<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto">Bird in Peninsula is interesting. Have to try and check it another time when I can. <div>Berlinale also had Sho Miyake’s Keiko Me wo sumasete, about a death female boxer, based on a real story. </div><div>The festival itself was a showcase of how to pull a huge event in the middle of the omicron wave. FPP2 masks were mandatory in theaters, they asked us to show out vaccine certificates to receive the accreditation badges, you ha to reserve a ticket in. advance and the ticket gave a numbered seat - they sold 50% of seats. To get into press conferences you had to take antigen rapid test every day. They had free test busses in the main festival area. <br><br><div dir="ltr">Eija Niskanen<div><br></div></div><div dir="ltr"><br><blockquote type="cite">Gerow Aaron via KineJapan <kinejapan@mailman.yale.edu> kirjoitti 16.2.2022 kello 22.39:<br><br></blockquote></div><blockquote type="cite"><div dir="ltr"><meta http-equiv="Content-Type" content="text/html; charset=utf-8">Ferran,<div class=""><br class=""></div><div class="">Thanks for this! </div><div class=""><br class=""></div><div class="">I noticed that Wada Atsushi also got a special mention in the short film competition.</div><div class=""><br class=""></div><div class=""><a href="https://variety.com/2022/film/festivals/berlin-film-festival-award-winners-live-1235183888/" class="">https://variety.com/2022/film/festivals/berlin-film-festival-award-winners-live-1235183888/</a></div><div class=""><br class=""></div><div class="">Aaron Gerow</div><div class=""><div><br class=""><blockquote type="cite" class=""><div class=""><br class=""></div><div class=""><div dir="ltr" class="">
<span class="gmail-gI"><span class="">
</span></span><div class="">Dear colleagues,</div><div class=""><br class=""></div><div class="">This is Ferran de Vargas
from the Open University of Catalonia. Since the Catalan filmmaker Carla Simón has just won the Berlinale, I would like to share with you this interview by me and professor Manuel Garin (Universitat Pompeu Fabra) in a special issue for the journal l'Atalante a couple of years ago, in which we were conversing with her and another director about the influence of Japanese cinema on their view.</div><div class=""><br class=""></div><div class="">You can find the pdf in Spanish and English in this link: <a href="http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=809" class="">http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=809</a>
</div><div class=""><br class="">
</div><div class="">With best wishe,
</div><div class=""></div><div class=""><br class=""></div><div class="">Ferran<br class=""></div>
</div>
_______________________________________________<br class="">KineJapan mailing list<br class=""><a href="mailto:KineJapan@mailman.yale.edu" class="">KineJapan@mailman.yale.edu</a><br class="">https://mailman.yale.edu/mailman/listinfo/kinejapan<br class=""></div></blockquote></div><br class=""></div><span>_______________________________________________</span><br><span>KineJapan mailing list</span><br><span>KineJapan@mailman.yale.edu</span><br><span>https://mailman.yale.edu/mailman/listinfo/kinejapan</span><br></div></blockquote></div></body></html>