<div dir="auto">Unless you are Kanye West in which case you have no problem entering Japan.</div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">2022年5月11日(水) 午後2:52 Aaron Gerow via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu">kinejapan@mailman.yale.edu</a>>:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div style="word-wrap:break-word;line-break:after-white-space">You can check out Airbnb, but the common option in Tokyo would be weekly mansions, which would give you clean, furnished place with a kitchen for less than a hotel. They can differ in price depending on the location and accommodations, but there are some near central Tokyo that would cost about 90,000 to 100,000 yen if you had it for a month. We once stayed in a weekly mansion in Sangenjaya—which is convenient to Yebisu—when our house on the same line was unavailable. It did not cost that much.<div><br></div><div>As for entering Japan, foreigners can now enter Japan, but only those with visas. It seems they will experiment with allowing tourists in next month, starting with those on group tours. </div><div><br></div><div>Aaron<br><div><br><blockquote type="cite"><div>5/11/22 午後1:32、Lorenzo Javier Torres Hortelano via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank" rel="noreferrer">kinejapan@mailman.yale.edu</a>>のメール:</div><br><div><div style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none"><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Dear all,</div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Next year, from March 14, I’ll stay in Tokio until May 12 for a research grant from JF. So, please, I need help for the housing. The research will be mainly in Tokyo Photographic Art Museum (TOP), Yebisu Garden Place, 1-13-3 Mita Meguro-ku. I guess it is an expensive area, so maybe I need to live in any other close areas… Most of the time I’ll be alone, so an small place is OK (as naïve as it can sound talking about Tokio<span> </span><span style="font-family:"Segoe UI Emoji",sans-serif">😉</span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Any help is welcome! Fell free to write me directly if you don’t want to disturb the list.</div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">By the way, they tell me that from some weeks ago Tokio airports are already opened for foreign visitors.</div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Thanks in advance and Best regards,<span> </span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;background-color:white"><span><span id="m_737852805007926902cid:image001.jpg@01D80877.66834900"><BD7469BA85A347A28B2527DC6B68C7A6[8972407].jpg></span></span><span style="color:rgb(32,31,30)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><b><span style="font-size:9pt;font-family:ibarraReal,serif;color:rgb(226,0,0);border:1pt none windowtext;padding:0cm">Lorenzo J. Torres Hortelano </span></b><span style="color:rgb(32,31,30)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><b><span style="font-size:9pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Vicedecano de Investigación y Relaciones Internacionales</span></b><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><b><span lang="EN-US" style="font-size:9pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Vice-Dean of Research and International Relations</span></b><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Profesor Titular/Professor</span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Universidad Rey Juan Carlos</span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Facultad de Ciencias de la Comunicación </span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Departamento de  Comunicación Audiovisual y Publicidad</span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Edificio de Gestión - Decanato</span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">Camino del Molino s/n, 28943 Fuenlabrada </span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">+34 91 488 73 11</span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:12pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm"><a href="mailto:lorenzojavier.torres.hortelano@urjc.es" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer"><span style="font-size:8pt;font-family:inherit,serif;color:rgb(47,85,151)">lorenzojavier.torres.hortelano@urjc.es</span></a></span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm"><a href="https://gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer"><span style="color:rgb(47,85,151)">gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano</span></a></span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm"><a href="https://www.researchgate.net/profile/Lorenzo_Torres" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer"><span style="color:rgb(47,85,151)">researchgate.net/profile/Lorenzo_Torres</span></a></span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:12pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm"><a href="https://urjc.academia.edu/ljtorres" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer"><span style="font-size:8pt;font-family:inherit,serif;color:rgb(47,85,151)">Lorenzo Torres Academia.edu</span></a></span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;background-color:white"><span style="font-size:8pt;font-family:ibarraReal,serif;color:rgb(47,85,151);border:1pt none windowtext;padding:0cm">IP proyecto Europa Creativa  <a href="http://theylive.eu/" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer"><span style="color:rgb(47,85,151)">http://theylive.eu/</span></a></span><span style="color:rgb(47,85,151)"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div style="border-style:solid none none;border-top-width:1pt;border-top-color:rgb(225,225,225);padding:3pt 0cm 0cm"><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif;border:none;padding:0cm"><b>De:<span> </span></b><a href="mailto:kinejapan@mailman.yale.edu" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">Michael Raine via KineJapan</a><br><b>Enviado:<span> </span></b>lunes, 9 de mayo de 2022 20:41<br><b>Para:<span> </span></b><a href="mailto:kinejapan@mailman.yale.edu" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">Japanese Cinema Discussion Forum</a><br><b>CC:<span> </span></b><a href="mailto:raine.michael.j@gmail.com" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">Michael Raine</a><br><b>Asunto:<span> </span></b>Re: [KineJapan] Special Program on Okinawa films</div></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">This looks like a terrific series on cinematic visions of Okinawa. And that's a terrific deal to see three hard-to-see films online!<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">If anyone is interested in reading more about the films before or after watching them:<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Alex published a great essay on<span> </span><i>Asia is One</i><span> </span>and NDU in the<span> </span><i>Journal of Japanese and Korean Cinema</i><span> </span>10.2 (2018)<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">We also published two "special sections" on Okinawan Images last year (volume 13.1-2, 2021), co-edited by Ran Ma and Kosuke Fujiki. I'll paste the table of contents here:<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><i><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Journal of Japanese and Korean Cinema</span></i></b><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"><span> </span>13.1:</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Special section: In/visibility in Post-war Okinawan Images 1</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif;text-align:justify"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Introduction</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">In/visibility in Post-war Okinawan Images 1</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif;text-align:justify"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Ran Ma and Kosuke Fujiki</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif;text-align:justify"><span lang="EN-GB" style="font-size:10.5pt;font-family:Century,serif">Article</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Reminiscences of a Journey to Okinawa: Landscape Film as Essay, and Takamine Gō’s<span> </span><i>Okinawan Dream Show</i><span> </span>(1974)</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Ran Ma</span><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif;text-align:justify"><span lang="EN-GB" style="font-size:10.5pt;font-family:Century,serif">Article</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Landscape and the Crisis of Representation in Nakae Y</span></b><b><span lang="EN-GB" style="font-size:12pt">ū</span></b><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">ji’s<span> </span><i>Panari nite</i><span> </span>(1986)</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Kosuke Fujiki</span><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif;text-align:justify"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Translation<b><br>Continuing as an ‘Open Incompleteness’:<span> </span><i>Motoshinkakarannū</i><span> </span>and Uncanny Okinawa</b></span><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Nakazato Isao (Translated by Kosuke Fujiki)</span><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u> <u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><i><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Journal of Japanese and Korean Cinema</span></i></b><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"><span> </span>13. 2:</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Special section: In/visibility in Post-war Okinawan Images 2</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Introduction</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">In/visibility in Post-war Okinawan Images 2</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Ran Ma and Kosuke Fujiki</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Article</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">The Living Sea: Okinawa, 1958, and the Postwar Media<span> </span><i>Dispositif</i></span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Takuya Tsunoda</span><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Article</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt;font-family:"Times New Roman",serif">Visualizing (Im)mobility in Post-Reversion Okinawa: A Comparative Study of NDU’s<span> </span><i>Asia is One</i><span> </span>(1973) and Chinen Seishin’s<span> </span><i>The Human Pavilion</i><span> </span>(1976)</span></b><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Patrick Chimenti</span><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14pt;font-family:"Times New Roman",serif"><u></u><u></u></span></b></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Interview</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Re-emerging voices and re-imagined landscapes: an interview with Chikako Yamashiro</span></b><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="font-size:12pt;font-family:"Times New Roman",serif">Ran Ma, Kosuke Fujiki & translated by Christopher M. Cabrera</span><span style="font-size:10.5pt;font-family:Century,serif"><u></u><u></u></span></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">The journal is available at all good libraries -- if it isn't, please request it! We also welcome article submissions and proposals for special sections in upcoming issues.<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Michael<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><div><div><div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Michael Raine, Department of English and Writing Studies<u></u><u></u></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Western University, Canada<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">co-editor, Journal of Japanese and Korean Cinema<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">co-editor, The Culture of the Sound Image in Prewar Japan (Amsterdam UP, 2020)<u></u><u></u></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">co-editor, Developments in the Japanese Documentary Mode (MDPI, 2020)<u></u><u></u></div></div></div></div></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">On Tue, Apr 26, 2022 at 11:28 AM Hilson Reidpath via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">kinejapan@mailman.yale.edu</a>> wrote:<u></u><u></u></div></div><blockquote style="border-style:none none none solid;border-left-width:1pt;border-left-color:rgb(204,204,204);padding:0cm 0cm 0cm 6pt;margin-left:4.8pt;margin-right:0cm"><div><div><div><p class="MsoNormal" style="margin:0cm 0cm 12pt;font-size:11pt;font-family:Calibri,sans-serif">Thanks for sending this out Alex.<span> </span><br><br>I meant to share it as well. I really recommend to anyone remotely interested in post-war/occupation area Okinawa to check out <b>Motoshinkakarannu<span> </span></b>at the very least. My understanding is it is<span> </span><i>very</i><span> </span>difficult to see. It was also filmed towards the tail-end of the US occupation, which was a tumultuous time for a number of reasons, but is of particular note (and controversy) because of its depiction of the extant yakuza gangs at the time.<span> </span><u></u><u></u></p></div><p class="MsoNormal" style="margin:0cm 0cm 12pt;font-size:11pt;font-family:Calibri,sans-serif">Best,<u></u><u></u></p></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Hilson Reidpath<u></u><u></u></div></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div><div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">On Sat, Apr 23, 2022 at 3:10 AM Zahlten, Alexander via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">kinejapan@mailman.yale.edu</a>> wrote:<u></u><u></u></div></div><blockquote style="border-style:none none none solid;border-left-width:1pt;border-left-color:rgb(204,204,204);padding:0cm 0cm 0cm 6pt;margin-left:4.8pt;margin-right:0cm"><div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">Hello All,<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">Apologies, I forgot to edit the subject line when I just sent out the email. Sorry about that! See the original message below.<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">Best,<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">Alex<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US"> <u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">Hi Everyone,<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US"> <u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">This is just to point you to an interesting special of films on Okinawa taking place at the Japan Society New York due to the efforts of Alexander Fee. It features a really nice span of types of films, from a Nakajima Sadao-directed Yakuza film to two usually very difficult to access films by the legendary documentary film collective NDU. Here is the link:<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US"> <u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:12pt"> </span><span lang="EN-US"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2D2Dcinematic-2D2Dreflections-2526d-253DDwMGaQ-2526c-253DWO-2DRGvefibhHBZq3fL85hQ-2526r-253D-5F-5FROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68-2526m-253DJzxkb94x7hSI11G1-2DorapqU5kXAOOYgVrpTAboXiVNte35HNYC3Ao7r93nbN2Skw-2526s-253DkFhI5vBBoODw1ibZ4p-5FTcxHKlx7MqGdnfhfFgP8V2Vk-2526e-253D-26data-3D05-257C01-257CAFee-2540japansociety.org-257Ce12310fad91744e6e2ed08da22658d64-257Ccc53eb7cef7740a39c5e5649d505a427-257C0-257C0-257C637860116816235264-257CUnknown-257CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0-253D-257C3000-257C-257C-257C-26sdata-3DUCcs-252BP7pnpwENob-252FU1Zx7uJXcLH-252FP7XHNOclKg2ShJk-253D-26reserved-3D0&d=DwMGaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=fXin2X1CFLiRfownoKEctVLxVa6Cq9Ynz32TKWlssv8CA50BNmfd5iTlxIYmlxCc&s=yTj0Y_VeNM7JnQ8FMt3cMuip47EoA-IMVvNsFIegC_8&e=" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer"><span style="font-size:12pt">https://www.japansociety.org/arts-and-culture/films/okinawa-cinematic-reflections</span></a><u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US"> <u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">Some films are being streamed as well, though the majority is for in-person screenings.<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US"> <u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">All best,<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US">Alex<u></u><u></u></span></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US"> <u></u><u></u></span></div><div><div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:10.5pt">-------------------------------</span><span lang="EN-US"><u></u><u></u></span></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:10.5pt">Alexander Zahlten</span><span lang="EN-US"><u></u><u></u></span></div></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:10.5pt">Professor of East Asian Languages and Civilizations</span><span lang="EN-US"><u></u><u></u></span></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:10.5pt">Chair, Regional Studies East Asia (RSEA) Program</span><span lang="EN-US"><u></u><u></u></span></div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:10.5pt">Harvard University</span><span lang="EN-US"><u></u><u></u></span></div></div></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:10.5pt">(He / him / his)</span><span lang="EN-US"><u></u><u></u></span></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US"> <u></u><u></u></span></div></div></div></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">_______________________________________________<br>KineJapan mailing list<br><a href="mailto:KineJapan@mailman.yale.edu" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">KineJapan@mailman.yale.edu</a><br><a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><u></u><u></u></div></blockquote></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><br clear="all"><br>--<span> </span><u></u><u></u></div><div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">Hilson Reidpath</div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">PhD Student in Japanese</div></div><div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">East Asian Language and Literature</div></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif">University of Hawai'i at Mānoa</div></div></div></blockquote></div><div style="margin:0cm 0cm 0cm 4.8pt;font-size:11pt;font-family:Calibri,sans-serif">_______________________________________________<br>KineJapan mailing list<br><a href="mailto:KineJapan@mailman.yale.edu" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">KineJapan@mailman.yale.edu</a><br><a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" style="color:blue;text-decoration:underline" target="_blank" rel="noreferrer">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><u></u><u></u></div><div style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><u></u> <u></u></div></div><span style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none;float:none;display:inline!important">_______________________________________________</span><br style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none"><span style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none;float:none;display:inline!important">KineJapan mailing list</span><br style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none"><a href="mailto:KineJapan@mailman.yale.edu" style="color:blue;text-decoration:underline;font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px" target="_blank" rel="noreferrer">KineJapan@mailman.yale.edu</a><br style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none"><a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" style="color:blue;text-decoration:underline;font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px" target="_blank" rel="noreferrer">https://mailman.yale.edu/mailman/listinfo/kinejapan</a></div></blockquote></div><br></div></div>_______________________________________________<br>
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