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Thanks, Aaron. This is very good information, I wasn't sure that Airbnb was working well there.</div>
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<div dir="auto">It seems they are giving 20.000 visas in June.</div>
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Obtener <a href="https://aka.ms/AAb9ysg">Outlook para Android</a></div>
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<div id="divRplyFwdMsg" style="font-size: 11pt;"><strong>De:</strong> Aaron Gerow <aaron.gerow@yale.edu><br>
<strong>Enviado:</strong> miércoles, 11 de mayo de 2022 20:52<br>
<strong>Para:</strong> Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<strong>CC:</strong> Lorenzo Javier Torres Hortelano <lorenzojavier.torres.hortelano@urjc.es><br>
<strong>Asunto:</strong> Re: [KineJapan] Housing in Tokio<br>
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You can check out Airbnb, but the common option in Tokyo would be weekly mansions, which would give you clean, furnished place with a kitchen for less than a hotel. They can differ in price depending on the location and accommodations, but there are some near
central Tokyo that would cost about 90,000 to 100,000 yen if you had it for a month. We once stayed in a weekly mansion in Sangenjaya—which is convenient to Yebisu—when our house on the same line was unavailable. It did not cost that much.
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<div class="">As for entering Japan, foreigners can now enter Japan, but only those with visas. It seems they will experiment with allowing tourists in next month, starting with those on group tours. </div>
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<div class="">Aaron<br class="">
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<div class="">5/11/22 午後1:32、Lorenzo Javier Torres Hortelano via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" class="">kinejapan@mailman.yale.edu</a>>のメール:</div>
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Dear all,</div>
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Next year, from March 14, I’ll stay in Tokio until May 12 for a research grant from JF. So, please, I need help for the housing. The research will be mainly in Tokyo Photographic Art Museum (TOP), Yebisu Garden Place, 1-13-3 Mita Meguro-ku. I guess it is an
expensive area, so maybe I need to live in any other close areas… Most of the time I’ll be alone, so an small place is OK (as naïve as it can sound talking about Tokio<span class="Apple-converted-space"> </span><span class="" style="font-family:"Segoe UI Emoji",sans-serif">😉</span></div>
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Any help is welcome! Fell free to write me directly if you don’t want to disturb the list.</div>
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By the way, they tell me that from some weeks ago Tokio airports are already opened for foreign visitors.</div>
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Thanks in advance and Best regards,<span class="Apple-converted-space"> </span></div>
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<div class="" style="margin: 0cm;"><span class="" style=""><span id="cid:image001.jpg@01D80877.66834900"><BD7469BA85A347A28B2527DC6B68C7A6[8972407].jpg></span></span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><b class=""><span class="" style="font-size: 9pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Lorenzo J. Torres Hortelano </span></b><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><b class=""><span class="" style="font-size: 9pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Vicedecano de Investigación y Relaciones Internacionales</span></b><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><b class=""><span lang="EN-US" class="" style="font-size: 9pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Vice-Dean of Research and International Relations</span></b><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Profesor Titular/Professor</span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Universidad Rey Juan Carlos</span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Facultad de Ciencias de la Comunicación </span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Departamento de Comunicación Audiovisual y Publicidad</span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Edificio de Gestión - Decanato</span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">Camino del Molino s/n, 28943 Fuenlabrada </span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">+34 91 488 73 11</span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 12pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;"><a href="mailto:lorenzojavier.torres.hortelano@urjc.es" target="_blank" class="" style="text-decoration: underline;"><span class="" style="font-size: 8pt;">lorenzojavier.torres.hortelano@urjc.es</span></a></span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;"><a href="https://gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano" target="_blank" class="" style="text-decoration: underline;"><span class="" style="">gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano</span></a></span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;"><a href="https://www.researchgate.net/profile/Lorenzo_Torres" target="_blank" class="" style="text-decoration: underline;"><span class="" style="">researchgate.net/profile/Lorenzo_Torres</span></a></span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 12pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;"><a href="https://urjc.academia.edu/ljtorres" target="_blank" class="" style="text-decoration: underline;"><span class="" style="font-size: 8pt;">Lorenzo
Torres Academia.edu</span></a></span><span class="" style=""></span></div>
<div class="" style="margin: 0cm;"><span class="" style="font-size: 8pt; font-family: ibarraReal, serif; border: 1pt none windowtext; padding: 0cm;">IP proyecto Europa Creativa <a href="http://theylive.eu/" target="_blank" class="" style="text-decoration: underline;"><span class="" style="">http://theylive.eu/</span></a></span><span class="" style=""></span></div>
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<b class="">De:<span class="Apple-converted-space"> </span></b><a href="mailto:kinejapan@mailman.yale.edu" class="" style="text-decoration: underline;">Michael Raine via KineJapan</a><br class="">
<b class="">Enviado:<span class="Apple-converted-space"> </span></b>lunes, 9 de mayo de 2022 20:41<br class="">
<b class="">Para:<span class="Apple-converted-space"> </span></b><a href="mailto:kinejapan@mailman.yale.edu" class="" style="text-decoration: underline;">Japanese Cinema Discussion Forum</a><br class="">
<b class="">CC:<span class="Apple-converted-space"> </span></b><a href="mailto:raine.michael.j@gmail.com" class="" style="text-decoration: underline;">Michael Raine</a><br class="">
<b class="">Asunto:<span class="Apple-converted-space"> </span></b>Re: [KineJapan] Special Program on Okinawa films</div>
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This looks like a terrific series on cinematic visions of Okinawa. And that's a terrific deal to see three hard-to-see films online!</div>
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If anyone is interested in reading more about the films before or after watching them:</div>
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Alex published a great essay on<span class="Apple-converted-space"> </span><i class="">Asia is One</i><span class="Apple-converted-space"> </span>and NDU in the<span class="Apple-converted-space"> </span><i class="">Journal of Japanese and Korean Cinema</i><span class="Apple-converted-space"> </span>10.2
(2018)</div>
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We also published two "special sections" on Okinawan Images last year (volume 13.1-2, 2021), co-edited by Ran Ma and Kosuke Fujiki. I'll paste the table of contents here:</div>
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<b class=""><i class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Journal of Japanese and Korean Cinema</span></i></b><b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif"><span class="Apple-converted-space"> </span>13.1:</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Special section: In/visibility in Post-war Okinawan Images 1</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Introduction</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">In/visibility in Post-war Okinawan Images 1</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Ran Ma and Kosuke Fujiki</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Reminiscences of a Journey to Okinawa: Landscape Film as Essay, and Takamine Gō’s<span class="Apple-converted-space"> </span><i class="">Okinawan Dream Show</i><span class="Apple-converted-space"> </span>(1974)</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Ran Ma</span><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:10.5pt; font-family:Century,serif">Article</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Landscape and the Crisis of Representation in Nakae Y</span></b><b class=""><span lang="EN-GB" class="" style="font-size:12pt">ū</span></b><b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">ji’s<span class="Apple-converted-space"> </span><i class="">Panari
nite</i><span class="Apple-converted-space"> </span>(1986)</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Kosuke Fujiki</span><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Translation<b class=""><br class="">
Continuing as an ‘Open Incompleteness’:<span class="Apple-converted-space"> </span><i class="">Motoshinkakarannū</i><span class="Apple-converted-space"> </span>and Uncanny Okinawa</b></span><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Nakazato Isao (Translated by Kosuke Fujiki)</span><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></div>
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<b class=""><i class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Journal of Japanese and Korean Cinema</span></i></b><b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif"><span class="Apple-converted-space"> </span>13.
2:</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Special section: In/visibility in Post-war Okinawan Images 2</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Introduction</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">In/visibility in Post-war Okinawan Images 2</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Ran Ma and Kosuke Fujiki</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Article</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">The Living Sea: Okinawa, 1958, and the Postwar Media<span class="Apple-converted-space"> </span><i class="">Dispositif</i></span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Takuya Tsunoda</span><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></div>
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<b class=""><span class="" style="font-size:12pt; font-family:"Times New Roman",serif">Visualizing (Im)mobility in Post-Reversion Okinawa: A Comparative Study of NDU’s<span class="Apple-converted-space"> </span><i class="">Asia is One</i><span class="Apple-converted-space"> </span>(1973)
and Chinen Seishin’s<span class="Apple-converted-space"> </span><i class="">The Human Pavilion</i><span class="Apple-converted-space"> </span>(1976)</span></b><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Patrick Chimenti</span><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif"> </span><b class=""><span class="" style="font-size:14pt; font-family:"Times New Roman",serif"></span></b></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Interview</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<b class=""><span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Re-emerging voices and re-imagined landscapes: an interview with Chikako Yamashiro</span></b><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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<span lang="EN-GB" class="" style="font-size:12pt; font-family:"Times New Roman",serif">Ran Ma, Kosuke Fujiki & translated by Christopher M. Cabrera</span><span class="" style="font-size:10.5pt; font-family:Century,serif"></span></div>
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The journal is available at all good libraries -- if it isn't, please request it! We also welcome article submissions and proposals for special sections in upcoming issues.</div>
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Michael</div>
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Michael Raine, Department of English and Writing Studies</div>
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Western University, Canada</div>
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co-editor, Journal of Japanese and Korean Cinema</div>
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co-editor, The Culture of the Sound Image in Prewar Japan (Amsterdam UP, 2020)</div>
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co-editor, Developments in the Japanese Documentary Mode (MDPI, 2020)</div>
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On Tue, Apr 26, 2022 at 11:28 AM Hilson Reidpath via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank" class="" style="text-decoration: underline;">kinejapan@mailman.yale.edu</a>> wrote:</div>
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Thanks for sending this out Alex.<span class="Apple-converted-space"> </span><br class="">
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I meant to share it as well. I really recommend to anyone remotely interested in post-war/occupation area Okinawa to check out <b class="">Motoshinkakarannu<span class="Apple-converted-space"> </span></b>at the very least. My understanding is it is<span class="Apple-converted-space"> </span><i class="">very</i><span class="Apple-converted-space"> </span>difficult
to see. It was also filmed towards the tail-end of the US occupation, which was a tumultuous time for a number of reasons, but is of particular note (and controversy) because of its depiction of the extant yakuza gangs at the time.<span class="Apple-converted-space"> </span></p>
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Best,</p>
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Hilson Reidpath</div>
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On Sat, Apr 23, 2022 at 3:10 AM Zahlten, Alexander via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank" class="" style="text-decoration: underline;">kinejapan@mailman.yale.edu</a>> wrote:</div>
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<span lang="EN-US" class="">Hello All,</span></div>
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<span lang="EN-US" class="">Apologies, I forgot to edit the subject line when I just sent out the email. Sorry about that! See the original message below.</span></div>
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<span lang="EN-US" class="">Best,</span></div>
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<span lang="EN-US" class="">Alex</span></div>
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<span lang="EN-US" class=""> </span></div>
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<span lang="EN-US" class="">Hi Everyone,</span></div>
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<span lang="EN-US" class="">This is just to point you to an interesting special of films on Okinawa taking place at the Japan Society New York due to the efforts of Alexander Fee. It features a really nice span of types of films, from a Nakajima Sadao-directed
Yakuza film to two usually very difficult to access films by the legendary documentary film collective NDU. Here is the link:</span></div>
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<span lang="EN-US" class="" style="font-size:12pt"> </span><span lang="EN-US" class=""><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2D2Dcinematic-2D2Dreflections-2526d-253DDwMGaQ-2526c-253DWO-2DRGvefibhHBZq3fL85hQ-2526r-253D-5F-5FROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68-2526m-253DJzxkb94x7hSI11G1-2DorapqU5kXAOOYgVrpTAboXiVNte35HNYC3Ao7r93nbN2Skw-2526s-253DkFhI5vBBoODw1ibZ4p-5FTcxHKlx7MqGdnfhfFgP8V2Vk-2526e-253D-26data-3D05-257C01-257CAFee-2540japansociety.org-257Ce12310fad91744e6e2ed08da22658d64-257Ccc53eb7cef7740a39c5e5649d505a427-257C0-257C0-257C637860116816235264-257CUnknown-257CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0-253D-257C3000-257C-257C-257C-26sdata-3DUCcs-252BP7pnpwENob-252FU1Zx7uJXcLH-252FP7XHNOclKg2ShJk-253D-26reserved-3D0&d=DwMGaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=fXin2X1CFLiRfownoKEctVLxVa6Cq9Ynz32TKWlssv8CA50BNmfd5iTlxIYmlxCc&s=yTj0Y_VeNM7JnQ8FMt3cMuip47EoA-IMVvNsFIegC_8&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2" class="" style="text-decoration: underline;"><span class="" style="font-size:12pt">https://www.japansociety.org/arts-and-culture/films/okinawa-cinematic-reflections</span></a></span></div>
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<span lang="EN-US" class=""> </span></div>
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<span lang="EN-US" class="">Some films are being streamed as well, though the majority is for in-person screenings.</span></div>
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<span lang="EN-US" class=""> </span></div>
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<span lang="EN-US" class="">All best,</span></div>
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<span lang="EN-US" class="">Alex</span></div>
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<span lang="EN-US" class="" style="font-size:10.5pt">-------------------------------</span><span lang="EN-US" class=""></span></div>
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<span lang="EN-US" class="" style="font-size:10.5pt">Alexander Zahlten</span><span lang="EN-US" class=""></span></div>
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<span lang="EN-US" class="" style="font-size:10.5pt">Professor of East Asian Languages and Civilizations</span><span lang="EN-US" class=""></span></div>
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<span lang="EN-US" class="" style="font-size:10.5pt">Chair, Regional Studies East Asia (RSEA) Program</span><span lang="EN-US" class=""></span></div>
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<span lang="EN-US" class="" style="font-size:10.5pt">Harvard University</span><span lang="EN-US" class=""></span></div>
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<span lang="EN-US" class="" style="font-size:10.5pt">(He / him / his)</span><span lang="EN-US" class=""></span></div>
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--<span class="Apple-converted-space"> </span></div>
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Hilson Reidpath</div>
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PhD Student in Japanese</div>
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East Asian Language and Literature</div>
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University of Hawai'i at Mānoa</div>
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