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Dear friends and colleagues,</div>
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<br>
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The Daiwa Foundation in London is kindly hosting a launch event for my forthcoming BFI Film Classic on
<i>Tokyo monogatari</i>.</div>
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<br>
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It will take place on Friday 18<span><sup>th</sup> November 2022 6-8pm.</span></div>
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<span><br>
</span></div>
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<span>Bookings are now being taken via this weblink:</span></div>
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<span><br>
</span></div>
<div class="elementToProof" style="font-family:Calibri,Arial,Helvetica,sans-serif; font-size:12pt; color:rgb(0,0,0)">
<span><a href="https://dajf.org.uk/event/tokyo-story" id="LPNoLPOWALinkPreview">https://dajf.org.uk/event/tokyo-story</a><br>
</span></div>
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<br>
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I look forward to seeing some of you there!</div>
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<br>
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With warm wishes,</div>
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<br>
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<div class="elementToProof" style="font-family:Calibri,Arial,Helvetica,sans-serif; font-size:12pt; color:rgb(0,0,0)">
Alastair<br>
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<br>
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<span style="color: rgb(0, 0, 0);">Friday 18 November 2022</span><span class="Apple-converted-space" style="color: rgb(0, 0, 0);"> </span><br>
<span style="color: rgb(0, 0, 0);">6:00pm – 7:00pm</span></p>
<h1 style="margin-top:10px !important;margin-bottom:0px;padding:44px 14.84375px 19px;outline:0px;color:rgb(50, 49, 35);font-family:Montserrat, HelveticaNeue, "Helvetica Neue", Helvetica, Helvetica, Arial, sans-serif;font-size:1.875em;font-weight:700;line-height:1.5em;text-align:center;caret-color:rgb(50, 49, 35);orphans:auto;widows:auto;background-color:rgb(255, 255, 255)">
<span style="color: rgb(0, 0, 0);">Tokyo Story</span></h1>
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<span style="color: rgb(0, 0, 0);">Drinks reception: 7:00pm – 8:00pm</span></p>
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<span style="color: rgb(0, 0, 0);">13/14 Cornwall Terrace, Outer Circle (entrance facing Regent's Park), London NW1 4QP</span></p>
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<span style="color: rgb(0, 0, 0);">Organised by the Daiwa Anglo-Japanese Foundation</span></p>
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Ozu Yasujirô’s celebrated family drama, <em style="margin:0px; outline:0px">Tokyo monogatari/Tokyo Story</em> (1953), is universally acknowledged as one of the most significant Japanese films ever made, and regularly cited as one of the greatest films of all
time in polls of leading critics and filmmakers around the world.</p>
<p style="margin-top: 0px; margin-bottom: 0px;margin:0px 0px 20px; outline:0px; color:rgb(50,49,35); font-family:"EB Garamond",TimesNewRoman,"Times New Roman",Times,serif; font-size:1.125em; line-height:1.5em; orphans:auto; widows:auto; background-color:rgb(255,255,255)">
Telling the moving story of an elderly couple who travel to Tokyo to visit their grown-up children, the film contrasts the behaviour of their children, who are too busy to pay their parents much attention, and their widowed daughter-in-law who treats them with
hospitable kindness. In its complex portrait of human motivation and lively sense of social space, it offers a profound and poignant insight into the generational shifts of postwar Japan.</p>
<p style="margin-top: 0px; margin-bottom: 0px;margin:0px 0px 20px; outline:0px; color:rgb(50,49,35); font-family:"EB Garamond",TimesNewRoman,"Times New Roman",Times,serif; font-size:1.125em; line-height:1.5em; orphans:auto; widows:auto; background-color:rgb(255,255,255)">
Professor Alastair Phillips (University of Warwick), author of a new BFI Film Classic on<span class="Apple-converted-space"> </span><em style="margin:0px; outline:0px">Tokyo Story</em> (Bloomsbury Publishing, 2022), will give an extended illustrated talk on
the film. The presentation will combine a close analysis of the film’s key locations – the city of Tokyo and the town of Onomichi – with discussion of its representation of Japanese society at a time of great cultural change. Drawing upon Japanese and English
language sources, he will also situate<span class="Apple-converted-space"> </span><em style="margin:0px; outline:0px">Tokyo Story</em><span class="Apple-converted-space"> </span>within various contemporary critical and industrial contexts and examine the multiple
international dimensions of the film’s long after-life to understand its enormous contribution to global film culture.</p>
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<em style="margin:0px; outline:0px">Tokyo Story</em><span class="x_contentpasted3" style="margin:0px; outline:0px"><span class="Apple-converted-space"> </span>by Alastair Phillips is published by Bloomsbury (2022). It is available for pre-order<span class="Apple-converted-space">
</span></span>via: <span style="color:#1F497D"><a href="https://linkprotect.cudasvc.com/url?a=https%3a%2f%2fwww.bloomsbury.com%2fuk%2ftokyo-story-9781911239239%2f&c=E,1,NBuly-q-6r8n8Qtqklq_6bpB5tTGBBHbj_kJ3Qm3eqzntk9NM4hjgqI08YnviIDcMcYXJ8ifEtnfVoVcW3yZX7t4FO0dQrg9Lylz38szGbiwb9RURh9rwcIFW-VVQQ,,&typo=1" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-safelink="true" data-linkindex="6">https://www.bloomsbury.com/uk/tokyo-story-9781911239239/</a></span><span class="x_contentpasted3" style="margin:0px; outline:0px"><span class="Apple-converted-space"></span></span></p>
<p style="margin-top: 0px; margin-bottom: 0px;margin:0px 0px 20px; outline:0px; color:rgb(50,49,35); font-family:"EB Garamond",TimesNewRoman,"Times New Roman",Times,serif; font-size:1.125em; line-height:1.5em; orphans:auto; widows:auto; background-color:rgb(255,255,255)">
A discount code will be provided for attendees of this event.</p>
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<span style="margin:0px; font-family:"Courier New"; font-size:10pt">Professor Alastair Phillips<br>
</span></p>
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<span style="margin:0px; font-family:"Courier New"; font-size:10pt">Film and Television Studies</span></p>
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<span style="margin:0px; font-family:"Courier New"; font-size:10pt">School of Creative Arts, Performance and Visual Cultures</span></p>
<p style="margin-top: 0px; margin-bottom: 0px;margin-top:0px; margin-bottom:0px; font-family:Tahoma; font-size:13.333333015441895px; text-align:start; margin:0cm 0cm 0pt">
<span style="margin:0px; font-family:"Courier New"; font-size:10pt">Faculty of Arts Building<br>
University of Warwick<br>
Coventry<br>
CV4 7EQ<br>
UK<br>
<br>
E:<span> </span><a href="mailto:Alastair.Phillips@warwick.ac.uk" data-auth="NotApplicable" style="margin:0px">Alastair.Phillips@warwick.ac.uk</a><br>
W:<span> </span><a href="https://mywebmail.warwick.ac.uk/exchweb/bin/redir.asp?URL=http://www2.warwick.ac.uk/fac/arts/film/staff/phillips/" data-auth="NotApplicable" style="margin:0px">http://www2.warwick.ac.uk/fac/arts/film/staff/phillips/</a></span></p>
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<div id="divRplyFwdMsg" dir="ltr"><font style="font-size:11pt" face="Calibri, sans-serif" color="#000000"><b>From:</b> KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of kinejapan-request@mailman.yale.edu <kinejapan-request@mailman.yale.edu><br>
<b>Sent:</b> 25 September 2022 03:38<br>
<b>To:</b> kinejapan@mailman.yale.edu <kinejapan@mailman.yale.edu><br>
<b>Subject:</b> KineJapan Digest, Vol 52, Issue 6</font>
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<div class="PlainText">Send KineJapan mailing list submissions to<br>
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When replying, please edit your Subject line so it is more specific<br>
than "Re: Contents of KineJapan digest..."<br>
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<br>
Today's Topics:<br>
<br>
1. tenure-track position in East Asian Film and Media Studies,<br>
Hong Kong University of Science and Technology (Daisy Yan Du)<br>
2. Re: Adachi Masao's new film (matteoB)<br>
<br>
<br>
----------------------------------------------------------------------<br>
<br>
Message: 1<br>
Date: Thu, 22 Sep 2022 23:18:30 +0800<br>
From: Daisy Yan Du <daisyyandu@uwalumni.com><br>
To: Japanese Cinema Discussion Forum <KineJapan@mailman.yale.edu><br>
Cc: Daisy Yan DU <daisyyandu@ust.hk><br>
Subject: [KineJapan] tenure-track position in East Asian Film and<br>
Media Studies, Hong Kong University of Science and Technology<br>
Message-ID:<br>
<CADxLjQH7UD6WAs-Gi_P4WMZ_BG9qrV7_ZCOQ9OFbOaspB9nSdg@mail.gmail.com><br>
Content-Type: text/plain; charset="utf-8"<br>
<br>
Dear Colleagues,<br>
<br>
The Division of Humanities of the Hong Kong University of Science and<br>
Technology is seeking a candidate to fill a tenure-track position in East<br>
Asian Film and Media Studies. Japanese and Korean specialists are<br>
especially welcome to apply. Please feel free to circulate the job<br>
position. Thank you very much!<br>
<br>
Apply here:<br>
<a href="http://apply.interfolio.com/114001" data-auth="NotApplicable">http://apply.interfolio.com/114001</a><br>
<br>
Best,<br>
<br>
Daisy<br>
<br>
Daisy Yan Du, PhD<br>
Associate Professor<br>
Division of Humanities<br>
Hong Kong University of Science and Technology<br>
<br>
----------------------------------------------------<br>
Description<br>
<br>
The Division of Humanities of the Hong Kong University of Science and<br>
Technology (HKUST) is searching for suitable candidates to fill a<br>
tenure-track position at the level of Assistant Professor in the<br>
disciplines of film, media, or cultural studies. Areas of specialization<br>
include Chinese-language films, Japanese films, Korean films, East Asian<br>
films in comparative perspectives, media studies, or East Asian popular<br>
culture. Preference will be given to candidates whose research is<br>
border-crossing, interdisciplinary, and integrates the formal analysis of<br>
film and media with rigorous theoretical concerns. The position is to be<br>
filled beginning in Fall 2023. The successful candidate is expected to<br>
contribute to the introductory Common Core course, Critical Thinking, and<br>
Data Literacy, and teach courses in east Asian cinema, world cinema, and<br>
popular culture that complement current curricular offerings.<br>
<br>
Apart from a master?s degree program in Chinese Culture and a research<br>
postgraduate degree program at both the master?s and doctoral levels under<br>
the broad umbrella of the Division of Humanities, the Division offers<br>
general education courses for all undergraduates at HKUST. Together with<br>
the Division of Social Science, the Division of Humanities offers a<br>
multidisciplinary undergraduate major program of BSc in Global China<br>
Studies.<br>
Qualifications<br>
<br>
Applicants should have a PhD degree from a reputable university and show<br>
promise of becoming a colleague with a publication record of international<br>
impact, a record of grant/fellowship application, proven commitment and<br>
performance in both undergraduate and graduate teaching, and demonstrated<br>
service to the academic community and the public. English is the medium of<br>
instruction and administration at HKUST, but native or near-native<br>
proficiency in one major East Asian language is expected. HKUST is an<br>
institution promoting diversity. We therefore strongly encourage suitable<br>
candidates of diverse backgrounds to apply.<br>
Application Instructions<br>
<br>
Applications should be sent via Interfolio together with (i) a cover<br>
letter, including a brief statement of research and teaching; (ii) full CV;<br>
(iii) two writing samples of chapter/article length work, all in PDF<br>
format; and (iv) record of teaching performance and/ or outlines of two<br>
proposed undergraduate courses.<br>
<br>
Three reference letters should be submitted via Interfolio as the preferred<br>
method, or directly sent to hmlit@ust.hk.<br>
<br>
The Search and Appointments Committee of the Division will begin to review<br>
the applications from 31 October 2022. The review process will continue<br>
until the position is filled.<br>
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Message: 2<br>
Date: Sun, 25 Sep 2022 11:37:50 +0900<br>
From: matteoB <matteo.boscarol@gmail.com><br>
To: Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
Subject: Re: [KineJapan] Adachi Masao's new film<br>
Message-ID:<br>
<CAO3jzpye4Jq_d4OG2r4yDd18yUAPHogF=FNk+g1ZjsPvEtzLZQ@mail.gmail.com><br>
Content-Type: text/plain; charset="utf-8"<br>
<br>
Dear all,<br>
<br>
More details about the screenings of Adachi's Revolution + 1:<br>
<br>
besides the screenings at Loft venues (Osaka and Tokyo), REVOLUTION + 1<br>
will also have a one day screening at various mini-theaters around Japan on<br>
September 26th, 27th and 28th:<br>
Nagoya, Nagano, Niigata, Kyoto, Okinawa, Ishigaki island (!), Hyogo,<br>
Ibaraki...<br>
<br>
regards<br>
<br>
Matteo<br>
<br>
On Mon, 12 Sep 2022, 16:01 sissu tarka via KineJapan, <<br>
kinejapan@mailman.yale.edu> wrote:<br>
<br>
> dear all,<br>
> all that sounds very interesting and touching. Thank you for sharing<br>
> but can anyone please translate the content of the new film into<br>
> English? Sadly I do not have the skills of reading-writing Japanese<br>
> language.<br>
> My research on Adachi has started a number of years ago and I am<br>
> currently connecting landscape film-theory to current ecological<br>
> 'imagery and 'sensation' in anime/animation.<br>
> reading weather manipulation past and present.<br>
> thank you kindly,<br>
> verina<br>
><br>
><br>
><br>
> Quoting Markus Nornes via KineJapan <kinejapan@mailman.yale.edu>:<br>
><br>
> > I saw Adachi days after the incident, which he insisted was "murder" not<br>
> > "assassination." He was already deep into the script<br>
> > and preproduction tasks like lining up staff. He was giddy, especially<br>
> > because he had lined up some amount of the budget as well and the plan<br>
> was<br>
> > to release it the day of the state funeral, which had just been<br>
> announced.<br>
> > To this end, his other idea was to skip (or more like "screw" in the<br>
> spirit<br>
> > of things) the usual distribution routes like mini-theaters and instead<br>
> > show the film in clubs (thus, the Loft connection). Ueno Toshiya happened<br>
> > to be at this gathering; needless to say, they had a lot to talk about.<br>
> ><br>
> > As you can imagine, this is his sequel to *Aka Serial Killer.*<br>
> ><br>
> > Markus<br>
> ><br>
> > ---<br>
> ><br>
> > *Markus Nornes*<br>
> > *Professor of Asian Cinema*<br>
> ><br>
> > Department of Film, Television and Media, Department of Asian Languages<br>
> and<br>
> > Cultures, Penny Stamps School of Art & Design<br>
> ><br>
> ><br>
> ><br>
> ><br>
> > *Homepage: <a href="http://www-personal.umich.edu/~nornes/" data-auth="NotApplicable">
http://www-personal.umich.edu/~nornes/</a><br>
> > <<a href="http://www-personal.umich.edu/~nornes/" data-auth="NotApplicable">http://www-personal.umich.edu/~nornes/</a>>*<br>
> > *Department of Film, Television and Media*<br>
> > *6348 North Quad*<br>
> > *105 S. State Street**Ann Arbor, MI 48109-1285*<br>
> ><br>
> ><br>
> ><br>
> ><br>
> > On Mon, Sep 12, 2022 at 3:42 AM Jeremy Harley via KineJapan <<br>
> > kinejapan@mailman.yale.edu> wrote:<br>
> ><br>
> >> KineJapan!<br>
> >><br>
> >> Adachi Masao has already shot a movie about Abe's shooter Yamagami<br>
> >> Tetsuya, to be released on the day of Abe's funeral, Sept. 27.<br>
> >><br>
> >> <a href="https://smart-flash.jp/sociopolitics/200133/1" data-auth="NotApplicable">
https://smart-flash.jp/sociopolitics/200133/1</a><br>
> >><br>
> >> Adachi called the film?????????????<---revenge against the state.<br>
> >><br>
> >> Jeremy Harley<br>
> >> Mabashi Movie Festival<br>
> >><br>
> >><br>
> >><br>
> >> _______________________________________________<br>
> >> KineJapan mailing list<br>
> >> KineJapan@mailman.yale.edu<br>
> >> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" data-auth="NotApplicable">
https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br>
> >><br>
><br>
><br>
><br>
> _______________________________________________<br>
> KineJapan mailing list<br>
> KineJapan@mailman.yale.edu<br>
> <a href="https://mailman.yale.edu/mailman/listinfo/kinejapan" data-auth="NotApplicable">
https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br>
><br>
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