dialectics without Synthesis also discuss Sugiyama and others at the time.<br class=""><br class="">Aaron Gerow<br class=""><br class=""><blockquote type="cite" class="">2020/10/15 ??3:49?shayne bowden via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" class="">kinejapan@mailman.yale.edu</a>>????:<br class=""><br class="">Hi<br class=""><br class="">I was hoping that you might have some leads on cinematic framing and how it has been interpreted by Japanese film theorists and historians. Does anyone know of any instances where this has been discussed within film studies in Japan?<br class=""><br class="">Thanks<br class=""><br class="">Shayne Bowden<br class=""><br class="">_______________________________________________<br class="">KineJapan mailing list<br class=""><a href="mailto:KineJapan@mailman.yale.edu" class="">KineJapan@mailman.yale.edu</a><br class="">https://mailman.yale.edu/mailman/listinfo/kinejapan<br class=""></blockquote><br class=""><br class=""><br class="">Aaron Gerow<br class="">Professor<br class="">Film and Media Studies Program/East Asian Languages and Literatures<br class="">Chair, East Asian Languages and Literatures<br class="">Yale University<br class="">143 Elm Street, Room 210<br class="">PO Box 208324<br class="">New Haven, CT 06520-8324<br class="">USA<br class="">Phone: 1-203-432-7082<br class="">Fax: 1-203-432-6729<br class=""><a href="mailto:aaron.gerow@yale.edu" class="">e-mail: aaron.gerow@yale.edu</a> <<a href="mailto:aaron.gerow@yale.edu" class="">mailto:aaron.gerow@yale.edu</a>><br class="">website: <a href="http://www.aarongerow.com" class="">www.aarongerow.com</a><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class=""><br class="">-------------- next part --------------<br class="">An HTML attachment was scrubbed...<br class="">URL: <<a href="http://mailman.yale.edu/pipermail/kinejapan/attachments/20201015/1811981c/attachment-0001.html" class="">http://mailman.yale.edu/pipermail/kinejapan/attachments/20201015/1811981c/attachment-0001.html</a>><br class=""><br class="">------------------------------<br class=""><br class="">Message: 3<br class="">Date: Fri, 16 Oct 2020 14:05:45 +0000 (UTC)<br class="">From: Roger Macy <<a href="mailto:macyroger@yahoo.co.uk" class="">macyroger@yahoo.co.uk</a>><br class="">To: KineJapan discussion forum <<a href="mailto:kinejapan@mailman.yale.edu" class="">kinejapan@mailman.yale.edu</a>><br class="">Subject: [KineJapan] sometime, Paris<br class="">Message-ID: <<a href="mailto:1156957503.361091.1602857145601@mail.yahoo.com" class="">1156957503.361091.1602857145601@mail.yahoo.com</a>><br class="">Content-Type: text/plain; charset="utf-8"<br class=""><br class=""><br class="">Dear All,<br class=""><br class="">I have heard from the curator, Wafa Ghermani, that the Shimizuretrospective in Paris has now beenpostponed for a second time.<br class=""><br class="">uncheerfully,<br class=""><br class="">Roger<br class=""><br class="">-------------- next part --------------<br class="">An HTML attachment was scrubbed...<br class="">URL: <<a href="http://mailman.yale.edu/pipermail/kinejapan/attachments/20201016/e9a32ac5/attachment.html" class="">http://mailman.yale.edu/pipermail/kinejapan/attachments/20201016/e9a32ac5/attachment.html</a>><br class=""><br class="">------------------------------<br class=""><br class="">Subject: Digest Footer<br class=""><br class="">_______________________________________________<br class="">KineJapan mailing list<br class=""><a href="mailto:KineJapan@mailman.yale.edu" class="">KineJapan@mailman.yale.edu</a><br class="">https://mailman.yale.edu/mailman/listinfo/kinejapan<br class=""><br class=""><br class="">------------------------------<br class=""><br class="">End of KineJapan Digest, Vol 29, Issue 5<br class="">****************************************<br class=""></div></div></blockquote></div><br class=""></body></html>