<div dir="auto">Roger<div dir="auto"><br></div><div dir="auto">Thanks for sharing this link to a trilywonderful essay</div><div dir="auto"><br></div><div dir="auto">Michael Kerpan</div><div dir="auto">Boston, MA</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Wed, Aug 11, 2021, 10:46 Roger Macy via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div><div style="font-family:Helvetica Neue,Helvetica,Arial,sans-serif;font-size:16px"><div dir="ltr"><div>

<p>Dear KineJapaners,</p>

<p style="margin-top:6.0pt;layout-grid-mode:char">In case anyone has missed it, Linda Ehrlich’s essay on Koreeda’s <i><span lang="FR">La Vérité</span></i> is in the latest
issue of <i>Senses of Cinema</i> <a href="https://www.sensesofcinema.com/2021/feature-articles/relative-truth-the-truth-and-invented-memories/" rel="nofollow noreferrer" target="_blank">https://www.sensesofcinema.com/2021/feature-articles/relative-truth-the-truth-and-invented-memories/</a>
.</p>

<p style="margin-top:6.0pt;layout-grid-mode:char">The ‘flow of incidents’ <span> </span>picked out
many more details and allusions than I found on my viewing, enriching my memory
and understanding.</p>

</div><div dir="ltr">Roger<br></div></div></div></div>_______________________________________________<br>
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</blockquote></div>