<div dir="ltr">I suspect the interior of the supermarket was one in shinokubo. They did change the license plate to a Korean one so the intention is to set the scene in Korea for sure.<br clear="all"><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div style="font-family:arial">Earl Jackson</div><div style="font-family:arial"><div>Chair Professor</div><div>Foreign Languages and Literatures</div><div>Asia University</div><div>Professor Emeritus</div><div>National Chiao Tung University</div></div><div style="font-family:arial">Associate Professor Emeritus</div><div style="font-family:arial">University of California, Santa Cruz<br></div></div></div></div><br></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Wed, Mar 16, 2022 at 5:45 PM Eija Niskanen via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="ltr">Hi!<div>I saw it for the 2nd time yesterday  - this time on big screen for a press screening in Helsinki. I wonder what you make of the last scene happening in Korea? Or was there some Korean funding involved, which demanded some location shooting in South Korea?</div><div>Eia</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">ke 2. helmik. 2022 klo 4.20 Goddard, Timothy via KineJapan (<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>) kirjoitti:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">





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<p class="MsoNormal"><span style="font-size:11pt">For those of you who were interested in tonight’s webinar but were unable to attend, an edited recording will be available here:<u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-size:11pt"><a href="https://www.japanhousela.com/happenings/events/" target="_blank">https://www.japanhousela.com/happenings/events/</a><u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-family:Garamond,serif;color:black">Dr. Timothy Unverzagt Goddard </span><span lang="ZH-TW" style="font-family:Batang,serif;color:black">高大同</span><span style="color:black"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:Garamond,serif;color:black">Lecturer, Department of East Asian Languages and Literatures</span><span style="color:black"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:Garamond,serif;color:black">Yale University</span><span style="color:black"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:Garamond,serif;color:black">320 York Street, Room 112</span><span style="color:black"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:Garamond,serif;color:black">New Haven, CT 06511</span><span style="color:black"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:Garamond,serif;color:black"><a href="https://eall.yale.edu/people/timothy-unverzagt-goddard" title="https://eall.yale.edu/people/timothy-unverzagt-goddard" target="_blank"><span style="color:rgb(5,99,193)">https://eall.yale.edu/people/timothy-unverzagt-goddard</span></a></span><span style="color:black"><u></u><u></u></span></p>
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<p class="MsoNormal" style="margin-bottom:12pt"><b><span style="font-size:12pt;color:black">From:
</span></b><span style="font-size:12pt;color:black">KineJapan <<a href="mailto:kinejapan-bounces@mailman.yale.edu" target="_blank">kinejapan-bounces@mailman.yale.edu</a>> on behalf of Miryam Sas via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Date: </b>Tuesday, February 1, 2022 at 4:04 PM<br>
<b>To: </b>Japanese Cinema Discussion Forum <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Cc: </b>Miryam Sas <<a href="mailto:mbsas@berkeley.edu" target="_blank">mbsas@berkeley.edu</a>><br>
<b>Subject: </b>Re: [KineJapan] Drive My Car<u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-size:11pt">It looks like the series of talks is being recorded--at least from what I can gather from the recordings of the previous symposia in the series.<u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-size:11pt">On Tue, Feb 1, 2022 at 10:37 AM Roger Macy via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<u></u><u></u></span></p>
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<p><span style="font-size:12pt;font-family:"Helvetica Neue"">I agree that the audition scenes are striking, particularly that of the signing mute character, but my memory is that Hamaguchi allowed himself some medium close-ups there.  I’m pretty sure I would
 have walked out of the (diegetically) ‘real’ theatre performance if confronted with an enormous screen for the surtitles with two very small actors at the bottom of it, who weren’t ‘speaking’ a common language.<u></u><u></u></span></p>
<p style="margin-top:6pt"><span style="font-size:12pt;font-family:"Helvetica Neue"">5 pm PST is pretty late in old Europe but I’d be interested whether Hamaguchi felt a detachment, or commitment, to that style of theatre direction.<u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">On Tuesday, 1 February 2022, 17:28:25 GMT, Goddard, Timothy via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">Dear Marcus,</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"> </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">Glad to hear that you liked the film so much. I saw it at Lincoln Center in New York back in early December, and it had a similar effect on me.</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"> </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">Hamaguchi will be participating in a webinar organized by Japan House Los Angeles this evening that might be of interest to you and other KineJapan members:</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.japanhousela.com%2Fevents%2Fma-in-japanese-film%2F&data=04%7C01%7Ctug2%40connect.yale.edu%7C0adb58d7726547dec47508d9e5c67cd3%7Cdd8cbebb21394df8b4114e3e87abeb5c%7C0%7C0%7C637793462932174223%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=jx5DSztD3unOk1GuKwn1mc0rEJPykJJ734KUzDJzI58%3D&reserved=0" target="_blank">https://www.japanhousela.com/events/ma-in-japanese-film/</a></span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"> </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">He’ll be joined in conversation by Hitoshi Abe of UCLA and Ken Tadashi Oshima of UW.</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">—Tug</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-size:10pt;font-family:"Times New Roman",serif;color:rgb(38,40,42)">—</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-size:10pt;font-family:"Times New Roman",serif;color:rgb(38,40,42)">Dr. Timothy Unverzagt Goddard
</span><span lang="ZH-TW" style="font-size:10pt;font-family:PMingLiU,serif;color:rgb(38,40,42)">高大同</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-size:10pt;font-family:"Times New Roman",serif;color:rgb(38,40,42)">Lecturer, Department of East Asian Languages and Literatures</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-size:10pt;font-family:"Times New Roman",serif;color:rgb(38,40,42)">Yale University</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-size:10pt;font-family:"Times New Roman",serif;color:rgb(38,40,42)">320 York Street, Room 112</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
<p><span style="font-size:10pt;font-family:"Times New Roman",serif;color:rgb(38,40,42)">New Haven, CT 06511</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><a href="https://eall.yale.edu/people/timothy-unverzagt-goddard" target="_blank"><span style="font-family:"Times New Roman",serif;color:rgb(5,99,193)">https://eall.yale.edu/people/timothy-unverzagt-goddard</span></a><u></u><u></u></span></p>
<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"> </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p style="margin-bottom:12pt"><b><span style="font-size:12pt;font-family:"Helvetica Neue";color:black">From:
</span></b><span style="font-size:12pt;font-family:"Helvetica Neue";color:black">KineJapan <<a href="mailto:kinejapan-bounces@mailman.yale.edu" target="_blank">kinejapan-bounces@mailman.yale.edu</a>> on behalf of Markus Nornes via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Date: </b>Tuesday, February 1, 2022 at 12:11 PM<br>
<b>To: </b>Japanese Cinema Discussion Forum <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>><br>
<b>Cc: </b>Markus Nornes <<a href="mailto:nornes@umich.edu" target="_blank">nornes@umich.edu</a>><br>
<b>Subject: </b>[KineJapan] Drive My Car</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">I finally saw Drive My Car the other day. It's one of those films that dwells inside you long afterwards. Loved it.</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">The rhythm and pace of the film is really special. Actors deliver lines in a slightly flat tone and regular cadence. They break into "acting" when they audition, in advanced rehearsal or on stage,
 which is probably what makes those scenes so striking. I have to admit I hate films-about-theater, and one reason is the style of performance comes off as so stilted and wrong (have yet to see Hamaguchi's Intimacies, but I'd probably dislike it). But this
 was one film-about-theater that quite mysteriously _worked_. </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"> </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">Hamaguchi builds a curious self-reflexivity into
<i>Drive My Car.</i> The weird style of rehearsal built into the narrative was also what he subjected his actors to in preproduction. And, judging from comments by a couple of them, they really didn't know what to make of it (the actors are disciplined if they
 deliver lines with any degree of emoting). </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"> </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">There is a key line delivered by a mute character to the theater director that goes something like, "Unlike the others, I always have to struggle with words and communicating meaning, so I understand
 how what matters is not always in the words. I understand what you are doing." This is definitely what's going on in this film; at the same time, I couldn't help noticing the climax is ultimately...wordy. </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)"> </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">So this got me wondering.
<i>Drive My Car</i> would seem to embody the legacy of what Aaron called the "detached style" of 90s/turn of the century Japanese film—films like
<i>Eureka,</i> another quiet film about trauma, memory, and healing. I won't rehearse Aaron's argument here (if you haven't encountered it,
</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.academia.edu%2F217600%2FRecognizing_Others_in_a_New_Japanese_Cinema%3Femail_work_card%3Dtitle&data=04%7C01%7Ctug2%40connect.yale.edu%7C0adb58d7726547dec47508d9e5c67cd3%7Cdd8cbebb21394df8b4114e3e87abeb5c%7C0%7C0%7C637793462932174223%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=sne4P7yw9nRRjlfu3bh5NqsK4tcVC%2FVRNVcSVnPnRt8%3D&reserved=0" target="_blank"><span style="font-size:11pt">here
 is a nice gloss</span></a></span><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">)   But I suspect Aaron has something to say about this? </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">I'm very curious about how other people are experiencing this film. </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">Fun Fact: I drove that very car back in the late 80s, and sold it to none other than Darrell Davis. </span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">Markus</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><b><span style="font-size:12pt;font-family:"Helvetica Neue";color:rgb(39,78,19)">Markus Nornes</span></b><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><b><span style="font-size:12pt;font-family:"Helvetica Neue";color:rgb(56,118,29)">Professor of Asian Cinema</span></b><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><b><span style="font-size:12pt;font-family:"Helvetica Neue";color:rgb(56,118,29)">Interim Chair, Dept. of Asian Languages and Culture</span></b><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><span style="font-size:7.5pt;font-family:"Helvetica Neue";color:rgb(56,118,29)">Department of Film, Television and Media, Department of Asian Languages and Cultures, Penny Stamps School of Art & Design</span><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p><b><u><span style="font-size:7.5pt;font-family:Arial,sans-serif;color:black;background:rgb(182,215,168)">Homepage:
</span></u></b><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><a href="https://nam12.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww-personal.umich.edu%2F~nornes%2F&data=04%7C01%7Ctug2%40connect.yale.edu%7C0adb58d7726547dec47508d9e5c67cd3%7Cdd8cbebb21394df8b4114e3e87abeb5c%7C0%7C0%7C637793462932174223%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=5iphfIg%2Bw6%2FTgXD1YpSuOhyuRL8pHY3OsXv7wIpF6vI%3D&reserved=0" target="_blank"><b><span style="font-size:7.5pt;font-family:Arial,sans-serif;color:white;background:rgb(182,215,168)">http://www-personal.umich.edu/~nornes/</span></b></a></span><b><u><span style="font-size:7.5pt;font-family:Arial,sans-serif;color:rgb(106,168,79)"><br>
</span></u></b><b><span style="font-size:7.5pt;font-family:"Helvetica Neue";color:rgb(147,196,125)">Department of Film, Television and Media<br>
6348 North Quad<br>
105 S. State Street<br>
Ann Arbor, MI 48109-1285</span></b><span style="font-size:10pt;font-family:"Helvetica Neue";color:rgb(38,40,42)"><u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-family:"Helvetica Neue";color:rgb(38,40,42)">_______________________________________________<br>
KineJapan mailing list<br>
<a href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a><br>
<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-size:11pt">_______________________________________________<br>
KineJapan mailing list<br>
<a href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a><br>
<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><u></u><u></u></span></p>
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<u></u><u></u></span></p>
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<p class="MsoNormal"><b><span style="font-size:11pt;font-family:"Times New Roman",serif;color:rgb(53,28,117)">Miryam Sas</span></b><span style="font-size:11pt;font-family:"Times New Roman",serif"><br>
<span style="color:rgb(53,28,117);background:white">Professor, Comparative Literature, Film & Media, Japanese Arts</span></span><span style="font-size:11pt"><u></u><u></u></span></p>
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<p class="MsoNormal"><span style="font-size:11pt;font-family:"Times New Roman",serif;color:rgb(53,28,117);background:white">University of California, Berkeley</span><span style="font-size:11pt"><u></u><u></u></span></p>
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<p class="MsoNormal"><i><span style="font-size:11pt;font-family:"Times New Roman",serif;color:rgb(53,28,117);background:white">Feeling Media: Potentiality and the Afterlife of Art
</span></i><span style="font-size:11pt;font-family:"Times New Roman",serif;color:rgb(53,28,117);background:white">(Duke University Press, forthcoming </span><span style="font-size:11pt;font-family:"Times New Roman",serif;color:rgb(53,28,117)">Fall 2022 )</span><span style="font-size:11pt"><u></u><u></u></span></p>
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_______________________________________________<br>
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</blockquote></div><br clear="all"><div><br></div>-- <br><div dir="ltr"><div dir="ltr"><div>Eija Niskanen</div><div>Programming director</div><div>Helsinki Cine Aasia, March 12.-15.2020</div><div><a href="http://www.helsinkicineaasia.fi" target="_blank">www.helsinkicineaasia.fi</a><br>+358-50-355 3189<br><br></div></div></div>
_______________________________________________<br>
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<a href="mailto:KineJapan@mailman.yale.edu" target="_blank">KineJapan@mailman.yale.edu</a><br>
<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="noreferrer" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br>
</blockquote></div>