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<p class="MsoNormal">Dear all,</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Next year, from March 14, I’ll stay in Tokio until May 12 for a research grant from JF. So, please, I need help for the housing. The research will be mainly in Tokyo Photographic Art Museum (TOP), Yebisu Garden Place, 1-13-3 Mita Meguro-ku.
I guess it is an expensive area, so maybe I need to live in any other close areas… Most of the time I’ll be alone, so an small place is OK (as naïve as it can sound talking about Tokio
<span style="font-family:"Segoe UI Emoji",sans-serif">😉</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Any help is welcome! Fell free to write me directly if you don’t want to disturb the list.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">By the way, they tell me that from some weeks ago Tokio airports are already opened for foreign visitors.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Thanks in advance and Best regards, </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm;background:white"><span style="color:black"><img width="320" height="103" style="width:3.3333in;height:1.0729in" id="Imagen_x0020_3" src="cid:image001.jpg@01D80877.66834900"></span><span style="color:#201F1E"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><b><span style="font-size:9.0pt;font-family:"ibarraReal",serif;color:#E20000;border:none windowtext 1.0pt;padding:0cm">Lorenzo J. Torres Hortelano </span></b><span style="color:#201F1E"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><b><span style="font-size:9.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Vicedecano de Investigación y Relaciones Internacionales</span></b><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><b><span lang="EN-US" style="font-size:9.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Vice-Dean of Research and International Relations</span></b><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Profesor Titular/Professor</span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Universidad Rey Juan Carlos</span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Facultad de Ciencias de la Comunicación </span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Departamento de Comunicación Audiovisual y Publicidad</span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Edificio de Gestión - Decanato</span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">Camino del Molino s/n, 28943 Fuenlabrada </span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">+34 91 488 73 11</span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:12.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm"><a href="mailto:lorenzojavier.torres.hortelano@urjc.es" target="_blank"><span style="font-size:8.0pt;font-family:"inherit",serif;color:#2F5597">lorenzojavier.torres.hortelano@urjc.es</span></a></span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm"><a href="https://gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano" target="_blank"><span style="color:#2F5597">gestion2.urjc.es/pdi/ver/lorenzojavier.torres.hortelano</span></a></span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm"><a href="https://www.researchgate.net/profile/Lorenzo_Torres" target="_blank"><span style="color:#2F5597">researchgate.net/profile/Lorenzo_Torres</span></a></span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:12.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm"><a href="https://urjc.academia.edu/ljtorres" target="_blank"><span style="font-size:8.0pt;font-family:"inherit",serif;color:#2F5597">Lorenzo
Torres Academia.edu</span></a></span><span style="color:#2F5597"><o:p></o:p></span></p>
<p style="margin:0cm;background:white"><span style="font-size:8.0pt;font-family:"ibarraReal",serif;color:#2F5597;border:none windowtext 1.0pt;padding:0cm">IP proyecto Europa Creativa <a href="http://theylive.eu/" target="_blank"><span style="color:#2F5597">http://theylive.eu/</span></a></span><span style="color:#2F5597"><o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal" style="border:none;padding:0cm"><b>De: </b><a href="mailto:kinejapan@mailman.yale.edu">Michael Raine via KineJapan</a><br>
<b>Enviado: </b>lunes, 9 de mayo de 2022 20:41<br>
<b>Para: </b><a href="mailto:kinejapan@mailman.yale.edu">Japanese Cinema Discussion Forum</a><br>
<b>CC: </b><a href="mailto:raine.michael.j@gmail.com">Michael Raine</a><br>
<b>Asunto: </b>Re: [KineJapan] Special Program on Okinawa films</p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">This looks like a terrific series on cinematic visions of Okinawa. And that's a terrific deal to see three hard-to-see films online!<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">If anyone is interested in reading more about the films before or after watching them:
<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">Alex published a great essay on <i>Asia is One</i> and NDU in the
<i>Journal of Japanese and Korean Cinema</i> 10.2 (2018)<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">We also published two "special sections" on Okinawan Images last year (volume 13.1-2, 2021), co-edited by Ran Ma and Kosuke Fujiki. I'll paste the table of contents here:
<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="gmail-articletitle" style="margin:0cm"><b><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Journal of Japanese and Korean Cinema</span></i></b><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">
13.1:</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Special section: In/visibility in Post-war Okinawan Images 1</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align:justify;text-justify:inter-ideograph"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Introduction</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">In/visibility in Post-war Okinawan Images 1</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align:justify;text-justify:inter-ideograph"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Ran Ma and Kosuke Fujiki
</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align:justify;text-justify:inter-ideograph"><span lang="EN-GB" style="font-size:10.5pt;font-family:"Century",serif">Article</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Reminiscences of a Journey to Okinawa: Landscape Film as Essay, and Takamine Gō’s
<i>Okinawan Dream Show</i> (1974)</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-articletitle" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Ran Ma</span><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-articletitle" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align:justify;text-justify:inter-ideograph"><span lang="EN-GB" style="font-size:10.5pt;font-family:"Century",serif">Article</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Landscape and the Crisis of Representation in Nakae Y</span></b><b><span lang="EN-GB" style="font-size:12.0pt">ū</span></b><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">ji’s
<i>Panari nite</i> (1986)</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-authornames" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Kosuke Fujiki</span><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify;text-justify:inter-ideograph"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif"> </span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-authornames" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Translation<b><br>
Continuing as an ‘Open Incompleteness’: <i>Motoshinkakarannū</i> and Uncanny Okinawa</b></span><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="gmail-authornames" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Nakazato Isao (Translated by Kosuke Fujiki)</span><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></b></p>
<p class="gmail-articletitle" style="margin:0cm"><b><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Journal of Japanese and Korean Cinema</span></i></b><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">
13. 2:</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Special section: In/visibility in Post-war Okinawan Images 2</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Introduction</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">In/visibility in Post-war Okinawan Images 2</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Ran Ma and Kosuke Fujiki
</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Article</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">The Living Sea: Okinawa, 1958, and the Postwar Media
<i>Dispositif</i></span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-authornames" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Takuya Tsunoda</span><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif"> </span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Article</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="gmail-articletitle" style="margin:0cm"><b><span style="font-size:12.0pt;font-family:"Times New Roman",serif">Visualizing (Im)mobility in Post-Reversion Okinawa: A Comparative Study of NDU’s
<i>Asia is One</i> (1973) and Chinen Seishin’s <i>The Human Pavilion</i> (1976)</span></b><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-articletitle" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Patrick Chimenti</span><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="gmail-articletitle" style="margin:0cm"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif"> </span><b><span style="font-size:14.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Interview</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Re-emerging voices and re-imagined landscapes: an interview with Chikako Yamashiro</span></b><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif">Ran Ma, Kosuke Fujiki & translated by Christopher M. Cabrera</span><span style="font-size:10.5pt;font-family:"Century",serif"><o:p></o:p></span></p>
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<p class="MsoNormal">The journal is available at all good libraries -- if it isn't, please request it! We also welcome article submissions and proposals for special sections in upcoming issues.
<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">Michael<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">Michael Raine, Department of English and Writing Studies<o:p></o:p></p>
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<p class="MsoNormal">Western University, Canada<o:p></o:p></p>
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<p class="MsoNormal">co-editor, Journal of Japanese and Korean Cinema<o:p></o:p></p>
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<p class="MsoNormal">co-editor, The Culture of the Sound Image in Prewar Japan (Amsterdam UP, 2020)<o:p></o:p></p>
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<p class="MsoNormal">co-editor, Developments in the Japanese Documentary Mode (MDPI, 2020)<o:p></o:p></p>
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<p class="MsoNormal">On Tue, Apr 26, 2022 at 11:28 AM Hilson Reidpath via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<o:p></o:p></p>
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<p class="MsoNormal" style="margin-bottom:12.0pt">Thanks for sending this out Alex.
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<br>
I meant to share it as well. I really recommend to anyone remotely interested in post-war/occupation area Okinawa to check out <b>Motoshinkakarannu
</b>at the very least. My understanding is it is <i>very</i> difficult to see. It was also filmed towards the tail-end of the US occupation, which was a tumultuous time for a number of reasons, but is of particular note (and controversy) because of its depiction
of the extant yakuza gangs at the time. <o:p></o:p></p>
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<p class="MsoNormal" style="margin-bottom:12.0pt">Best,<o:p></o:p></p>
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<p class="MsoNormal">Hilson Reidpath<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">On Sat, Apr 23, 2022 at 3:10 AM Zahlten, Alexander via KineJapan <<a href="mailto:kinejapan@mailman.yale.edu" target="_blank">kinejapan@mailman.yale.edu</a>> wrote:<o:p></o:p></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">Hello All,<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">Apologies, I forgot to edit the subject line when I just sent out the email. Sorry about that! See the original message below.<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">Best,<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">Alex<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US"> <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">Hi Everyone,<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US"> <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">This is just to point you to an interesting special of films on Okinawa taking place at the Japan Society New York due to the efforts of Alexander Fee. It features
a really nice span of types of films, from a Nakajima Sadao-directed Yakuza film to two usually very difficult to access films by the legendary documentary film collective NDU. Here is the link:<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US"> <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US" style="font-size:12.0pt;color:black"> </span><span lang="EN-US"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2D2Dcinematic-2D2Dreflections-2526d-253DDwMGaQ-2526c-253DWO-2DRGvefibhHBZq3fL85hQ-2526r-253D-5F-5FROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68-2526m-253DJzxkb94x7hSI11G1-2DorapqU5kXAOOYgVrpTAboXiVNte35HNYC3Ao7r93nbN2Skw-2526s-253DkFhI5vBBoODw1ibZ4p-5FTcxHKlx7MqGdnfhfFgP8V2Vk-2526e-253D-26data-3D05-257C01-257CAFee-2540japansociety.org-257Ce12310fad91744e6e2ed08da22658d64-257Ccc53eb7cef7740a39c5e5649d505a427-257C0-257C0-257C637860116816235264-257CUnknown-257CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0-253D-257C3000-257C-257C-257C-26sdata-3DUCcs-252BP7pnpwENob-252FU1Zx7uJXcLH-252FP7XHNOclKg2ShJk-253D-26reserved-3D0&d=DwMGaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=fXin2X1CFLiRfownoKEctVLxVa6Cq9Ynz32TKWlssv8CA50BNmfd5iTlxIYmlxCc&s=yTj0Y_VeNM7JnQ8FMt3cMuip47EoA-IMVvNsFIegC_8&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__nam11.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Furldefense.proofpoint.com-252Fv2-252Furl-253Fu-253Dhttps-2D3A-5F-5Fwww.japansociety.org-5Farts-2D2Dand-2D2Dculture-5Ffilms-5Fokinawa-2"><span style="font-size:12.0pt">https://www.japansociety.org/arts-and-culture/films/okinawa-cinematic-reflections</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US"> <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">Some films are being streamed as well, though the majority is for in-person screenings.<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US"> <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">All best,<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US">Alex<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US"> <o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US" style="font-size:10.5pt;color:black">-------------------------------</span><span lang="EN-US"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US" style="font-size:10.5pt;color:black">Alexander Zahlten</span><span lang="EN-US"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US" style="font-size:10.5pt;color:black">Professor of East Asian Languages and Civilizations</span><span lang="EN-US"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US" style="font-size:10.5pt;color:black">Chair, Regional Studies East Asia (RSEA) Program</span><span lang="EN-US"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US" style="font-size:10.5pt;color:black">Harvard University</span><span lang="EN-US"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US" style="font-size:10.5pt;color:black">(He / him / his)</span><span lang="EN-US"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-US"> <o:p></o:p></span></p>
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<p class="MsoNormal">_______________________________________________<br>
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<a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><o:p></o:p></p>
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-- <o:p></o:p></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">Hilson Reidpath
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">PhD Student in Japanese</p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">East Asian Language and Literature</p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">University of Hawai'i at Mānoa</p>
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<p class="MsoNormal" style="margin-left:4.8pt">_______________________________________________<br>
KineJapan mailing list<br>
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<p class="MsoNormal"><o:p> </o:p></p>
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