<html><head></head><body><div class="ydp241dd3c4yahoo-style-wrap" style="font-family:bookman old style, new york, times, serif;font-size:16px;"><div><div dir="ltr" data-setdir="false">Most of the things you will find have only the most tenuous relationship with history, such as the Nemuri Kyoshiro series starring Ichikawa Raizo as the illegitimate son of a woman raped by a Catholic priest (?????).<br></div><div dir="ltr" data-setdir="false">Check anything with Takayama Ukon or Sen no Rikyu (for Ogin), as well as Hosokawa Gracia.</div><div dir="ltr" data-setdir="false"><br></div><div dir="ltr" data-setdir="false">Cheers,</div><div dir="ltr" data-setdir="false">SAT<br></div><div><br></div><div class="ydp241dd3c4signature">Sybil Thornton, MA, PhD (Cantab)<br><br>"Ippen Chishin," in Brill's Encyclopedia of Buddhism: Lives (Handbook of Oriental Studies 29) (2019).<br><br>"Suffering and Deification: The Goddess in Night Drum," in Dialectics of the Goddess in Japanese Audiovisual Culture, ed. Lorenzo J. Torres Hortelano et al. (Lanham: Lexington Books, 2017).<br><br>"The Return Song and the Myth of the Founding of the Nation in Vreme na nasilie," Athens Journal of History 2 no. 3 (October 2016), 149-167.<br><br>“Meitokuki: Earthquakes and Literary Fabrication in the gunki monogatari.”Japan Review 28 (October 2015): 225-234.<br><br>“Shintō Art,” in The Oxford Handbook of Religion and the Arts,ed. by Frank Burch Brown(Oxford: Oxford University Press, 2014).</div></div>
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On Wednesday, February 16, 2022, 08:41:35 PM PST, kinejapan-request@mailman.yale.edu <kinejapan-request@mailman.yale.edu> wrote:
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<div><div dir="ltr">Send KineJapan mailing list submissions to<br></div><div dir="ltr"> <a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan@mailman.yale.edu</a><br></div><div dir="ltr"><br></div><div dir="ltr">To subscribe or unsubscribe via the World Wide Web, visit<br></div><div dir="ltr"> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div><div dir="ltr">or, via email, send a message with subject or body 'help' to<br></div><div dir="ltr"> <a href="mailto:kinejapan-request@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan-request@mailman.yale.edu</a><br></div><div dir="ltr"><br></div><div dir="ltr">You can reach the person managing the list at<br></div><div dir="ltr"> <a href="mailto:kinejapan-owner@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan-owner@mailman.yale.edu</a><br></div><div dir="ltr"><br></div><div dir="ltr">When replying, please edit your Subject line so it is more specific<br></div><div dir="ltr">than "Re: Contents of KineJapan digest..."<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">Today's Topics:<br></div><div dir="ltr"><br></div><div dir="ltr"> 1. Re: Carla Sim?n (Jose Monta?o)<br></div><div dir="ltr"> 2. Re: Films on Catholicism/Christianity in Japanese cinema (Tom Mes)<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">----------------------------------------------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 1<br></div><div dir="ltr">Date: Thu, 17 Feb 2022 13:00:43 +0900<br></div><div dir="ltr">From: Jose Monta?o <<a href="mailto:mostro.films@gmail.com" rel="nofollow" target="_blank">mostro.films@gmail.com</a>><br></div><div dir="ltr">To: Japanese Cinema Discussion Forum <<a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan@mailman.yale.edu</a>><br></div><div dir="ltr">Subject: Re: [KineJapan] Carla Sim?n<br></div><div dir="ltr">Message-ID:<br></div><div dir="ltr"> <CAF2cNGNPfyQQq+<a href="mailto:xurDk76PCCGnJb8o5jLev4cvrxmQWxDAexCw@mail.gmail.com" rel="nofollow" target="_blank">xurDk76PCCGnJb8o5jLev4cvrxmQWxDAexCw@mail.gmail.com</a>><br></div><div dir="ltr">Content-Type: text/plain; charset="utf-8"<br></div><div dir="ltr"><br></div><div dir="ltr">Dear Roger,<br></div><div dir="ltr">I think this link works for the English version:<br></div><div dir="ltr"><a href="http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=809&path%5B%5D=597" rel="nofollow" target="_blank">http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=809&path%5B%5D=597</a><br></div><div dir="ltr"><br></div><div dir="ltr">Jose Monta?o<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">El jue, 17 feb 2022 a las 6:41, Roger Macy via KineJapan (<<br></div><div dir="ltr"><a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan@mailman.yale.edu</a>>) escribi?:<br></div><div dir="ltr"><br></div><div dir="ltr">> Ferran, thank you. But I can only navigate to a Spanish PDF, even if I opt<br></div><div dir="ltr">> for 'english'. Please guide me.<br></div><div dir="ltr">> Roger<br></div><div dir="ltr">><br></div><div dir="ltr">> On Wednesday, 16 February 2022, 20:49:58 GMT, Eija Niskanen via KineJapan <<br></div><div dir="ltr">> <a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">> Bird in Peninsula is interesting. Have to try and check it another time<br></div><div dir="ltr">> when I can.<br></div><div dir="ltr">> Berlinale also had Sho Miyake?s Keiko Me wo sumasete, about a death female<br></div><div dir="ltr">> boxer, based on a real story.<br></div><div dir="ltr">> The festival itself was a showcase of how to pull a huge event in the<br></div><div dir="ltr">> middle of the omicron wave. FPP2 masks were mandatory in theaters, they<br></div><div dir="ltr">> asked us to show out vaccine certificates to receive the accreditation<br></div><div dir="ltr">> badges, you ha to reserve a ticket in. advance and the ticket gave a<br></div><div dir="ltr">> numbered seat - they sold 50% of seats. To get into press conferences you<br></div><div dir="ltr">> had to take antigen rapid test every day. They had free test busses in the<br></div><div dir="ltr">> main festival area.<br></div><div dir="ltr">><br></div><div dir="ltr">> Eija Niskanen<br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">> Gerow Aaron via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan@mailman.yale.edu</a>> kirjoitti<br></div><div dir="ltr">> 16.2.2022 kello 22.39:<br></div><div dir="ltr">><br></div><div dir="ltr">> ?<br></div><div dir="ltr">><br></div><div dir="ltr">> Ferran,<br></div><div dir="ltr">><br></div><div dir="ltr">> Thanks for this!<br></div><div dir="ltr">><br></div><div dir="ltr">> I noticed that Wada Atsushi also got a special mention in the short film<br></div><div dir="ltr">> competition.<br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">> <a href="https://variety.com/2022/film/festivals/berlin-film-festival-award-winners-live-1235183888/" rel="nofollow" target="_blank">https://variety.com/2022/film/festivals/berlin-film-festival-award-winners-live-1235183888/</a><br></div><div dir="ltr">><br></div><div dir="ltr">> Aaron Gerow<br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">> Dear colleagues,<br></div><div dir="ltr">><br></div><div dir="ltr">> This is Ferran de Vargas from the Open University of Catalonia. Since the<br></div><div dir="ltr">> Catalan filmmaker Carla Sim?n has just won the Berlinale, I would like to<br></div><div dir="ltr">> share with you this interview by me and professor Manuel Garin (Universitat<br></div><div dir="ltr">> Pompeu Fabra) in a special issue for the journal l'Atalante a couple of<br></div><div dir="ltr">> years ago, in which we were conversing with her and another director about<br></div><div dir="ltr">> the influence of Japanese cinema on their view.<br></div><div dir="ltr">><br></div><div dir="ltr">> You can find the pdf in Spanish and English in this link:<br></div><div dir="ltr">> <a href="http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=809" rel="nofollow" target="_blank">http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=809</a><br></div><div dir="ltr">><br></div><div dir="ltr">> With best wishe,<br></div><div dir="ltr">><br></div><div dir="ltr">> Ferran<br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> KineJapan mailing list<br></div><div dir="ltr">> <a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br></div><div dir="ltr">> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> KineJapan mailing list<br></div><div dir="ltr">> <a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br></div><div dir="ltr">> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> KineJapan mailing list<br></div><div dir="ltr">> <a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br></div><div dir="ltr">> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> KineJapan mailing list<br></div><div dir="ltr">> <a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br></div><div dir="ltr">> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div><div dir="ltr">><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">-- <br></div><div dir="ltr"><br></div><div dir="ltr">Jose Monta?o<br></div><div dir="ltr">?????????<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><a href="https://eigavision.wordpress.com/" rel="nofollow" target="_blank">https://eigavision.wordpress.com/</a><br></div><div dir="ltr"><br></div><div dir="ltr"><a href="https://rikkyo.academia.edu/JoseMonta?o" rel="nofollow" target="_blank">https://rikkyo.academia.edu/JoseMonta?o</a><br></div><div dir="ltr"><<a href="https://upf.academia.edu/JoseMonta%C3%B1o" rel="nofollow" target="_blank">https://upf.academia.edu/JoseMonta%C3%B1o</a>><br></div><div dir="ltr"><<a href="https://upf.academia.edu/JoseMonta%C3%B1o" rel="nofollow" target="_blank">https://upf.academia.edu/JoseMonta%C3%B1o</a>>*orcID*<br></div><div dir="ltr"><a href="https://orcid.org/0000-0001-5930-5704" rel="nofollow" target="_blank">https://orcid.org/0000-0001-5930-5704</a><br></div><div dir="ltr">-------------- next part --------------<br></div><div dir="ltr">An HTML attachment was scrubbed...<br></div><div dir="ltr">URL: <<a href="http://mailman.yale.edu/pipermail/kinejapan/attachments/20220217/895cd71e/attachment-0001.html" rel="nofollow" target="_blank">http://mailman.yale.edu/pipermail/kinejapan/attachments/20220217/895cd71e/attachment-0001.html</a>><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 2<br></div><div dir="ltr">Date: Thu, 17 Feb 2022 13:41:21 +0900<br></div><div dir="ltr">From: Tom Mes <<a href="mailto:tom@midnighteye.com" rel="nofollow" target="_blank">tom@midnighteye.com</a>><br></div><div dir="ltr">To: Kyle LaChance via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" rel="nofollow" target="_blank">kinejapan@mailman.yale.edu</a>><br></div><div dir="ltr">Subject: Re: [KineJapan] Films on Catholicism/Christianity in Japanese<br></div><div dir="ltr"> cinema<br></div><div dir="ltr">Message-ID: <<a href="mailto:fe7fad15-cc67-02de-5ffb-9bf3d42b972c@midnighteye.com" rel="nofollow" target="_blank">fe7fad15-cc67-02de-5ffb-9bf3d42b972c@midnighteye.com</a>><br></div><div dir="ltr">Content-Type: text/plain; charset=utf-8; format=flowed<br></div><div dir="ltr"><br></div><div dir="ltr">Dear Kyle,<br></div><div dir="ltr"><br></div><div dir="ltr">You may also want to look at the various incarnations of Samurai <br></div><div dir="ltr">Reincarnation / Makai Tensho ???? .<br></div><div dir="ltr">Two of the vengeful spirits in the story are the notable historical <br></div><div dir="ltr">Christians Amakusa Shiro and Hosokawa Gracia.<br></div><div dir="ltr"><br></div><div dir="ltr">Speaking of the latter, I recently attended a stage play based on <br></div><div dir="ltr">Gracia's final days at Osaka Castle, in which she was played by Shimada <br></div><div dir="ltr">Yoko, returning to the role she played twice before, over four decades <br></div><div dir="ltr">ago: in the 1978 Taiga drama Ogon no hibi ????? and (sort of) in <br></div><div dir="ltr">Shogun.<br></div><div dir="ltr"><br></div><div dir="ltr">Best of luck with your thesis,<br></div><div dir="ltr">Tom Mes<br></div><div dir="ltr"><br></div><div dir="ltr">On 17-02-22 06:13, Kyle LaChance via KineJapan wrote:<br></div><div dir="ltr">> Hello, I am a 2nd year Master's student writing my thesis on the <br></div><div dir="ltr">> utilization and presentation of Catholicism historiographically in <br></div><div dir="ltr">> Japanese animation and cinema. Currently I have identified 3 anime and <br></div><div dir="ltr">> 4 live-action cinematic works which I will list below. Are there other <br></div><div dir="ltr">> key works that I might be missing?<br></div><div dir="ltr">><br></div><div dir="ltr">> Anime:<br></div><div dir="ltr">> /Trinity Blood/<br></div><div dir="ltr">> /Blue Exorcist/<br></div><div dir="ltr">> /Seven Deadly Sins/<br></div><div dir="ltr">><br></div><div dir="ltr">> Live-Action:<br></div><div dir="ltr">> /Vengeance is Mine/<br></div><div dir="ltr">> /Silence /by Shinoda Masahiro<br></div><div dir="ltr">> /Sea and Poison/<br></div><div dir="ltr">> /Violent Virgin/<br></div><div dir="ltr">> /<br></div><div dir="ltr">> /<br></div><div dir="ltr">> I appreciate any help and apologize for any inconvenience.<br></div><div dir="ltr">><br></div><div dir="ltr">> All the best,<br></div><div dir="ltr">><br></div><div dir="ltr">> -- <br></div><div dir="ltr">> Kyle LaChance<br></div><div dir="ltr">> Second Year in the Masters in International and Regional Studies<br></div><div dir="ltr">> International Institute and Center for Japanese Studies<br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> KineJapan mailing list<br></div><div dir="ltr">> <a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br></div><div dir="ltr">> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Subject: Digest Footer<br></div><div dir="ltr"><br></div><div dir="ltr">_______________________________________________<br></div><div dir="ltr">KineJapan mailing list<br></div><div dir="ltr"><a href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br></div><div dir="ltr"><a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">End of KineJapan Digest, Vol 45, Issue 34<br></div><div dir="ltr">*****************************************<br></div></div>
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