<html><head></head><body><div class="ydp3098b120yahoo-style-wrap" style="font-family:Helvetica Neue, Helvetica, Arial, sans-serif;font-size:16px;"><div></div>
<div dir="ltr" data-setdir="false"><div><!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:ApplyBreakingRules/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:UseFELayout/>
</w:Compatibility>
<w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
</w:WordDocument>
</xml><![endif]--><!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin:0cm;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Times New Roman";}
</style>
<![endif]-->
<p class="ydpc97d22bdMsoNormal">The <i>Financial Times</i> this weekend carried an interview
with Koreeda Hirokazu where he talks about non-toxic film sets.</p>
<p class="ydpc97d22bdMsoNormal"><a href="https://www.ft.com/content/730a612f-ab2a-47b2-a902-a740b29eaca8" rel="nofollow" target="_blank">https://www.ft.com/content/730a612f-ab2a-47b2-a902-a740b29eaca8</a></p>
<p class="ydpc97d22bdMsoNormal" style="margin-top:6.0pt;layout-grid-mode:char;mso-layout-grid-align:none">The compressed jpg, attached, is a bit hard to read, but if you don’t have access,
there’s always paying the £1 !</p>
<p class="ydpc97d22bdMsoNormal" style="margin-top:6.0pt;layout-grid-mode:char;mso-layout-grid-align:none">Roger</p>
</div><div><br></div></div><div><br></div>
</div><div id="ydpa8b5188eyahoo_quoted_7545473449" class="ydpa8b5188eyahoo_quoted">
<div style="font-family:'Helvetica Neue', Helvetica, Arial, sans-serif;font-size:13px;color:#26282a;">
<div>
On Monday, 4 July 2022 at 02:47:29 BST, Markus Nornes via KineJapan <kinejapan@mailman.yale.edu> wrote:
</div>
<div><br></div>
<div><br></div>
<div><div id="ydpa8b5188eyiv5832997010"><div><div dir="ltr">Kore-eda's new Baby Broker has a notable scene featuring breastfeeding. Quite the contrary to Kawase's affective identification of breastfeeding with motherhood, Kore-eda presents it as a threat.<div><br clear="none"></div><div>Good movie, BTW. Call it <i>Shoplifters, Side B. </i></div><div id="ydpa8b5188eyiv5832997010yqtfd05678" class="ydpa8b5188eyiv5832997010yqt2152888885"><div><br clear="none"></div><div>Markus</div><div><br clear="none"></div><div><br clear="none"></div></div></div><div id="ydpa8b5188eyiv5832997010yqtfd65466" class="ydpa8b5188eyiv5832997010yqt2152888885">
</div></div></div><div class="ydpa8b5188eyqt2152888885" id="ydpa8b5188eyqtfd33505">_______________________________________________<br clear="none">KineJapan mailing list<br clear="none"><a shape="rect" href="mailto:KineJapan@mailman.yale.edu" rel="nofollow" target="_blank">KineJapan@mailman.yale.edu</a><br clear="none"><a shape="rect" href="https://mailman.yale.edu/mailman/listinfo/kinejapan" rel="nofollow" target="_blank">https://mailman.yale.edu/mailman/listinfo/kinejapan</a><br clear="none"></div></div>
</div>
</div></body></html>