<div dir="ltr">The latest issue of the Journal of Japanese and Korean Cinema is now available through the various online subscription services. There's a special section, edited by Ran Ma and Kosuke Fujiki, on "In/Visibility in Post-War Okinawan Images" that will be completed in the Fall. Also standalone articles by Kelly Jeong, Daisuke Miyao, and Luke Cromer. I've pasted the table of contents below: <div><br></div><div><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span lang="EN-GB" style="font-size:12pt">Special section: In/visibility in Post-war Okinawan
Images 1</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Introduction</span></p>

<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span lang="EN-GB" style="font-size:12pt">In/visibility in Post-war Okinawan Images 1</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Ran Ma and Kosuke Fujiki </span></p>

<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span lang="EN-GB" style="font-size:12pt;font-weight:normal"> </span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB">Article</span></p>

<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span lang="EN-GB" style="font-size:12pt">Reminiscences of a Journey to Okinawa:
Landscape Film as Essay, and Takamine Gō’s <i>Okinawan
Dream Show</i> (1974)</span></p>

<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span lang="EN-GB" style="font-size:12pt;font-weight:normal">Ran
Ma</span></p>

<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span lang="EN-GB" style="font-size:12pt;font-weight:normal"> </span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB">Article</span></p>

<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span lang="EN-GB" style="font-size:12pt">Landscape and the Crisis of Representation
in Nakae Y</span><span lang="EN-GB" style="font-size:12pt;font-family:Calibri,sans-serif">ū</span><span lang="EN-GB" style="font-size:12pt">ji’s <i>Panari nite</i> (1986)</span></p>

<p class="gmail-Authornames" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif"><span lang="EN-GB" style="font-size:12pt">Kosuke
Fujiki</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>

<p class="gmail-Authornames" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif"><span lang="EN-GB" style="font-size:12pt">Translation</span><b><span lang="EN-GB" style="font-size:12pt"><br>
Continuing as an ‘Open Incompleteness’: <i>Motoshinkakarannū</i> and Uncanny
Okinawa</span></b><span lang="EN-GB" style="font-size:12pt"></span></p>

<p class="gmail-Authornames" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif"><span lang="EN-GB" style="font-size:12pt">Nakazato
Isao (Translated by Kosuke Fujiki)</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Regular Articles:</span></b></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Article</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">On the Margins: Action Heroines in <i>Coin-Locker
Girl</i> and <i>The Villainess</i></span></b></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Kelly Jeong</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Article</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">The Melodrama of Ozu: <i>Tokyo Story</i>
and Its Time</span></b></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Daisuke Miyao</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Article</span></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><b><i><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">The Elegant Beast</span></i></b><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">: Kawashima Yūzō’s modernist stage</span></b></p>

<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;text-align:justify;font-size:10.5pt;font-family:Century,serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Luke Stephen Cromer</span></p><div><br clear="all"><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div>Best,</div><div><br></div><div>Michael</div><div dir="ltr"><br></div><div dir="ltr">Michael Raine, Department of English and Writing Studies<div>Western University, Canada</div><div>co-editor, Journal of Japanese and Korean Cinema</div><div>co-editor, The Culture of the Sound Image in Prewar Japan (Amsterdam UP, 2020)</div><div>co-editor, Developments in the Japanese Documentary Mode (MDPI, 2020)</div></div></div></div></div></div></div>