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<p class="MsoNormal"><span style="font-size:12.0pt">Dear All,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt">Here is the invitation to the CCJ event, featuring Barbara London of MoMA NY, artist Nakajima Ko, Ann Adachi-Tasch, and myself.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt">All best,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt">Alex<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:11.0pt;color:black"><img width="564" height="159" style="width:5.875in;height:1.6562in" id="Picture_x0020_3" src="cid:image001.png@01D9266F.E4933BE0"></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:25.5pt;font-family:"Helvetica Neue";color:#990000">January 12</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:47.5pt;font-family:"Helvetica Neue";color:#222222">CCJ Viewing Library</span></b><b><span style="font-size:25.5pt;font-family:"Helvetica Neue";color:#222222"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:48.0pt;font-family:"Helvetica Neue";color:#910000">Launch Event</span></b><b><span style="font-size:25.5pt;font-family:"Helvetica Neue";color:#222222"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:22.0pt;font-family:"Helvetica Neue";color:black">With </span><b><span style="font-size:22.0pt;font-family:"Helvetica Neue";color:maroon">Ko Nakajima, Barbara London, Alex Zahlten</span></b><b><span style="font-size:22.0pt;font-family:"Helvetica Neue";color:black"> </span></b><span style="font-size:22.0pt;font-family:"Helvetica Neue";color:black">and<b> </b></span><b><span style="font-size:22.0pt;font-family:"Helvetica Neue";color:maroon">Fusako
Matsu</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:11.0pt;color:black"><img width="564" height="317" style="width:5.875in;height:3.302in" id="Picture_x0020_2" src="cid:image002.png@01D9266F.E4933BE0"></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Helvetica Neue";color:black">From <b>Ko Nakajima,</b> <i>My Life, </i>1971-2014. </span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:11.0pt;color:white"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3De2cd7d328a-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=EjIR9p-79SjjYBV_UjTCEh6ndg392cYFnwBSyzoYG6A&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3De2cd7d328a-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><b><span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:white;border:solid white 1.5pt;padding:14.0pt;background:maroon">VIEW
EVENT</span></b></a></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:16.5pt;font-family:"Helvetica Neue";color:#444444">EST / 1/12/23, 7:00 PM<br>
JST / 10/13/23, 9:00 AM<br>
<a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3De5b878d8ef-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=BjDliQIZYCE_JeyJxNB52uc7923NE2b6M6tS05Rui2Y&e=" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3De5b878d8ef-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><span style="color:#007C89">FREE
WITH REGISTRATION</span></a><o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:15.0pt;font-family:"Helvetica Neue";color:black">On January 12 in the US, and January 13 in Japan, guests Ko Nakajima, Barbara London, Alexander Zahlten, and Fusako Matsu will help us celebrate the launch of</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D6337a50828-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=VXx_FZOebtlXd1hOVXKTFRVWTqCPG3jwEj9jSDJucKQ&e=" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D6337a50828-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><span style="font-size:15.0pt;color:#007C89"> <b>CCJ’s
Viewing Library</b></span></a></span><b><u><span style="font-size:15.0pt;font-family:"Helvetica Neue";color:#007C89">’s</span></u></b><b><u><span style="font-size:15.0pt;font-family:"Helvetica Neue";color:#757575"> </span></u></b><span style="font-size:15.0pt;font-family:"Helvetica Neue";color:black">beta
testing version with a discussion around Nakajima’s works with screenings.<br>
<br>
<b>In addition, Nakajima is offering a free screening of his key work, <i>My Life,</i> for the month of January!</b></span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:11.0pt;color:black"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D895d9d69eb-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=3bjZ5_9EgS5eR59C-RWtVDrmerj-YtuagEaKczphbjs&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D895d9d69eb-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><b><span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:white;border:solid #007C89 1.0pt;padding:14.0pt;background:#007C89">REGISTER
NOW</span></b></a></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D55513b0457-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=WEF3d7HOdJM9_zBaD8Gz5KY2JlmZ0ZPVqKUgskN2MIk&e=" title=""https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D55513b0457-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W"><span style="font-size:11.0pt;text-decoration:none"><img border="0" width="40" height="40" style="width:.4166in;height:.4166in" id="Picture_x0020_1" src="cid:image003.png@01D9266F.E4933BE0" alt="Facebook icon"></span></a><span style="font-size:11.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">The live event accompanies our four-month focus on the works of Nakajima in partnership with </span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D23550fb550-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=gU6LWkLpzvHnol6dMZNfggoQ5ikazots3avohxDsxVU&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D23550fb550-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><b><span style="color:#00867E">Keio
University Art Center. </span></b></a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Discover January’s program </span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Dee4e470ead-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=pCL_ZkRoukQanHAWL18mE3GaeoIa9jrIjGLPf5GeYtY&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Dee4e470ead-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><b><span style="color:#007C89">here! </span></b></a><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:30.0pt;font-family:"Helvetica Neue";color:#222222">What is the </span></b><b><span style="font-size:30.0pt;font-family:"Helvetica Neue";color:#880000">Viewing Library</span></b><b><span style="font-size:30.0pt;font-family:"Helvetica Neue";color:#222222">?<o:p></o:p></span></b></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">The CCJ Viewing Library is our latest distribution project at CCJ: a web-based subscription service offered to institutions and researchers. Its goal is to make a range
of Japanese experimental works accessible on-demand to an international community of educators, students, and interested individuals. Building on the relational foundation CCJ has cultivated with various artists, we are working together to: 1) open access
to their works, and 2) generate income for the artists. The beta version will be a testing version for CCJ to gather feedback from institutional subscribers and individual users, so that we can build a better viewing platform in 2023. <br>
<br>
The Library will include works by <b>Kohei Ando, Nobuhiro Aihara, Keiichi Tanaami, Ko Nakajima, Keiji Uematsu, Morihiro Wada, Arakawa & Madeline Gins, Morihiro Wada, Masanori Oe, Tsuneo Nakai, Norio Imai</b> and <b>Shuzo Azuchi Gulliver</b>: a broad introduction
to experimental moving image in 1960s-70s Japan, spanning video, film and animation.</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:23.5pt;font-family:"Helvetica Neue";color:#1C1C1C">Offers</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">Institutional Subscription - Semi-Annual / $1,500</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"><br>
This semi-annual (6 months) subscription service offers access for the subscribing institution’s authorized users (students, faculty, & staff) to view the works in the CCJ Viewing Library for class and research use. Please inquire with us using the form above
for further details.</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">Thematic Packages - 3-month / $800 per package</span></b><b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"><br>
</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Thematic packages will be made around the topics of experimental film, video art, visual artists’ works, and expanded cinema. Please inquire with us using the form above for
further details.</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<ul style="margin-top:0in" type="disc">
<li class="MsoNormal" style="color:#757575;mso-list:l0 level1 lfo1"><b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Experimental Films Package:<br>
</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Kohei Ando, Oh My Mother, 1969, 16mm, 10 min<br>
Kohei Ando, Like a Train Passing, 1978, 16mm, 3 min<br>
Masanori Oe, Head Game, 1967, 10min, film transferred to video<br>
Masanori Oe, Salome’s Children, 1968, 7min, film transferred to video<br>
Tsuneo Nakai, Paludes / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">パリュウド</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> | 1968<br>
Tsuneo Nakai, Alchemy / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">錬金術</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> | 1971<br>
Ko Nakajima, Anapoko / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">穴ポコ｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1963, 7 min, 16mm film, color, sound<br>
Ko Nakajima, Seizoki / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">精造機</span><span lang="JA" style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">
</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1964, 4 min, 16mm film, color, sound<br>
Nobuhiro Aihara, The Extinction of Landscape / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">風景の死滅｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> 1971, 8mm, color, 14:40 min. ©️Nobuhiro
Aihara<br>
Nobuhiro Aihara, Fairy Flower / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">逢仙花｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> 1973.4, 16mm, bw, 12:30 min. ©️Nobuhiro Aihara<br>
Nobuhiro Aihara, Shelter / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">シェルター｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> 1980, 16mm, color, 7:20 min. ©️Nobuhiro Aihara<br>
Nobuhiro Aihara, Stone / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">ストーン｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1975, 16mm, color, 7:30 min. ©️Nobuhiro Aihara<br>
Keiichi Tanaami, Human Events / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">人間模様</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> | 1975, 5 min., 16mm, color. ©️Keiichi Tanaami<br>
Keiichi Tanaami, LOOK AT THE WOOD | 1975, 12 min., 16mm, color. ©️Keiichi Tanaami<br>
Keiichi Tanaami, Yoshi Kei (Another Rainbow City) / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">幼視景（もう１つの虹色都市）</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">| 1979, 17:17 min., 16mm, color.
©️Keiichi Tanaami<br>
Arakawa and Madeline Gins, For Example, 1971. Written by Arakawa and Madeline Gins. Directed by Arakawa. Courtesy Reversible Destiny Foundation</span><span style="font-size:12.0pt;font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="MsoNormal" style="color:#757575;mso-list:l0 level1 lfo1"><b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Visual Artists’ Experiments: B<br>
</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Keiji Uematsu, 23.5</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1970,
4:20 min, Single 8mm, color, silent<br>
Keiji Uematsu, Compression—Relation of Matters / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">圧・態</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">―</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">構造の関係性｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1971,
14:39 min, 8mm, b&w, sound<br>
Keiji Uematsu, Earth Point Project—Mirror</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1972, 9:40 min, 8mm, color, silent<br>
Keiji Uematsu, Image of Image—Seeing / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">映像の映像</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">―</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">見ること｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1973,
15:50 min, video, b&w, sound<br>
Keiji Uematsu, Action, Stone—Nail—String—Light</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1976, 14:30 min, open reel video, color, sound.
©️Keiji Uematsu<br>
Shuzo Azuchi Gulliver, Switch</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1966-67, 20 min, 16mm, silent, b&w<br>
Shuzo Azuchi Gulliver, Watch</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1966-67, 20 min, 16mm, silent, b&w<br>
Shuzo Azuchi Gulliver, Box</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1966-67, 6 min (film portion), 16mm, silent, b&w<br>
Norio Imai, The Braun Tube</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1974, 18:21 min, sound, bw. ©️Norio Imai<br>
Norio Imai, Video Tape Performance—Kyoto / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">ビデオテープ・パフォーマンス</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">-</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">京都｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1977,
31:51 min, sound, color<br>
Morihiro Wada, The Recognition Construction №Ⅳ: Recognition Construction in Film /
</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">フィルムによる認知構造</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">№Ⅳ
</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1975, 16 min, 16mm, color, silent. ©️Morihiro Wada<br>
Morihiro Wada, The Recognition Construction №XIII Variation’85 / </span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">認知構造</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">№XIII
</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">変奏</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">’85
</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1985, 15:48 min, video, color, sound. ©️Morihiro Wada<br>
Morihiro Wada, The Recognition Construction</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">・</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Hyojyutsu (Against application or mimesis) /
</span><span lang="JA" style="font-size:12.0pt;font-family:"MS Mincho";color:black">認知構造・表述｜</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">1975, 20:07 min, video, color, sound. ©️Morihiro Wada</span><span style="font-size:12.0pt;font-family:"Helvetica Neue""><o:p></o:p></span></li></ul>
<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">Researcher’s Access - All-Access One-Week Viewing / $100 per week, limited to individuals with clear research purpose (*Members receive a $20 discount)</span></b><b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"><br>
</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Individual researchers may apply to receive a one-week viewing access to the collection listed below. Please use the form to tell us your affiliation and purpose of your research.</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:11.0pt;color:white"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D131d6f2eb9-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=-p8Fz3A0ysBe-9Pcyi1JZumP-HSyoX40LTQpjFfFUjw&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D131d6f2eb9-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><b><span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:white;border:solid #5D0000 1.5pt;padding:14.0pt;background:maroon">FIND
OUT MORE</span></b></a></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:27.0pt;font-family:"Helvetica Neue";color:black">Members’ Viewing: </span></b><b><span style="font-size:27.0pt;font-family:"Helvetica Neue";color:navy">Ko Nakajima</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><br>
</span><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">January -</span></b><b><span style="font-size:13.5pt;font-family:"Helvetica Neue";color:black"> </span></b><b><i><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">My
Life</span></i></b><b><span style="font-size:13.5pt;font-family:"Helvetica Neue";color:black"> </span></b><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">Study</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><br>
</span><i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">The Rooms in the Photographs—Ko Nakajima’s Rooms </span></i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">(2019)<br>
<i>My Life </i>(1971-2014)</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">February - Technical Experiments</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><br>
</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Animaker, Aniputer, Scanimate experiments</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">March - Documentary</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><br>
</span><i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Rolling Coconuts<br>
Have a Seat </span></i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">(1981)</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Helvetica Neue";color:black">April - CATV / Video Earth Tokyo works</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><br>
</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">TBA</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><br>
<br>
</span><i><span style="font-size:13.5pt;font-family:"Helvetica Neue";color:black">Each program will be available for viewing on CCJ’s </span></i><i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D2798e158b3-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=ay9IpE8bEgd4zNTgRwlT2QsJJfij_S8uO43jxF9FsTg&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D2798e158b3-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><span style="font-size:13.5pt;color:#007C89">viewing
platform</span></a></span></i><i><span style="font-size:13.5pt;font-family:"Helvetica Neue";color:black"> for CCJ members.</span></i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Ko Nakajima </span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">began his career in experimental animation with the creation of works
such as <i>Seizoki</i> (1964). At his solo exhibition at the Sogetsu Art Center, a space for avant-garde art in 1960s Tokyo, he produced <i>Seizoki</i> by painting directly on the film between screenings. His perennial interest in integrating new technologies,
exploring the potential of film, video, and eventually computer animation, joined his desire to explore human intersections with nature, as seen in his <i>Biological Cycle</i> series (1971-); he created the first work in the series, <i>Biological Life</i> (1971-),
by copying manipulated film footage onto video, then further manipulating the work with a video synthesizer.<br>
<br>
In 1971, Nakajima established Video Earth Tokyo, the pioneering video-art collective. Nakajima used one of the earliest available portable video recorders to document Video Earth Tokyo performance pieces and teach the new technology. Video Earth Tokyo members
created works, broadcast works on cable television, and participated in international exhibitions and emergent CG (computer graphics) conferences. In 1982, Nakajima introduced his <i>Aniputer</i>. <i>Aniputer</i> technology allowed wide access to creation
of video animation, as this personal portable computer integrated with a video camera, developed in collaboration with Japan Victor Company (JVC), allowed any user to directly manipulate video and images on a screen, creating animations in real time. Nakajima
used his expertise manipulating film, photography, and video with computer technology to create what is perhaps his best known work, <i>Mt. Fuji </i>(1984), a ninety-minute rhythmic meditation on nature, spirituality, and perspective.<br>
<br>
Nakajima has produced works in France, Canada, New Zealand, and Denmark. Representative works include <i>Biological Cycle</i> series (1971-), <i>My Life</i> series (1976-), <i>Mt. Fuji</i> (1984), and <i>Dolmen</i> (1987). His works are in permanent collections
internationally, including in Centre Georges Pompidou (France), The Museum of Modern Art (U.S.), Long Beach Museum of Art Video Archive (U.S.), and the Getty Research Institute Special Collections (U.S.).</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Barbara London</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> is a New York-based curator and writer who founded the video-media
exhibition and collection programs at The Museum of Modern Art, where she worked between 1973 and 2013. Her current projects include the book</span><i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Daa017453a7-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=hUX8DGwsEalV6DQtoCD1Nn3HRw3ZRTlPgycqn7PLUVQ&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Daa017453a7-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><span style="color:#F00A90">Video/Art:
The First Fifty Years</span></a></span></i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"> </span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">(Phaidon: 2020), the podcast series “</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Dac1cd422ce-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=ha36qbj2S2bB9helqdGbt2OhYHRwnRWj4L6nsVPiHg8&e=" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3Dac1cd422ce-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><span style="color:#F00A90">Barbara
London Calling</span></a>,</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">” and the exhibition “Seeing Sound” (Independent Curators International, 2020-24).</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Alexander Zahlten</span></b><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"> is a Professor of East Asian Languages and Civilizations at
Harvard University. His work focuses on popular film and media in Japan and East Asia. Publications include his co-edited volume <i>Media Theory in Japan</i> (Duke University Press, 2017, with Marc Steinberg) and his book <i>The End of Japanese Cinema</i> (Duke
University Press, 2017). Recent publications include “Between Two Funerals: Zombie Temporality and Media Ecology in Japan” in <i>positions: asia critique </i>(2021) or “Before Media Mix: The Electric Ecology”, in <i>A Companion to Japanese Cinema</i> (David
Desser, ed., 2022).</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"><br>
<br>
</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Graduated from Musashino Art University, Moving Image Division, <b>Fusako Matsu</b>researches photography and animation. Participated as an artist in VIDEOFORMS, a film festival
in France with Ko Nakajima. Matsu leads the archives and research of artists Yõji Kuri and Taku Furukawa.</span><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:#757575"> <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D995e32f94e-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_OGsvrmAVaTyWAyBOosgrT5eziG6Q0vDWCM1L1IeYZZXFgMjXtIZHBfsho-&s=Tke-PHUk0sRXsoVvQAtcKw7RxLzmF-4DZntYp2bhBJI&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__collabjapan.us12.list-2Dmanage.com_track_click-3Fu-3D6811ff8563069846ea9d89f67-26id-3D995e32f94e-26e-3D22ce6ceeb1&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=zz_4W_"><span style="color:#F00A90">https://matsufusako.tumblr.com/</span></a><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black">Copyright © 2023 Collaborative Cataloging Japan, All rights reserved.</span></i><span style="font-size:12.0pt;font-family:"Helvetica Neue";color:black"><br>
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<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span style="font-size:12.0pt;color:black">From:
</span></b><span style="font-size:12.0pt;color:black">KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Zahlten, Alexander via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Date: </b>Thursday, January 12, 2023 at 10:19<br>
<b>To: </b>Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc: </b>Zahlten, Alexander <azahlten@fas.harvard.edu><br>
<b>Subject: </b>Re: [KineJapan] Japanese Experimental Film Event<o:p></o:p></span></p>
</div>
<p class="MsoNormal"><span style="font-size:12.0pt">Dear All,</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt">As a follow-up to the below announcement of the online event regarding video artist Ko Nakajima and the launch of CCJ’s new library streaming service (Thursday evening, EST), I am inserting a message from
Ann Adachi, the founder of CCJ, about the streaming service. I’ll send out an invitation for the online event in a moment, though since it contains links I’m not sure it will go through. Otherwise you can check the CCJ’s website for this.</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt">All best, and hope to see you at the event later today / tomorrow (depending on where you are in the world)!</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt">Alex</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:13.5pt;color:black">Dear colleagues, </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">The </span><span style="font-size:11.0pt;color:#070706;background:#FFEE94">CCJ</span><span style="font-size:11.0pt;color:black"> team is pleased to announce the beta launch of our Viewing Library
program. With an aim to broaden the access to works we have been researching and presenting for students, faculty, and researchers, the Viewing Library includes a collection of works by 12 artists and it is meant to be used in the classroom and for individual
research purposes. Please visit </span><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.collabjapan.org_ccj-2Dviewing-2Dlibrary&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=UYbOFZmSi7bZeUhSAlkmO1xHdFbOc30XsFQ4vDRjoIoTF1ysM8qCNgQYRjyDp2wt&s=c1ggcEKYAjIoCuxXpQXnCB0Q5dDlUC8L9ikZ5hZP6jU&e=" title="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.collabjapan.org_ccj-2Dviewing-2Dlibrary&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=UYbOFZmSi7bZeUhSAlkmO1xHdFbOc30XsFQ4vDRjoIoTF1ysM8qCNgQYRjyDp2wt&s=c1ggcEKYA"><span style="font-size:11.0pt">here</span></a><span style="font-size:11.0pt;color:black"> for
more information. <i>Please note the program is not launched yet (will be on Thursday), and the Viewing Library is not yet viewable. </i></span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">The current viewing site is very basic and uses an available template that is not quite fit for this program. But with a grant received from the Japan US Friendship Commission, we will be working
to revamp the viewing site (where the Viewing Library will be hosted) in 2023. We are looking to add pedagogically friendly tools, and we welcome feedback on how we should improve this site. </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">To that end, <u>we would like to invite you to try the Viewing Library for free for a month</u>. After your trial, we would like to collect feedback, either via email or we might organize a survey. </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">And of course, we are also hopeful that you will find the program useful for teaching and consider working with your educational institution to subscribe to the program (a semi-annual subscription
gives you access to the entire collection, or a 3-month curated selection is also available). </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">This invitation is sent to a limited group of colleagues but if you think of someone who might be interested in this program, please let me know and we can extend the offer to them. </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">If you are interested, please let me know and we will set-up free access! </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">Please note there is a special online launch event on January 12th EST with Ko Nakajima, Barbara London, Alex Zahlten, and Fusako Matsu. Please register below!</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">With best wishes,</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">Ann</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black"><br clear="all">
</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial",sans-serif;color:black">Ann Adachi-Tasch, Executive Director</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:9.5pt;font-family:"Arial",sans-serif;color:black">Collaborative Cataloging Japan</span><o:p></o:p></p>
<p class="MsoNormal"><a href="mailto:ann_adachi@collabjapan.org" target="_blank" title="mailto:ann_adachi@collabjapan.org"><span style="font-size:9.5pt;font-family:"Arial",sans-serif;color:#0B60C9">ann_adachi@collabjapan.org</span></a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.collabjapan.org_&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=UYbOFZmSi7bZeUhSAlkmO1xHdFbOc30XsFQ4vDRjoIoTF1ysM8qCNgQYRjyDp2wt&s=Qc2JpahJhEILYEGTJYJNWMAwRHfqV4wOzqEtSd9a6Yg&e=" target="_blank" title="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.collabjapan.org_&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=UYbOFZmSi7bZeUhSAlkmO1xHdFbOc30XsFQ4vDRjoIoTF1ysM8qCNgQYRjyDp2wt&s=Qc2JpahJhEILYEGTJYJNWMAwRHfqV4wOz"><span style="font-size:11.0pt;font-family:"Arial",sans-serif">http://www.collabjapan.org/</span></a><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:12.0pt"> </span><o:p></o:p></p>
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<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span style="font-size:12.0pt;color:black">From:
</span></b><span style="font-size:12.0pt;color:black">KineJapan <kinejapan-bounces@mailman.yale.edu> on behalf of Zahlten, Alexander via KineJapan <kinejapan@mailman.yale.edu><br>
<b>Date: </b>Thursday, December 29, 2022 at 10:06<br>
<b>To: </b>Japanese Cinema Discussion Forum <kinejapan@mailman.yale.edu><br>
<b>Cc: </b>Zahlten, Alexander <azahlten@fas.harvard.edu><br>
<b>Subject: </b>[KineJapan] Japanese Experimental Film Event</span><o:p></o:p></p>
</div>
<p class="MsoNormal"><span style="font-size:12.0pt">Dear All,</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt">For those interested in experimental cinema from Japan and / or issues of archiving, and in discovering a new platform for accessing amazing works, please do consider attending the launch event for Collaborative
Cataloging Japan (CCJ)’s new library streaming service beta.</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:12.0pt">The online launch event on January 12 will feature screenings and a discussion between artist Ko Nakajima, curator Barbara London (MoMA), archivist Fusako Matsu and myself, moderated by organizer and CCJ founder
Ann Adachi-Tasch. You can find information on the event here: </span><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.collabjapan.org_events_2023_nakajima-2Dlaunch-2Devent&d=DwMF-g&c=WO-RGvefibhHBZq3fL85hQ&r=__ROkypPMfBMMPVia3CjGrxSJryXbwjGyfBDGhCKd68&m=ECrLZgXI-llOhU9rlju7tuDhz1zmjosMX5Gpe_GUX3N2JTX_FqQ63GzeSpAvRItg&s=7EVsBNj7pHcUlgRDCGc9JJXgTYD5DtdP3tFwnHBixOA&e="><span style="font-size:12.0pt">https://www.collabjapan.org/events/2023/nakajima-launch-event</span></a><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:12.0pt">This is also a great opportunity for university libraries to make films otherwise completely inaccessible available – so do pass this on to your librarians as well.</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:12.0pt">I wish you a peaceful transition to the new year- all best and take care,</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:12.0pt">AZ</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif">……………………</span><o:p></o:p></p>
<p class="MsoNormal"><sup><span style="font-size:12.0pt;font-family:"Times New Roman",serif">Alexander Zahlten</span></sup><o:p></o:p></p>
<p class="MsoNormal"><sup><span style="font-size:12.0pt;font-family:"Times New Roman",serif">Professor of East Asian Languages and Civilizations</span></sup><o:p></o:p></p>
<p class="MsoNormal"><sup><span style="font-size:12.0pt;font-family:"Times New Roman",serif">Harvard University</span></sup><o:p></o:p></p>
<p class="MsoNormal"><sup><span style="font-size:12.0pt;font-family:"Times New Roman",serif">(He / him / his)</span></sup><o:p></o:p></p>
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