<div dir="ltr"><div>And of course, we mustn't forget that his wife, the star of Ichiban utsukushiku Yoko Yaguchi, was the woman's union leader and he notes she spent a lot of time arguing with him about his treatment of the actors during the filming. We really don't know enough about her -- born in Shanghai and obviously a woman of strong character. <br></div><div>Thank you for the article and photos! Lola</div><div><br></div><div><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div>Dr Lola Martinez<br></div><div>Reviews Editor, JRAI<br></div>Emeritus Reader, SOAS<br></div>Research Affiliate, ISCA, University of Oxford<br><div><br></div></div></div></div></div></div></div></div><br></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Mon, 29 Mar 2021 at 18:31, Maria Jose Gonzalez <<a href="mailto:tkarsavina@yahoo.com">tkarsavina@yahoo.com</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div><div style="font-family:Helvetica Neue,Helvetica,Arial,sans-serif;font-size:16px"><div></div>
<div dir="ltr">Of course, one of the great influences on Kurosawa's film were the (postwar) Toho Labour Disputes and their corresponding strikes:</div><div dir="ltr"><a href="http://zip2000.server-shared.com/tohosougi.htm" rel="noreferrer noopener" target="_blank">http://zip2000.server-shared.com/tohosougi.htm</a><br></div><div dir="ltr"><br></div><div dir="ltr">The very last paragraph in the article states:</div><div dir="ltr"><i>Those days of tense fighting in the barricades left a strong impression on him (Kurosawa), as it was the only c</i><i>ombat experience he had been to. It is said that this impression was visualised in the famous film "The Seven Samurai".</i></div><div dir="ltr"><i><br></i></div><div dir="ltr">If you take a look at some of the strikes photos, there is certainly a resemblance with some Seven Samurai scenes (see attachments).</div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">María José González</div><div dir="ltr">Kwansei Gakuin University</div><div dir="ltr">Nishinomiya, Japan</div><div><br></div>
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On Monday, 29 March 2021, 07:13:50 PM GMT+9, Dolores Martinez <<a href="mailto:dm6@soas.ac.uk" target="_blank">dm6@soas.ac.uk</a>> wrote:
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<div><div id="gmail-m_-2162747917429425688yiv9601489117"><div>Just to note that Maria’s careful analysis adds another layer of meaning to the film as a postwar commentary: a samurai, perhaps even a law enforcer, was not able to protect his wife from a brigand, what does that say about Japan’s ‘great’ martial tradition? Think of shichinin no samurai and how difficult it is to get someone to protect the farmers and the revelation that the bandits are probably former samurai. Kurosawa never strayed far from his young leftist leanings (or as his great friend Honda put it when asked in a NHK documentary if it was true that Kurosawa had been a communist: Of course! We were all communists then!). The West had to gloss it as humanism, but it was a concern about structural injustice that was more to the left (but probably no longer Marxist) than that. Thank you Maria for your analysis and Lorenzo for asking the question. Lola <br clear="none"><br clear="none">On Monday, 29 March 2021, Maria Jose Gonzalez via KineJapan <<a shape="rect" href="mailto:kinejapan@mailman.yale.edu" rel="noreferrer noopener" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br clear="none"><div id="gmail-m_-2162747917429425688yiv9601489117yqt79941"><blockquote style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div><div style="font-family:Helvetica Neue,Helvetica,Arial,sans-serif;font-size:16px"><div></div>
<div>Hola Lorenzo.</div><div>Indeed, I speak Spanish (from Barcelona) and indeed cannot access the link.</div><div>;-)</div><div><br clear="none"></div><div>María José</div><div><br clear="none"></div>
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On Monday, 29 March 2021, 03:24:15 AM GMT+9, Lorenzo Javier Torres Hortelano <<a shape="rect" href="mailto:lorenzojavier.torres.hortelano@urjc.es" rel="noreferrer noopener" target="_blank">lorenzojavier.torres. hortelano@urjc.es</a>> wrote:
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<p><span style="font-family:serif" lang="EN-GB">Dear Mª José, this and the first email are very interesting, thanks. We have good material to reflect on!</span></p>
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<p><span style="font-family:serif" lang="EN-GB">In fact, you touch something I had already noticed, and that I reminded to my colleague: that Kanazawa is not a coward in the fight, no matter how much
Tajomaru's violence makes him very cautious, and several times, wields his sword to take down the bandit.</span></p>
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<p><span style="font-family:serif" lang="EN-GB">By your name maybe you can speak Spanish, in case you’re interested, here you have the first class session (of two; on 7 April will be the second):
<a shape="rect" href="https://www.youtube.com/watch?v=gMkFvJbDRU4&t=2771s" rel="noreferrer noopener" target="_blank">https://www.youtube.com/watch? v=gMkFvJbDRU4&t=2771s</a> Its has been banned in some countries as I use video fragments (Youtube…!), in case it is your case, please, tell me and I can give you a link
to my Onedrive -or to anyone who is interested and can understand Spanish.</span></p>
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<p><span style="font-family:serif" lang="EN-GB">Best,</span></p>
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<p><span style="font-size:12pt;font-family:serif;color:black"><img style="width: 2.7552in; min-height: 1.276in;" src="cid:1787f0bbe154ce8e91" width="265" height="123" border="0"></span></p>
<p><b><span style="font-size:9pt;font-family:serif;color:rgb(226,0,0)">Lorenzo J. Torres Hortelano </span></b><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><b><span style="font-size:9pt;font-family:serif;color:black">Vicedecano de Extensión Universitaria y Relaciones Internacionales</span></b><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><b><span style="font-size:9pt;font-family:serif;color:black" lang="EN-US">Vice-Dean of University Extension and International Relations</span></b><span style="font-size:12pt;font-family:serif;color:black" lang="EN-GB"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">Profesor Titular/Professor</span><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">Universidad Rey Juan Carlos</span><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">Facultad de Ciencias de la Comunicación </span><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">Departamento de Ciencias de la Comunicación y Sociología </span><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">Edificio de Gestión - Decanato</span><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">Camino del Molino s/n, 28943 Fuenlabrada </span><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">+34 91 488 73 11</span><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><a shape="rect" href="mailto:lorenzojavier.torres.hortelano@urjc.es" rel="noreferrer noopener" target="_blank"><span style="font-size:8pt;font-family:serif;color:rgb(5,99,193)">lorenzojavier.torres. hortelano@urjc.es</span></a><span style="font-size:8pt;font-family:serif;color:black">
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<p><a shape="rect" href="https://gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano" rel="noreferrer noopener" target="_blank"><span style="font-size:8pt;font-family:serif">gestion2.urjc.es/pdi/ver/ lorenzojavier.torres.hortelano</span></a><span style="font-size:8pt;font-family:serif"></span></p>
<p><a shape="rect" href="https://www.researchgate.net/profile/Lorenzo_Torres" rel="noreferrer noopener" target="_blank"><span style="font-size:8pt;font-family:serif">researchgate.net/profile/ Lorenzo_Torres</span></a><span style="font-size:8pt;font-family:serif;color:black">
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<p><a shape="rect" href="https://urjc.academia.edu/ljtorres" rel="noreferrer noopener" target="_blank"><span style="font-size:8pt;font-family:serif;color:rgb(5,99,193)">Lorenzo Torres Academia.edu</span></a><span style="font-size:12pt;font-family:serif;color:black"></span></p>
<p><span style="font-size:8pt;font-family:serif;color:black">IP proyecto Europa Creativa
</span><a shape="rect" href="http://theylive.eu/" rel="noreferrer noopener" target="_blank"><span style="font-size:8pt;font-family:serif">http://theylive.eu/</span></a><span style="font-size:8pt;font-family:serif;color:black"></span></p>
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<p><b>De:</b> KineJapan <<a shape="rect" href="mailto:kinejapan-bounces@mailman.yale.edu" rel="noreferrer noopener" target="_blank">kinejapan-bounces@mailman. yale.edu</a>> <b>
En nombre de </b>Maria Jose Gonzalez via KineJapan<br clear="none">
<b>Enviado el:</b> sábado, 27 de marzo de 2021 17:45<br clear="none">
<b>Para:</b> Japanese Cinema Discussion Forum <<a shape="rect" href="mailto:kinejapan@mailman.yale.edu" rel="noreferrer noopener" target="_blank">kinejapan@mailman.yale.edu</a>><br clear="none">
<b>CC:</b> Maria Jose Gonzalez <<a shape="rect" href="mailto:tkarsavina@yahoo.com" rel="noreferrer noopener" target="_blank">tkarsavina@yahoo.com</a>><br clear="none">
<b>Asunto:</b> Re: [KineJapan] Rashomon question</p>
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<p><span style="font-size:12pt;font-family:sans-serif" lang="EN-GB">Shortly after I sent my previous message, I started thinking about Kyoto’s Aoi Matsuri, which serves as a parade of Heian Fashion, and realised that Rashomon’s
Kanazawa must be a </span><span style="font-size:12pt">検非違使</span><span style="font-size:12pt;font-family:sans-serif" lang="EN-GB"> (kebiishi), a
</span><span style="font-size:12pt">武官</span><span style="font-size:12pt;font-family:sans-serif" lang="EN-GB"> position that combined the duties of a judge and a policeman.</span></p>
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<p><span style="font-size:12pt;font-family:sans-serif" lang="EN-GB">After a search for Akutagawa in my library, one book confirmed that Kanazawa’ s job in Akutagawa’s story is indeed that of
</span><span style="font-size:12pt">検非違使</span><span style="font-size:12pt;font-family:sans-serif" lang="EN-GB"></span></p>
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<p><span style="font-size:12pt;font-family:sans-serif" lang="EN-GB">(See attachment)</span></p>
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<p><span style="font-size:12pt;font-family:sans-serif" lang="EN-GB">María José</span></p>
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<p><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">On Saturday, 27 March 2021, 04:50:04 PM GMT+9, Maria Jose Gonzalez via KineJapan <</span><a shape="rect" href="mailto:kinejapan@mailman.yale.edu" rel="noreferrer noopener" target="_blank"><span style="font-size:10pt;font-family:sans-serif" lang="EN-GB">kinejapan@mailman.yale.edu</span></a><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">>
wrote: </span></p>
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<p><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">Interesting question.</span></p>
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<p><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">See my observations on this character, written rather casually but with some visuals, in the attached pdf file.</span></p>
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<p><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)">María José González Muñoz</span></p>
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<p><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)">Kwansei University</span></p>
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<p><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">Nishinomiya, Japan</span></p>
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<p><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">On Friday, 26 March 2021, 10:02:54 PM GMT+9, Markus Nornes via KineJapan <</span><a shape="rect" href="mailto:kinejapan@mailman.yale.edu" rel="noreferrer noopener" target="_blank"><span style="font-size:10pt;font-family:sans-serif" lang="EN-GB">kinejapan@mailman.yale.edu</span></a><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">>
wrote: </span></p>
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<p><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">There seems to have been a problem with this message from Lorenzo, so I’m forwarding it here. </span></p>
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<p><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">Markus</span></p>
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<p><span style="font-size:12pt;font-family:sans-serif;color:black" lang="EN-GB">From: Lorenzo Javier Torres Hortelano </span><span style="font-size:10pt;font-family:sans-serif;color:black" lang="EN-GB"><br clear="none">
</span><span style="font-size:12pt;font-family:sans-serif;color:black" lang="EN-GB">Date: Fri, 26 Mar 2021 12:29:44 +0000</span><span style="font-size:10pt;font-family:sans-serif;color:black" lang="EN-GB"><br clear="none">
</span><span style="font-size:12pt;font-family:sans-serif;color:black" lang="EN-GB">Subject: Doubt on RASHÔMON</span><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<span style="font-size:10pt;font-family:serif;color:black" lang="EN-GB">Dear colleagues,</span><span style="font-size:10pt;font-family:sans-serif;color:black" lang="EN-GB"></span></p>
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<span style="font-size:10pt;font-family:serif;color:black" lang="EN-GB">I’m contributing to Japan Foundation Spain, with a colleague, on a course on <i>Rashômon</i>. I just wanted to bring one apparent secondary doubt: the man who is killed,
is a public servant or a samurai? Is it both, taking in mind the etymology of the word “samurai”, “saburau” or “server”?</span><span style="font-size:10pt;font-family:sans-serif;color:black" lang="EN-GB"></span></p>
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<span style="font-size:10pt;font-family:serif;color:black" lang="EN-GB">In most of the synopsis you can find he is a samurai, but in Akutagawa’s homonymous tale he is a “public servant”.</span><span style="font-size:10pt;font-family:sans-serif;color:black" lang="EN-GB"></span></p>
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<p><b><span style="font-size:12pt;color:rgb(39,78,19)"><img style="width: 0.5833in; min-height: 1in;" src="https://drive.google.com/a/umich.edu/uc?id=1i0izwlsrcSvQgU4nMCzTLiOhmdDMm-xZ&export=download" width="56" height="96" border="0"></span></b><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)"></span></p>
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<p><b><span style="font-size:12pt;color:rgb(39,78,19)" lang="EN-GB">Markus Nornes</span></b><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><b><span style="font-size:12pt;color:rgb(56,118,29)" lang="EN-GB">Professor of Asian Cinema</span></b><span style="font-size:12pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><span style="font-size:7.5pt;color:rgb(56,118,29)" lang="EN-GB">Department of Film, Television and Media, Department of Asian Languages and Cultures, Penny Stamps School of Art & Design</span><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><b><span style="font-size:7.5pt;color:rgb(147,196,125)" lang="EN-GB">Department of Film, Television and Media</span></b><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><b><span style="font-size:7.5pt;color:rgb(147,196,125)" lang="EN-GB">6348 North Quad</span></b><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><b><span style="font-size:7.5pt;color:rgb(147,196,125)" lang="EN-GB"><a shape="rect" href="https://www.google.com/maps/search/105+S.+State+Street+%0D%0A+%0D%0A+%0D%0A+Ann+Arbor,+MI+48109-1285?entry=gmail&source=g" rel="noreferrer noopener" target="_blank">105 S. State Street</a></span></b><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><b><span style="font-size:7.5pt;color:rgb(147,196,125)" lang="EN-GB"><a shape="rect" href="https://www.google.com/maps/search/105+S.+State+Street+%0D%0A+%0D%0A+%0D%0A+Ann+Arbor,+MI+48109-1285?entry=gmail&source=g" rel="noreferrer noopener" target="_blank">Ann Arbor, MI 48109-1285</a></span></b><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">______________________________ _________________<br clear="none">
KineJapan mailing list<br clear="none">
</span><a shape="rect" href="mailto:KineJapan@mailman.yale.edu" rel="noreferrer noopener" target="_blank"><span style="font-size:10pt;font-family:sans-serif" lang="EN-GB">KineJapan@mailman.yale.edu</span></a><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"><br clear="none">
</span><a shape="rect" href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="noreferrer noopener" target="_blank"><span style="font-size:10pt;font-family:sans-serif" lang="EN-GB">https://mailman.yale.edu/ mailman/listinfo/kinejapan</span></a><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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<p><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB">______________________________ _________________<br clear="none">
KineJapan mailing list<br clear="none">
</span><a shape="rect" href="mailto:KineJapan@mailman.yale.edu" rel="noreferrer noopener" target="_blank"><span style="font-size:10pt;font-family:sans-serif" lang="EN-GB">KineJapan@mailman.yale.edu</span></a><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"><br clear="none">
</span><a shape="rect" href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="noreferrer noopener" target="_blank"><span style="font-size:10pt;font-family:sans-serif" lang="EN-GB">https://mailman.yale.edu/ mailman/listinfo/kinejapan</span></a><span style="font-size:10pt;font-family:sans-serif;color:rgb(38,40,42)" lang="EN-GB"></span></p>
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</div></div></blockquote></div><br clear="none"><br clear="none">-- <br clear="none">Sent from Gmail Mobile<br clear="none">
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