<div dir="auto">I saw this film thirty years ago —which is about all I can tell you at this point. I suspect Planet has it. </div><div dir="auto"><br></div><div dir="auto">Markus</div><div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Fri, Sep 10, 2021 at 12:38 PM Michael Raine via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;padding-left:1ex;border-left-color:rgb(204,204,204)"><div dir="ltr">Off topic, but I guess "Arden" is the strategic port of "Aden". <div><br></div><div>Years ago I read about Tsuburaya Eiji shooting Doto o kette -- I always wondered if the procession of battleships at the end of Hawai-Marei okikaisen came from that film. <br><div><br clear="all"><div><div dir="ltr" data-smartmail="gmail_signature"><div dir="ltr">Michael Raine, Department of English and Writing Studies<div>Western University, Canada</div><div>co-editor, Journal of Japanese and Korean Cinema</div><div>co-editor, The Culture of the Sound Image in Prewar Japan (Amsterdam UP, 2020)</div><div>co-editor, Developments in the Japanese Documentary Mode (MDPI, 2020)</div></div></div></div><br></div></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Fri, Sep 10, 2021 at 12:12 PM Roger Macy via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;padding-left:1ex;border-left-color:rgb(204,204,204)"><div><div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif;font-size:16px"><div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"></div>
<div dir="ltr" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">
<p style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">Thank you, Iris. It gives me a wider perspective.</p>
<p style="margin-top:6pt;font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">When I first read this earlier in the week, it didn’t seem to make sense:
I knew the cruiser Ashigara had sailed, with the Chichibus’ passenger liner,
for Vancouver, so Singapore
didn’t fit in. At that time, I’d only stumbled on the embarkation report in the
Nichibei Shinbun. That was in a growing collection of expatriate newspapers,
freely searchable at the Hoji Shinbun Digital Collection. I don’t think we’ve
mentioned it before here <a href="https://hojishinbun.hoover.org/?a=p&p=home&e=01-03-1935-31-12-1939--en-10--1--img-%e5%be%b3%e5%b7%9d%e5%a4%a2%e5%a3%b0--------" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">https://hojishinbun.hoover.org/?a=p&p=home&e=01-03-1935-31-12-1939--en-10--1--img-%e5%be%b3%e5%b7%9d%e5%a4%a2%e5%a3%b0--------</a>
.</p>
<p style="margin-top:6pt;font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">Since I could only find the Tokugawa report in the english-language pages
of that newspaper, I went to the library today to search Asahi Shinbun through
Kikuzo. There were several more reports in there, which fitted it together. So,
after dropping the royal party in Vancouver,
the Ashigara headed them off at the pass, as it were, going through the Panama
canal, picked up the artists after the coronation and returned via
the Mediterranean and<span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">
</span>... Singapore.</p>
<p style="margin-top:6pt;font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">In the first, embarkation report of March ’37 I can see the names of
Tokugawa, your Shirai Shigeru as PCL photographer, and also the western-style
painter Nakamura Ken’ichi. <span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"> </span>The ‘export’
edited version of Kaguya didn’t really ‘belong’ to PCL, or its predecessor JO
by 1937 but to the ‘International Cinema Association of Japan’, as they credit
themselves on the surviving print; and would be more likely to be shipped on
the Chichibus’ passenger liner, than the cruiser, already with the extra burden
of a film crew. They seem to be tasked with the production of the hour-long <span style="font-family:"MS Mincho"" lang="JA">怒濤を</span><span style="font-family:"MS Mincho"" lang="JA">蹴って </span><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">/ </span><em style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><span style="font-family:"MS Mincho";font-style:normal" lang="JA">怒涛を</span></em><span style="font-family:"MS Mincho"" lang="JA">蹴って</span><span style="font-family:"MS Mincho"" lang="JA">（</span><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">present day characters). JMDb has it at 76 minutes <a href="http://www.jmdb.ne.jp/1937/bm003840.htm" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">http://www.jmdb.ne.jp/1937/bm003840.htm</a>
<span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"> </span>. So I get what you mean by ‘the film’
But not by ‘</span><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">Arden</span><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">’. </span></p>
<p style="margin-top:6pt;font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">No one seems to have seen the film of the voyage
since. Have you tracked it down Iris? I can’t see it in the NFAJ catalogue but
I recall Johan Nordström telling me that all the PCL films survive. It won’t
have anything on <i style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">Kaguya-hime</i>, but in the blurb of the 2001 </span><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">Yamagata</span><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"> catalogue, although they didn’t show it, it’s given
as a Kamei Fumio direction. I can’t see his name in these news reports,
attached*, but <span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"> </span>I’d definitely pay money
to see what Kamei made of the coronation of the Emperor of India. <i style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">DeepL</i>
translates the title as ‘Kicking up a storm’.</span></p>
<p style="margin-top:6pt;font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">Roger</span></p>
<p style="margin-top:6pt;font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><span style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">* I couldn’t get Kikuzo at the BL to deliver a
digital file. I had to make paper copies and then photograph them.</span></p>
</div><div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><br></div></div><div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><br></div>
</div><div id="m_1434690199673390415gmail-m_7306645474761337846ydp3f931f70yahoo_quoted_1870177351">
<div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif;font-size:13px;color:rgb(38,40,42)">
<div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">
On Thursday, 9 September 2021, 03:24:05 BST, Iris Haukamp via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan@mailman.yale.edu</a>> wrote:
</div>
<div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><br></div>
<div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><br></div>
<div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><div id="m_1434690199673390415gmail-m_7306645474761337846ydp3f931f70yiv3880701588" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><div dir="ltr" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><div style="font-family:verdana,sans-serif;font-size:small">Good morning,</div><div style="font-family:verdana,sans-serif;font-size:small"><br></div><div style="font-family:verdana,sans-serif;font-size:small">Roger, this is an intriguing topic. Incidentally, I'm currently reading Shirai Shigeru's memoirs (Kamera to jinsei), and there are some pages on the Ashikaga trip and film. He mentions disembarking with Tokugawa Musei in Singapore and Arden in order to 'film beautiful girls dancing', and he also writes about his other tasks on the trip, such as buying filmstock and specific camera equipment abroad. Yet, he never mentions Kaguya hime or 'a film' they were supposed to take to the UK at all. It is curious, indeed.</div><div style="font-family:verdana,sans-serif;font-size:small"><br></div><div style="font-family:verdana,sans-serif;font-size:small">All the best for now,</div><div style="font-family:verdana,sans-serif;font-size:small">Iris</div></div><br><div style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif"><div dir="ltr" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">On Thu, 9 Sept 2021 at 06:22, <<a href="mailto:kinejapan-request@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan-request@mailman.yale.edu</a>> wrote:<br></div><blockquote style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;padding-left:1ex;font-family:"Helvetica Neue",Helvetica,Arial,sans-serif;border-left-color:rgb(204,204,204)">Send KineJapan mailing list submissions to<br>
<a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan@mailman.yale.edu</a><br>
<br>
To subscribe or unsubscribe via the World Wide Web, visit<br>
<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br>
or, via email, send a message with subject or body 'help' to<br>
<a href="mailto:kinejapan-request@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan-request@mailman.yale.edu</a><br>
<br>
You can reach the person managing the list at<br>
<a href="mailto:kinejapan-owner@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan-owner@mailman.yale.edu</a><br>
<br>
When replying, please edit your Subject line so it is more specific<br>
than "Re: Contents of KineJapan digest..."<br>
<br>
<br>
Today's Topics:<br>
<br>
1. Re: Tokugawa Musei (Aaron Gerow)<br>
2. Re: Tokugawa Musei (Roger Macy)<br>
<br>
<br>
----------------------------------------------------------------------<br>
<br>
Message: 1<br>
Date: Wed, 8 Sep 2021 15:56:30 -0400<br>
From: Aaron Gerow <<a href="mailto:aaron.gerow@yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">aaron.gerow@yale.edu</a>><br>
To: Japanese Cinema Discussion Forum <<a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan@mailman.yale.edu</a>><br>
Subject: Re: [KineJapan] Tokugawa Musei<br>
Message-ID: <<a href="mailto:A8AD7D33-489A-4C24-94A7-B05CCD1CD007@yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">A8AD7D33-489A-4C24-94A7-B05CCD1CD007@yale.edu</a>><br>
Content-Type: text/plain; charset="us-ascii"<br>
<br>
Both Kyoko Omori and Jeffrey Dym have done studies of Musei, but mainly in his activities as a benshi. <br>
<br>
Dym: "Tokugawa Musei: A Portrait Sketch of One of Japan's Greatest Narrative Artists." In Praise of Film Studies: Essays in Honor of Makino Mamoru.<br>
<br>
Omori: <a href="https://www.routledgehandbooks.com/doi/10.4324/9781315534374-12" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">https://www.routledgehandbooks.com/doi/10.4324/9781315534374-12</a> <<a href="https://www.routledgehandbooks.com/doi/10.4324/9781315534374-12" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">https://www.routledgehandbooks.com/doi/10.4324/9781315534374-12</a>><br>
<br>
So you could inquire with them about any archives they have used.<br>
<br>
<br>
Aaron Gerow<br>
Professor<br>
Film and Media Studies Program/East Asian Languages and Literatures<br>
Chair, East Asian Languages and Literatures<br>
Yale University<br>
143 Elm Street, Room 210<br>
PO Box 208324<br>
New Haven, CT 06520-8324<br>
USA<br>
Phone: 1-203-432-7082<br>
Fax: 1-203-432-6729<br>
e-mail: <a href="mailto:aaron.gerow@yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">aaron.gerow@yale.edu</a><br>
site: <a href="http://www.aarongerow.com" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">www.aarongerow.com</a><br>
<br>
<br>
<br>
<br>
-------------- next part --------------<br>
An HTML attachment was scrubbed...<br>
URL: <<a href="http://mailman.yale.edu/pipermail/kinejapan/attachments/20210908/a3d017fe/attachment-0001.html" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">http://mailman.yale.edu/pipermail/kinejapan/attachments/20210908/a3d017fe/attachment-0001.html</a>><br>
<br>
------------------------------<br>
<br>
Message: 2<br>
Date: Wed, 8 Sep 2021 21:15:53 +0000 (UTC)<br>
From: Roger Macy <<a href="mailto:macyroger@yahoo.co.uk" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">macyroger@yahoo.co.uk</a>><br>
To: 'Japanese Cinema Discussion Forum' <<a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan@mailman.yale.edu</a>><br>
Subject: Re: [KineJapan] Tokugawa Musei<br>
Message-ID: <<a href="mailto:143248728.4776411.1631135753646@mail.yahoo.com" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">143248728.4776411.1631135753646@mail.yahoo.com</a>><br>
Content-Type: text/plain; charset="utf-8"<br>
<br>
<br>
Thank you Adrian, Jasper and Aaron for yourinterest.<br>
Adrian,?I've been incontact with the Royal Archives and the Royal Collections Trust in Windsor, the archives at Buckingham Palace and the Queen's private office, as well asthe Imperial Household Agency. From the lower depths of London, where I come from, we would say I've hadmore royal brush-offs than you've had hot dinners ;>)<br>
In truth, Rachel Peat of the Royal Collections made useful suggestions and they have allresponded. The BFI is a hopeless black hole. They've been sitting on the printfor 70 years but have no knowledge how they got it and no interest in it. I wastold six years ago that it was not on the list of Palace acquisitions.? Ieven asked for the list, a couple of months ago to check, but, as usual, havehad no response.<br>
But I don't thinkit got to the Palace.? The plans of Prince and Princess Chichibu werecurtailed by their illnesses and, one can hazard, other developments in 1937.The Princess wrote a memoir, which even name-drops a birth-family connection tothe Princess Elizabeth, but which doesn't mention a princess Kaguya.<br>
Nevertheless, a second, 1937print did get to London.? There had to be some ambition. It's tantalizing.? What weretheir plans as they set sail ? I'd like to hear from Japan's No. 1 film explainer, who was there onhand.<br>
So, thank you, Aaron and Jasper, I'll take up your suggestions.Roger<br>
<br>
<br>
<br>
On Wednesday, 8 September 2021, 13:13:38 BST, Adrian- Restoration Asia <<a href="mailto:adrian@restorationasia.org" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">adrian@restorationasia.org</a>> wrote: <br>
<br>
<br>
Dear Roger,<br>
<br>
?<br>
<br>
When you say the Royal Archives are you speaking about the British Royal Family?s archives at Windsor Castle?<br>
<br>
?<br>
<br>
>From what I know then the film materials, especially nitrate based elements as I assume these to be, are on deposit with the BFI National Archive. If you need contact details then feel free to ask.<br>
<br>
?<br>
<br>
Best regards,<br>
<br>
?<br>
<br>
Adrian Wood<br>
<br>
?<br>
<br>
From: KineJapan On Behalf Of Roger Macy via KineJapan<br>
Sent: 08 September 2021 20:14<br>
To: KineJapan discussion forum <<a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">kinejapan@mailman.yale.edu</a>><br>
Cc: Roger Macy <<a href="mailto:macyroger@yahoo.co.uk" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">macyroger@yahoo.co.uk</a>><br>
Subject: [KineJapan] Tokugawa Musei<br>
<br>
?<br>
<br>
Dear KineJapaners,<br>
<br>
I?m writing to ask whether anyone has done work on Tokugawa Musei, or knows where his archives are.<br>
<br>
I am interested in what he did in his trips to the UK, and, in particular, in 1937. I see from a newspaper cutting that he was on the ship with Prince and Princess Chichibu, bound for the coronation of King George VI, traveling via Canada and New York.<br>
<br>
My quest, still, is to try and nail down any history of the Kaguya print in the UK. I have a provenance without a surviving print ? the one sent to the Japan Society in Nov>Dec ?36 and kept in London, but lost films are not, alas, news ? and the second one sent in early ?37, which is the one that survives (from the Imperial censorship stamp). My best guess, still, is that it was on that ship.<br>
<br>
Mar?a Jos? has kindly looked at his published reminiscences but they have not revealed anything relevant.<br>
<br>
I?ve already tried all the Royal Archives and the Imperial Household Agency. Even if I can?t connect the print to Tokugawa, I?d still like to know something of what he did in the UK.? He has no mention in the ten volumes of Britain and Japan ? Biographical Portraits.<br>
<br>
Roger<br>
<br>
?<br>
<br>
-------------- next part --------------<br>
An HTML attachment was scrubbed...<br>
URL: <<a href="http://mailman.yale.edu/pipermail/kinejapan/attachments/20210908/265e9702/attachment.html" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">http://mailman.yale.edu/pipermail/kinejapan/attachments/20210908/265e9702/attachment.html</a>><br>
<br>
------------------------------<br>
<br>
Subject: Digest Footer<br>
<br>
_______________________________________________<br>
KineJapan mailing list<br>
<a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">KineJapan@mailman.yale.edu</a><br>
<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br>
<br>
<br>
------------------------------<br>
<br>
End of KineJapan Digest, Vol 40, Issue 4<br>
****************************************<br>
</blockquote></div>
</div>_______________________________________________<br>KineJapan mailing list<br><a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">KineJapan@mailman.yale.edu</a><br><a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank" style="font-family:"Helvetica Neue",Helvetica,Arial,sans-serif">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div>
</div>
</div></div>_______________________________________________<br>
KineJapan mailing list<br>
<a href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a><br>
<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="noreferrer" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br>
</blockquote></div>
_______________________________________________<br>
KineJapan mailing list<br>
<a href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a><br>
<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="noreferrer" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br>
</blockquote></div></div>-- <br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><span style="color:rgb(136,136,136)">--- </span></div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b><img src="https://docs.google.com/uc?export=download&id=1YYQZdrswh1HD_xCKXSzMs3lLalKxLVgs&revid=0By9QGX7UmiKRSEdLZ0xoVDNEM2xLclB3R0pDbk93ek8yeEtVPQ" width="55" height="96"><br></b></font></div><div style="font-size:small"><font face="courier new, monospace" color="#274e13"><b>Markus Nornes</b></font></div><div style="font-size:small"><span style="font-family:"courier new",monospace"><font color="#38761d"><b>Professor of Asian Cinema</b></font></span></div><div style="font-size:small"><b style="color:rgb(56,118,29);font-family:"courier new",monospace">Interim Chair, Dept. of Asian Languages and Culture</b><span style="font-family:"courier new",monospace"><font color="#38761d"><b><br></b></font></span></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div><blockquote style="margin:0 0 0 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(204,204,204);padding-left:1ex"><font size="1" color="#38761d"><font face="courier new, monospace">Department of Film, Television and Media</font><span style="font-family:"courier new",monospace">, Department of Asian Languages and Cultures, Penny Stamps </span><span style="font-family:"courier new",monospace">School of Art & Design</span></font></blockquote></blockquote><blockquote style="margin:0 0 0 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(204,204,204);padding-left:1ex"> </blockquote></blockquote><blockquote style="margin:0 0 0 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(204,204,204);padding-left:1ex"><font face="arial, sans-serif" size="1"><b><u><span style="background-color:rgb(182,215,168)">Homepage: <a href="http://www-personal.umich.edu/~nornes/" target="_blank"><font color="#ffffff">http://www-personal.umich.edu/~nornes/</font></a></span><font color="#6aa84f"><br></font></u></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>Department of Film, Television and Media<br></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>6348 North Quad<br></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>105 S. State Street<br></b></font><font face="courier new, monospace" size="1" color="#93c47d"><b>Ann Arbor, MI 48109-1285</b></font></blockquote></blockquote><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div style="color:rgb(136,136,136)"><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>